Magic System - The Collingwood Affair
not to influence the results of that wip poll game but *will smith poses*
behold! the big stetson the magic system of the collingwood affair, as most of the main characters learn and understand it.
Mike Driver
Lint Roller? I Barely Know Her
AnasAbdin
he wasn't even looking at me and he found me
d e v o n

Discoholic đŞŠ
Show & Tell

JVL
Keni
I'd rather be in outer space đ¸
TVSTRANGERTHINGS

â

Janaina Medeiros
Xuebing Du
i don't do bad sauce passes
ojovivo

blake kathryn
we're not kids anymore.
seen from Germany
seen from TĂźrkiye
seen from Venezuela
seen from Venezuela
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from France
seen from United States

seen from United States
seen from United States

seen from Malaysia
seen from Slovenia
seen from France
seen from United States
seen from Kuwait
seen from Belgium
seen from United States
@redashtree
Magic System - The Collingwood Affair
not to influence the results of that wip poll game but *will smith poses*
behold! the big stetson the magic system of the collingwood affair, as most of the main characters learn and understand it.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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WIP Poll Game
Rules: Make a 24hr poll listing the titles of every WIP you want to work on. (Itâs fine if you only have one, still make a poll for the vote count). Whichever WIP title gets the most votes, write 1 sentence for every vote received.
thanks for the tag @marypsue!
should i work on...
ouroboros, ever hungry (the tragic rottmnt longfic)
the gravity falls triplets au fic
star wars parent trap au
Crimson Mazarine Midnight (original vampire novel)
The Collingwood Affair (original historical fantasy pirate yuri)
tagging uhhhhhhh god who's working on writing stuff rn.
@albatris @tracle0 @abloginnameonly @evetheindecisive @booksandberries and whoever else wants to play!
Stheno's Lament
I must apologize to you, little sister,
for everything I could not save you from:
Poseidon's hands,
his will, like the riptide, inescapable;
Athena's cruel punishment,
for she will always be a goddess first,
and a woman second;
Perseus' blade, and the underhanded trickery
which allowed the iron to kiss your throat.
We could not catch him,
Euryale and I,
but we tried,
beloved sister,
please knowâ
you must know that we tried.
You, the youngest of us,
should not have had to endure such torments;
were the Fates kinder, I could have protected you,
turned the Sea's grey eye away from you,
and bore the weight of it
myself.
You must know that
could I have spared you your sufferingâ
all of it,
any of itâ
I would have.
Darling sister,
I swear to you I would.
I swear to you I tried.
I'm sorry I could not help you,
protect you,
save you,
avenge you.
Failing all else,
dear sister,
Medusa,
I love you.
anatomy of a haunted house
I. Bones
the creaking of floors underfoot,
the scream of wrought-iron gates swinging open,
pillar and arch, corner and frame,
the structure of a home holding itself
aloft,
alert,
alive.
II. Stomach
dark and warm
or cold and damp
or dusty-dry;
the windowless spacesâ
closet, staircase, basementâ
eager to carry and keep and consume and
slowly
digest.
III. Skin
every doorknob,
light switch,
cabinet,
cushion,
socks upon carpet
and hands along walls;
deaf and blind, within itself
the house senses you only,
and always,
by touch.
IV. Hands
windows open cheery-bright or
ominous dark and
giving an illusion of choice,
escape,
a world outside their embrace,
holding you close holding you safe, you're safe,
you're safe because you can see outside,
you can see what it would mean
to leave the body of home.
V. Mouth
what else could it be
but the front door?
yawning, smiling, wide and inviting,
telling you: come in, come in, come in.
the lock under your hand
bolts with the soothing note of a lullaby;
you're safe,
you're home,
come inâ
and never-mind the desperate hunger.
VI. Heart
the heart allows the life of a thing,
allows it to continue being what it is.
lacking its own,
the house exists in this state
of arrested decay,
empty and yearning,
swallowing itself
trying to soothe the wretched ache.
beautiful,
bright little thing,
coveted thing,
you live inside and
give it life
again.

