#sanfrancisco #lofi #goldengatebridge #bayarea #chrissyfield #marina

oozey mess
Doug Jones

Jar Jar Binks Fan Club
Show & Tell

Kiana Khansmith
Interview Vampire Daily
Sade Olutola
Aqua Utopia|海の底で記憶を紡ぐ
PUT YOUR BEARD IN MY MOUTH
d e v o n
EXPECTATIONS
🪼
let's talk about Bridgerton tea, my ask is open

#extradirty
occasionally subtle
The Bowery Presents
taylor price
YOU ARE THE REASON
Not today Justin

seen from T1

seen from Brunei
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seen from Canada
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seen from United States
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@remingtonlong
#sanfrancisco #lofi #goldengatebridge #bayarea #chrissyfield #marina

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Interviewing muralist Richard Wyatt about his mural outside of Capital Records

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Marcos en mars

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Stephen Shore—”American Surfaces”
In the early 1970s, Stephen Shore was eager to create images that would be more in tune with his time. He decided to turn to color photography, a technique that was then still largely overlooked by art photographers. In March 1972, he began taking snapshots of everyday life, embarking on a road trip that summer. For two months he cataloged his everyday existence: unremarkable buildings, main streets, highway intersections, hotel rooms, television screens, people’s faces, toilet seats, unmade beds, a variety of ornamental details, plates of food, shop windows, inscriptions, and commercial signs.
Explore the five-decade career of one of the most significant photographers of our time in Stephen Shore, now on view. mo.ma/stephenshore
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Image Credits:
Stephen Shore. “Amarillo, Texas, August 1973.” 1973. Chromogenic color print, printed 2017. Courtesy the artist and 303 Gallery, New York. Stephen Shore. “Clovis, New Mexico, June 1972.” 1972. Chromogenic color print, printed 2017. Courtesy the artist and 303 Gallery, New York. Stephen Shore. “Grand Canyon, June 1972.” 1972. Chromogenic color print, printed 2017. Courtesy the artist and 303 Gallery, New York.