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Well, that's something interesting to talk you about! What does your sexual experience entail, Doctor Beautiful?
Which is your preference, deep-throating your partner's spike or feasting on their valve? Who has been the biggest you've ever taken? (Was it pleasurable enough to do again?) Have you slept with a human or anyone from an organic species? Have you experienced a two-spike array before Wheeljack?
What's your wildest sexual experience? Your most boring/disappointing?
"I don't make a habit of sharing the finer details of my private life with strangers — even the shy ones."
However, there are certain details he doesn't mind letting slip, especially when he knows who might be listening. "I don't have a preference between eating valve and deep-throating spike; I enjoy both and I enjoy taking my time. There's a certain elegance in making pleasure every bit as tortuous as pain."
The rest ventures into territory far too personal to share with someone whose identity Knock Out can only speculate about. Those details are privileges, reserved for those who have actually earned them.
"I'd like to think I could handle someone as large as Megatron," he says at last, "provided they possess considerably more patience and servos that aren't quite so sharp."
He pauses again, weighing just how much he's willing to divulge before ultimately relenting. "I'm more than willing to have my limits tested so long as my partner takes their time... and isn't stingy with praise."
The medic pulls a face, electing to ignore the question about humans and organics altogether. His relationship with humanity became irrevocably complicated after Silas — darkened by violence and twisted into something he has long since stopped trying to untangle. It isn't a part of himself he has any intention of sharing, least of all with someone who hasn't earned that level of trust.
"As for a two-spiked array... " Knock Out trails off for a moment. "I can't say I've had any personal experience with one, not even with Wheeljack."
The statement should speak for itself. The war had done little to foster opportunities for meaningful partners, let alone those with particularly unique modifications. Truthfully, it has been a very long time since interface was a regular part of his life at all.
"Don't misunderstand," he continues. "There are certainly experiences that have stayed with me over the years. Most, however, were thoroughly mediocre — little more than fleeting distractions to pass the time or relieve a measure of stress."
He leaves it there.
There is no mention of how often others assumed his appearance made him eager, available, or easily persuaded. No admission of the pressure that followed him, or the ridicule he endured whenever he refused their advances. Those memories remain firmly locked away.
Do you have a scent kink, Doctor Beautiful? Maybe he'll let you kneel between his thighs, let you nuzzle his codpiece. His servo cradling the back of your helm as you breathe in his scent...
A scent kink? Maybe a bit.
However, it would be a waste of his talents if that's the only thing he's taking deep.
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The medic pauses, the word your catching somewhere in his processor. He isn't certain he has earned it, not yet. All things considered, the two of them have done little more than orbit one another with the occasional collision, each far too stubborn to be the first to yield.
"...Your choice of adjective leaves much to be desired."
I think smothering wheeljack is everyone's number one fantasy
"You're mistaken if you think I care what everyone else thinks. If they want that for him, then they don't understand him at all. My desires for him are entirely my own and they have never been predicated on his injury."
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In the back of his mind, Knock Out could practically hear Ratchet lecturing him about enabling unhealthy behavior. Perhaps the older medic would have a point. Knock Out, however, preferred to think of it as conditioning. Or, more accurately, curation.
If Wheeljack insisted upon treating his private quarters like a museum exhibit, masquerading blatant snooping as reconnaissance instead of making a proper attempt to understand someone he might be interested in, then the former Decepticon saw no reason not to arrange the displays himself.
Leaning against the edge of his desk, he turns a marker between his servos. It was almost insulting how obvious the Wrecker had become, leaving tiny disturbances that would escape anyone else's notice, but not his. Not when they carried the unmistakable signature of a mech who couldn't seem to stop taking him apart.
"You ridiculous, infuriating mech," he murmurs.
The words should have sounded annoyed. Instead, they come out fond. The truth was far more embarrassing. Knock Out wasn't merely tolerating the invasion to his privacy, rather, every miniscule indication that Wheeljack had been here sent a guilty thrill through his systems.
The Wrecker wasn't simply looking, he was studying, cataloguing, dissecting. Taking the Aston Martin apart one carefully stolen glimpse at a time and examining every piece to see how it fit together. The sensible part of him should have found the intrusion intolerable. Yet, he finds himself wondering what conclusions the Wrecker had reached. What objects he lingered over. What details he remembered. Whether he saw only the vanity or if he had begun excavating the layers buried beneath them.
It felt disturbingly intimate, allowing someone to perform an autopsy on a living spark. More disturbing still was the realization that Knock Out wanted him to continue, wanted Wheeljack to keep digging, to peel back every polished layer, every practiced smile, every carefully constructed defense until he reached the fragile machinery underneath. Not because he wished to be exposed, but because for the first time, someone seemed determined to learn how he worked rather than simply admire the finished piece.
If Wheeljack insisted on snooping, Knock Out would give him something to crave.
