I made this in a day and had a lot of fun doing so. At first I didn’t think I’d use this sample at all but it quickly provided me with all I needed. My favourite part is at the beginning when the keyboard sets in. For this song I tried to listen to the sample loop to hear what needs to be added. When you listen to something loop for a while your hearing starts to focus on different details of the loop, often making it sound way different than what it sounded like at first. That’s one of the many interesting things regarding perception. Those keyboard notes are what I heard first. Those notes made me hear something resembling vocals. So I tried to find words to match the vocal melody. I then used the google translate voice to have those words read to me, recorded them in Ableton and then warped them to match the rhythm. I also put effects on them, for good measure. The Dedotated Wam part was originally a lead instrument but I felt like a speech sample would work better. I then started looking at the original sample again and found the end part to be useful. Very simple but it sounds nice. Using a dolphin sample for the last third of the song was something I came up with when doing laundry because one of my clothes made a squeaky dolphin sound. It wasn’t easy to find a decent fake dolphin noise sample. Real dolphins don’t make the sound I needed.
Adding cheering kids after that was something I came up with the instant I added the dolphin sounds. That sample was very easy to find. I think the humor in this song made it so fun to produce.
Alright, what just happened there? I feel the need to explain this tune. So, uhm, it started out with me playing a riff on the guitar which was inspired by the original sample quite a bit, I guess you could say I kinda copied it. Whilst attempting to do so, though, another riff emerged from that. I recorded it and used my e-drums to play a (rather nice, if I do say so myself) drum loop to accompany it. Since I'm not well versed in the area of mixing guitar and drum sounds, tho, it ended up sounding like super poop. So I ended up slicing it up and playing the main part of the structure on Push. Which is, I played the whole thing over and over again in single takes until I reached a point where the result didn't have any MAJOR fuck ups in it anymore. And then I added the overdrive-effect by recording a feedback loop of the audio with a microphone, moving it back and forth in order to increase or decrease the effect's severity - which is also why the ending sounds like it does. Jeez, that was a whole bunch of work for a tune like that, wasn't it. Sure as hell took me a while to pull off. But it was fun. I didn't use any metronomes or any snapping for this tune, either. That was a first. And most definitely not a last. Heh.