On this day in music history: May 22, 1981 - āIt Must Be Magicā, the fourth album by Teena Marie is released. Produced by Teena Marie, it is recorded at Motown Hitsville U.S.A. Recording Studios in Hollywood, CA and Wanderland Recording Studios in Los Angeles, CA from Late 1980 - Early 1981. With her previous album āIrons In The Fireā still on the charts, Teena Marie begins work on her fourth release. She utilizes the members of her touring band including Allen McGrier (bass), Paul Hines (drums), James S. Stewart (keyboard), Jill Jones and Mickey Hearn (backing vocals). Marie is also supported in the studio by Patrice Rushen (keyboards), Gerald Albright (saxophone), Bill Wolfer (synthesizer), Temptations members Melvin Franklin, Otis Williams, Stone City Band Members Oscar Alston (bass), Tom McDermott (guitar), Daniel LeMelle (saxophone), and Marieās friend and mentor Rick James (vocals). The first single āSquare Bizā (#3 R&B, #12 Club Play, #50 Pop) co-written with McGrier is an immediate smash becoming Teenaās biggest single to date. It is also unique in that it is one of the first R&B songs to feature rap verses, at a time when rap is still considered by many to be a novelty. The title track āIt Must Be Magicā (#30 R&B), features The Temptationsā Melvin Franklin reprising his spoken vocal from The Marvelettesā 1967 single āMy Baby Must Be A Magicianā. The third single āPortuguese Loveā (#54 R&B) becomes a Quiet Storm radio classic and a fan favorite. The album ascends to the runner up spot on the R&B chart, ironically behind Rick Jamesā āStreet Songsā. In spite of the success, it also marks the beginning of the end of her relationship with Motown Records. The singer has issues with the label over her contract and royalty payments. Hiring attorney Don Engel to represent her, Teena looks to be released from her contract. The ensuing legal battle between both sides results in āThe Brockert Initiativeā, a precedent setting piece of legal legislation. It makes it illegal for a record label, to hold an artist under contract without releasing new material, or allowing that artist to leave and sign with another label. Eventually she is released from Motown, and signs with Epic Records in 1983. First released on CD in 1986, it is remastered and reissued in 2002, with liner notes by A Scott Galloway. The 12" mix of āSquare Bizā replaces the slightly shorter LP version, and includes three additional bonus tracks including the instrumental mix of āBizā and two live tracks recorded at the Long Beach Arena on July 30, 1981. The original nine track album is remastered and reissued in Japan in 2013 as an SHM-CD, packaged in a mini-LP sleeve. āIt Must Be Magicā peaks at number two on the Billboard R&B album chart, number twenty three on the Top 200, and is certified Gold in the US by the RIAA.