Moving to his dresser with a slow, deliberate stride, the medic sifts through his collection of lingerie. Bypassing soft silks, he settles on a pair of deep navy blue lace panties — sheer, restrictive, a Wrecker's favorite color. He lets his modesty panels slide open with a slow, agonizing hiss, cool air hitting his sensitive array before he slides the lace over himself. He ties the ribbons at the sides into tight, precise bows, feeling the fabric bite slightly into his slick mesh like a leash.
He retrieves an instant camera from the depths of a closet, the device feeling like a weapon in his talons.
Shifting, he moves to drape himself across his berth, not with grace, but calculated, inviting vulgarity. Click. The photo developed: Knock Out sprawled open, legs bent and wide, a servo gripping his thigh. Taking the marker, he scribbles on the back: I'm just a girl. He slides the photo into the back of a drawer Wheeljack tried to raid already — a little treat for a repeat offender.
Click. Another shot. This time, he is braced against the wall of the washracks, water beading down the curves of his thighs in glistening streams. You were looking for something else, weren't you? he writes, hiding it in a storage compartment like a forbidden relic.
Click. A close up of him blowing a kiss, his optics dark and hooded. Congratulations. You've unlocked a premium collectible. Now, imagine what else I can give you. This one goes into a cabinet, a trophy for the thief.
Click. A shot of him stretching in the mirror, his frame arched enticingly. Still digging? I'm beginning to think you're obsessed with me. He slips it onto a shelf, a barb to keep Wheeljack hooked.
As he progresses, the photos evolve from teasing to an intoxicating sort of honesty. He begins leaving photos of him smiling — a trapping, soft expression he tucks into the cases of datapads. Each datapad displays a preview of a location: scenic overlooks, bars with decent music, quiet places with good lighting, dance clubs, drive-in theaters.
Places he would genuinely enjoy spending time with Wheeljack.
On the back of each photo, he writes coordinates. Inscriptions. Take me on a date here.
This place has excellent views. You can admire the scenery and me.
You owe me dinner. Here's your opportunity.
I think I'd like this one the most.
He hides them in drawers, on shelves, the room containing little pieces of himself.
Unfinished, Knock Out decides the masterpiece requires a more visceral touch. Sinking back onto his berth, he slides a servo beneath the navy lace, his talons brushing against his node. Slowly, his cooling fans begin to whine, frantic and hungry, as he snaps a picture of his own servo pressing into and spreading delicate mesh.
Closing his optics, he imagines the navy lace tied around Wheeljack's audial fins, imagines the Wrecker beneath him, imagines the sounds he might make as he rides his face using the fabric to stifle and tease, wreaking havoc on Wheeljack's senses.
A shuddering moan escapes him as he rides his own talons, pretending the friction is the feel of firm, scarred derma and an insubordinate tongue licking him clean.
Armor platelets flutter as an overload trembles through him, lubricant spilling from his valve and soaking through the navy lace in a glistening stain. Vents straining, Knock Out leans back and tugs the panties down just enough to snap a photo of the aftermath — his valve swollen, webbed with strings of lubricant. The angle is deliberate, framed exactly as if Wheeljack had just stripped the fabric away with his teeth.
On the front, at the bottom, he writes Wheeljack followed by a heart with an arrow through it. On the back: Found what you're looking for, tough guy?
Removing the damp panties, he places the photo inside and tucks them into a dresser drawer, leaving a silk ribbon dangling out as an invitation. If the Lancia wants to learn about him through stolen glimpses, Knock Out will curate exactly what those glimpses contain: a minefield of intimacy.
After cleaning himself up, Knock Out decides on one last photo. Setting the camera on a timer, he stands before the mirror. Raising his servos, his talons form and imperfect heart, a soft, knowing smile on his face as the shutter clicks.
Turning the photo over, he writes: I'm crazy about you, you know. Ask me out properly. He tucks it into the edge of the mirror frame, impossible to miss.
Then, using the marker directly on the glass in the corner of the mirror, he writes a note for himself: Stay stunning, beautiful.
Capping the marker, Knock Out steps back to admire his handiwork and the carefully arranged trail of breadcrumbs leading straight to his spark. Wheeljack will find them eventually, he surmises. One drawer at a time. One confession disguised as flirtation.
Satisfied, Knock Out heads for the door. "Happy hunting, handsome."
Oh, darlin' baby.. You got me thinkin' about y'a too much. Just want to wreck 'n' rule you all night long.
A sharp, fractured sound slips from Knock Out's intake before he can stop it, lust and desire swelling with alarming force beneath his polished armor and settling into a heavy heat between his legs. Gripping the pillow beneath his helm, Knock Out tugs it free to press firmly over his mouth a second too late, as if softness could smother the fact he is already falling apart.
Heat coils through Knock Out's frame in slow, destabilizing waves, each one seemingly tightening further at the words lingering like shadows. His cooling fans kick in sharply, too sharply, whining in a way that immediately betrays him.
It isn't just the words, it's that he said them.
