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@reemansw
Daft punk

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"They are the privileged lovers who create a new world with their eyes of fiery passion." ― Rumi
Mystic Lovers Talon Abraxas
On the surface this reads as a love poem. And it is. But Rumi was a
Sufi master, and in the Sufi tradition, love is not a feeling between two people. It is a cosmic principle. The engine of existence itself.
When Rumi speaks of the beloved, he is speaking on multiple levels simultaneously. The human beloved, yes. But more fundamentally, the divine beloved, the presence that animates all of creation. And his central teaching, the one that runs through every poem, every whirling, every moment of his transformed life, is that this presence is not located somewhere else. It is not in a distant heaven or a future moment of enlightenment. It is here, now, in everything that exists, waiting to be recognized.
The mystics of every tradition have called this realization by different names. The Hindus call it the recognition of Brahman in all things. The Christian mystics speak of finding God in all creatures. The Hermetic tradition teaches that the divine is equally present in every particle of existence. Rumi calls it seeing the beloved everywhere, because for him the entire universe had become the face of the one he loved.
This is not a metaphor for optimism. It is a description of a specific state of consciousness that becomes available when the self stops insisting on its own separateness. When the membrane between the observer and the observed becomes permeable. When love expands beyond its object and becomes the medium through which you perceive everything.
At that point, you do not search for the sacred. You cannot look anywhere and fail to find it.
The flower, the moon, the night sky, the ground beneath your feet. All of it. All of it the face of the one you love.
Pyramid Consciousness
Seb McKinnon
Answered Prayers
. . . I love you. I wish we were real.
Anne Sexton, A Self-Portrait in Letters — Brother Dennis Farrell, 28th March 1963
Venezia - rialto mercato / drino

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Praia da Tocha, Portugal
Andrea Costantini

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Temptations, 2001
@Jason Langer
Autumn - Isabel Quintanilla , 1992
Spanish, b.1938-
Oil on canvas, 130 x 100cm.
Galerie Berlin,Hamburgo.

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Theo Eble (1899-1974) — Bright Night [oil on canvas, 1943]
...e non voler essere in nessun altro posto.