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Abraham and Isaac
Rembrandt, 1645 etching / John 13:34 KJV // stained glass from Flanders, 16th century / Ephesians 6:4 KJV // Jan Victors, 1642 / Romans 12:10 NIV // Caravaggio, 1603
poem compiled by Michael Alexson-Leyba
The Collingwood Affair
Genre: "Swashbuckler" fantasy
Themes: self-actualization, queer love and identity, cycles of abuse, imperialism, chaos vs order, cultural reclamation.
Status: outlining; I'm heavily in the "all vibes, no plot" zone rn.
3-Sentence Pitch: Winfrith Collingwood has no illusions regarding his place in the royal navy. He knows he was only made a captain because of nepotism. Well, that and the magical experimentation that made him the dangerous abomination that he is today... but he's certain the nepotism still played a part.
always ready with jokes and advice, a story of a faerie queen, a battle of wits and double-meanings, all to draw Romeoâs attention away from his forlorn and aching heart. and you think perhaps you could love him, if you did not already know what he looks like in love. you live on the outskirts of a quiet war, and find it mystifying, more than anything, that these two foolish families cannot stop their quarrel long enough to see the wounds they deal themselves. always at Benvolioâs side, and you wish he would give you the time of day, even a glance. he asks you of Tybaltâs strength as a duelist, and you sing praises of the man, his skill, his grace and you look for some flicker of jealousy in Benvolioâs eye. Romeo spins pretty words of love, tries to withdraw from the fight, but you have seen Tybaltâs anger, and stoked it higher yourself, and you know your friend will die maybe not today but certainly at the hand of a Capulet, and in the interest of redirecting Tybaltâs blade, you draw your own. âA plague on both your houses,â and you have never had a stake in this feud but it has finally put its stake in you, and sweet Benvolio all but carries you off the street, holds your hand as your strength fades, tells you help is coming, though you both already know it will not be soon enough. you ask him, dear Benvolio, for a kiss. frame it as a joke, a final tease between you. when he obliges, leans down to brush his lips to yours, you taste your blood and his tears.
on being the gay best friend in a tragedy, Mickey Turner
kindness from the universe
âwelcome to the real world.â
âlife isnât fair.â
âthe universe doesnât owe you any kindness.â
how arrogant,
to think that kindness comes from the universe.
and how foolish,
to think it is something owed,
or something that must be earned.
kindness,
fairness,
love,
dignity;
these things come not from the world,
but from people.
the universe feels no obligation
to be kind.
thatâs why
it gifted
the responsibility
to us.
ancestral america
i see the records of people long dead
who carried my blood, my name.
what amazing luck it is
to have ancestors
trackable through time
and beyond borders.
but there are so many
we will never know the names of.