Wheeljack.
He imagines that rough cadence, that unfiltered honesty, the way he closes distance and leaves no space for Knock Out to recover himself properly afterward. His optics flicker once, unsteady, the words stripping him bare, as though every carefully maintained part of him was built entirely to come apart in Wheeljack's presence. His body reacting as if the Wrecker is standing right there, too close, looking at him and leaving him exposed in a way he has never been able to prepare for.
Knock Out lies there rigidly for a moment, as though stillness might restore order. It does not. Every thought he tries to piece together collapses back to the same impossible center: Wheeljack's voice, Wheeljack's effect on him, the vivid, imagined weight and feeling his strength as he forces him relentlessly into the berth.
'You don't know what you do to me,' he realizes distantly, the thought feeling less like analysis and more like surrender.
His grip tightens briefly against the pillow before loosening again. Slowly, agonizingly, the other servo trails down his chassis. Knock Out shudders visibly as his talons tease against the beading wetness already slickening the seams of his codpiece. Submitting to the surrender, too far gone to keep pretending he hasn't been entirely undone, he allows the panels to shift and transform away.
Stifling a groan, he circles his talons over his anterior node, clinging to those menacing words ( wreck 'n' rule ), trying to build a rhythm, trying to chase the charge from his circuits in a desperate attempt to regain some semblance of clarity. But it's useless, his own touch a poor substitute.
It isn't his own servos he wants driving him to the brink of a crash; he wants him.
Nothing about him is functioning the way it should.
After a moment, Knock Out exvents shakily, allowing his servo to fall back to his side. He pulls the pillow away just enough to let cooler air cycle against his faceplate. Slowly, he lifts a servo unsteadily to his helm, talons pressing there like he can physically stop the fracture spreading through his composure.
Then, he activates his commlink. Waits for the call to connect.
"I can't stand this," he says, voice roughened, too honest to be anything but a breaking point.
He listens to the silence.
"...I need you, Jackie," he admits, quieter now, static breaking his voice. "P̵l̶e̵a̵s̴e̸.̴"
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The words curl around his spark with unbearable ease, infinitely more devastating than the last.
Pressing the back of his servo against his mouth, Knock Out feels his armor platelets flutter as he fights down a surging charge threatening to spread everywhere at once. He can practically hear the rugged affection in that voice, casual and earnest in the way it slips beneath his plating before he has a chance to defend himself against it.
Slowly, Knock Out reclines further into the berth, thighs parting instinctively as his helm tilts back against the pillows. His optics shutter briefly, expression caught somewhere between exasperation and hopeless adoration.
"You're going to be the death of me," he murmurs under a vent.
What're some things you like bein' called in the berth, sweetspark?
The warmth that flashes through Knock Out's circuitry at the endearment is immediate and profoundly irritating.
Sweetspark. The name settles deep beneath his plating, warm and penetrative in a way that sends static prickling unevenly through his field. Dangerous.
Either someone ( Knock Out has his suspicions, can imagine a certain voice roughening around the edges ) is very confident, very determined to ruin him, or some catastrophic combination of both. A soft exvent slips from his intake as he reclines more fully across his bed, the polished silver of his talons tapping idly against a thigh as he considers the question with perhaps far more seriousness than he ought to.
The embarrassing truth is that he has thought about this before, far too often lately. About praise whispered low and intimate against his audials. About what it might feel like to be wanted with enough certainty that the possessiveness stopped sounding like teasing and started sounding genuine.
Knock Out blames the increasingly vivid dreams. The useless fantasizing.
Beneath the mask of his vanity, a slow smile curves across his face as he chooses to indulge the inquiry. "I tend to appreciate anything that sounds possessive when said with enough conviction," he admits.
Tilting his helm slightly, something mischievous flares through his optics. "'Mine' has a certain appeal to it."
The admission sends a pleasant little shiver down his spinal strut. Knock Out can already imagine the sort of tone he would want attached to the word: confident, certain, spoken like a claim rather than a question. "So do 'good girl,' 'brat,' 'kitten'..." The smile along his mouth softens into something warmer, more sincere. "...and 'beautiful.'"
That one affects him differently, not because it is particularly scandalous, but because being called beautiful requires a kind of attention he finds difficult to dismiss. It implies observation. Admiration. A lingering fondness capable of reducing him to a flustered, overheating mess far more efficiently than outright vulgarity ever could.
Another quiet pause follows before he adds, voice lower this time, "Especially when paired with praise."
His talons drag lightly against his thigh, slow enough to suggest he isn't entirely aware he is doing it. "Tell me how good I'm being for you. How good I make you feel."
The words leave him softer than intended and Knock Out immediately hates how honest they sound.
Yet, he continues anyway, optics half-lidded as a dangerous warmth settles over his frame. "Call me your baby, your doll, your princess..." his engine gives a faint purr, "...and you may find I'm willing to become yours far more completely than either of us anticipated."