Wip sketch for my next work
Picnic and laying on the grass (?)—this one might take longer to figure out the perspective and structure.
I may update the final one in a week or so.. just really got caught up with work :(
Skif x Dalin
noise dept.
we're not kids anymore.
Not today Justin
RMH
Misplaced Lens Cap
will byers stan first human second
YOU ARE THE REASON
wallacepolsom
Show & Tell

JBB: An Artblog!
I'd rather be in outer space 🛸
he wasn't even looking at me and he found me
Jules of Nature
art blog(derogatory)
Sade Olutola
2025 on Tumblr: Trends That Defined the Year
cherry valley forever
styofa doing anything

Origami Around

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@redr9
Wip sketch for my next work
Picnic and laying on the grass (?)—this one might take longer to figure out the perspective and structure.
I may update the final one in a week or so.. just really got caught up with work :(
Skif x Dalin

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Strider
More skif x Dalin art.
I am terrible at shadin :(
Dalin need a hug 🥰
I LOVE that movie..! Probably the best I have seen these years...

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The final set design for the Spider-hideout. This set is extra special to me because I got to work closely with one of my good friends and Art Director of the film Patrick O’Keefe on this one. This design went through so many iterations and so many individual takes, but it wasn’t until Patrick took a whack at it that we started to find what would become the final version of this set. Patrick is responsible for the overall space and layout and I came in to basically digitally paint and decorate it, and also pepper in those sweet sweet easter eggs with a not-so-subtle hand. The idea here is that this Peter has got it totally figured out and he’s basically the best Spider-Man ever, and also learned to use his celebrity to help fund his endless watch over the city he loves so dearly. We tried to create the perfect work space for the Spider-Man of Miles’ world, who we so affectionately referred to throughout production as the “Full Potential Peter”. Imageworks killed it on this one and the set really looks like my paintings. One idea I wouldn’t let die was the inclusion of the original Spider-mobile. Anyways, I hope you enjoy.
Glen Keane’s Babies- Rapunzel
Ariel, Aladdin, Beast, , Pocahontas
On vous en dévoile encore un peu plus sur Kali Mata : le colorscript, des concepts et deux layouts réalisés par Amine.
Some of the color keys i did for Revolting Rhymes ! It’s an oscar nominated short film in two parts, you can see the trailer here :
CLICK
Laurits Andersen Ring - Young Girl Looking out a Window - 1885

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Some of the color keys i did for Revolting Rhymes ! It’s an oscar nominated short film in two parts, you can see the trailer here :
CLICK
your art is beautiful!!! what brushes/programs do you use, if you draw digitally? i love all of your stuff so much
Hi anon! I use Photoshop most of the time. I use the default pencil brushes from Photoshop CS6 and Kyle’s brush pack. I think all her brush pack is free now and you can download that inhttps://www.adobe.com/cn/products/photoshop/brushes.htmlHope my answer helps!
Guilt

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