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Nobody considers how the evil villainâs henchmen must feel on their way home from work after getting their ass kicked attempting to carry out their required jobâs duties and stop the superhero from ruining their bosses evil plans.
âDid you get that this morning?â Ezekiel asks, wincing slightly at the sight of his top henchmanâs split lip, and the way sheâs leaning slightly to one side, favoring her right leg. Sheâs also got long sleeves on, and more makeup on then she usually wears, no doubt hiding a bruise or six.
âYes. Iâm taking the teamâs medical expenses out of the budget for next month,â Gardenia informs him matter-of-factly. âFonda and Ueda have second degree burns, and Nilsen will be lucky if his fingers heal straight.â
âHm. So many heroes have gotten meaner recently, havenât they?â Ezekiel carefully keeps smiling, aware of the crowd around them. Heâs sore from the fight, too, and would like nothing more than to go home and sleep for a day. He canât leave yet, though; not until this event is over, and all the board members and pushy reporters and overdressed shareholders have gone. There are appearances to keep up as the CEO of a multimillion-dollar company, after all. âWhich part of the budget?â
âUnless we want to cut into our workersâ pay⌠the submarine lair has to go,â Gardenia informs him. Ezekiel takes a deep breath. âAnd the freeze ray. Itâs ridiculous.â
âF-- fine,â he says, trying and failing not to sound petulant about it. Then he takes another breath, counting to five in his head before releasing it. â...You should go home.â
âSir?â his assistant gives him a suspicious look.
âWe donât both need to stay and suffer,â he tells her. Gardenia hums, not quite an agreement.
âAfter dessert,â she says, after a momentâs pause. âWe went all out, got that fancy chocolate raspberry cheesecake; Iâm not letting my money go to waste.â
âMy money, you mean,â Ezekiel reminds his henchman. She gives him a flat look, then pats his arm, only a little bit patronizingly.
âSure, sir. Your money.â she replies. Ezekiel huffs.
âI should kill you, promote Matos instead,â he says.
âMatos doesnât know which side of a knife goes in someone,â Gardenia stretches herself to full height, looking over the crowd, and gets a gleam in her eye when she sees dessert being brought out. âSo, the submarine?â
âFine, I said yes already. The submarine goes.â
âAnd the freeze ray?â
â...And the freeze ray,â he confirms with a sigh.
âIâll make a note of it, sir.â
For M, M, U, and all soft hearts who dream about the future.
.
Soft grey
suit,
house,
clouds,
sweater.
Hands held
back to back,
fingers hooked together.
Far away, the highway sounds like waves,
and his voice is quiet, asking questions of the woman in the grey suit,
and the almost-silence lends well to subtler senses.
The Town of Lily Lake / part ten
Final Chapter!! :D
read previous chapters at @redashtree or here on ao3.
In most towns out westâŚwell, it doesn't really matter what most towns are like, does it? Someone could say a lot of things, âbout how Lily Lakeâs different from its neighbors, out in the western desert. They could speak on how in most towns, a spider is just a spider, a handshake is nothinâ more. Or about the way, in most towns, power is held in wealth or weapons, not hidden under skin and behind glamours. They could mention how in most towns, a dust storm hides no monsters, an eyepatch hides no danger, and the faefolk are thought of as nothinâ more than stories. But none of that matters much at all.
âCause Lily Lake ain't one of those towns.
:::::
Lee âLuckyâ Byrd ainât fully fae, but heâs lived in Lily Lake the whole twenty years of his life so far, and heâs got enough faery blood in him to know how to make a Deal.
âWhatâll you give me?â he asks, grinninâ as the gaggle of children in front of him mutter and deliberate, talkinâ and reachinâ over each other to suggest things. Lucky adjusts the hat on his head, makinâ sure his curls and the eyepatch he wears are both held in place. He can't really wink anymore, with his right eye gone, but he grins his tricksterâs grin jusâ the same.
âA riddle!â Kelly OâConnor offers.
âGold!â Vincent Keller suggests, though he has none.
âThese!â Ruben and Roseanne Cho chime in unison, holding between them at least seven live whiptails.
âHowâd you catch those?â Glen Keller, the youngest of Mildredâs four, demands, standinâ up on tiptoe to see the lizards closer.
âAnâ what am I supposed to do with âem?â Lucky asks, laughinâ good-naturedly, then turninâ when there's a tug on his right sleeve.
âThis,â offers little Arlene Bowman, the very youngest of the assembled lot, anâ most certainly a changeling, because she calmly uncurls her hands to reveal a live scorpion inside, still and small and white. The other children yell out in shock or fear or both, jumpinâ back from the girl anâ her deadly prize, and Lucky can't help laughing again outta surprise.
âPerfect,â he tells her, holdinâ out a hand for the bug. It crawls readily from the girl's hand to his, anâ he puts it carefully on the rim of his hat.
âNow will you show us?â Phillipa Solomon asks.
âYou sure you wanna see?â Lucky asks, raising his visible eyebrow at them.
âYeah!â a chorus of eager voices, some more sure than others. Lucky reaches for his eyepatch, and--
âLucky Byrd, don't you dare!â Mildred Keller scolds from a little ways down the road, where she's just noticed them.
âUh oh. Run!â Lucky says, and the kids do, scattering in all directions. âAfternoon, Mrs. Keller!â
Mildred gives him an exasperated look that heâs well used to, and Lucky-- well. Heâd wink if he were able.
:::::
âYou're not coming in with a scorpion on your head,â Marie says when she answers the door, one hand on her pregnant middle.
Lucky obediently takes his hat off, shakes it until he sees the creature fall anâ scurry away.
:::::
It's strange, Lucky thinks sometimes, how easily they've settled into knowing each other, into beinâ something nearly, nearly, akin to family. His step-mother, barely six years his senior, and his father, who Dealt him away, and Lucky, whoâs heard more of his own past and nature in the last few months than the whole rest of his life combined.
It's strained, sometimes, like strings pulled taut where they shouldn't be, like sharp knife edges and the harsh grate of wind blowinâ sand against skin, as Lucky tries to make a comfortable place for himself in his changinâ life.
Everythingâs changed, now. All in Lily Lake know their sheriff ain't human. Most know that Lucky ain't, either. Most people don't seem to think much of these revelations; most of the townsfolk have known the Sheriff anâ Lucky both too long to be spooked. On occasion, though, Lucky notices small shifts. There are a few more iron horseshoes nailed over doorways, a few more suspicious glances, a few more overheard warnings from adults to children. Don't go angerinâ the Gentry.
:::::
Lucky thinks he should be angry, with Jaime, with Lucas, with someone⌠but he doesn't feel much of anythinâ about being the sheriffâs claim. It's already happened, and it ain't changinâ, so Lucky doesn't see the point of beinâ resentful about it. He feels bitter, sometimes, but it ain't directed at anyone. It just...is.
He still doesn't talk to Lucas, much, but he knows now not to fear him.
:::::
When Lucky asks for the photograph of his mother, the Spider just hands it to him. It is the first anâ only freely offered gift that Lucky anâ his aunt will ever exchange.
:::::
Sheriff Zach Lucas has made a great many Deals, over his life. Most things he gains, he keeps in his home, hidden and safe. A few, though, he keeps at the sheriffâs station, locked and warded in a drawer in his desk. Among these treasures: a land deed, a heart, and a single eye.
:::::
Elizabeth âDocâ Watkins knows more than she cares to, now, about Sheriff Lucas, and Lucky Byrd, and a few other things besides. But Doc knows, more importantly than anythinâ else, that the Good People anâ their business ain't nothinâ she can speak on. So she ignores the whispered rumours, âround town, anâ holds her tongue. Livinâ in Lily Lake would teach anyone that much.
:::::
Jaime says he can sense something Other in Lucky. Hiding underneath, the way Jaimeâs human shape hides mandibles and claws and multitudes of eyes. Marie doesn't see it.
Luckyâs joints don't bend the wrong ways, his nails and teeth are only as sharp as her own. His eyes hold the glint of a trickster, a mischief maker, but that isn't something purely fae. No one would ever know from lookinâ at him, exactly what he is. Maybe that makes him more dangerous, in a way, if he really is something inhuman on the inside.
:::::
âCan I see?â Grace asks, too curious for your own good, but her tone isn't that of a child lookinâ for a story. It's that of a friend, worried about him.
They're both sitting on the Hartsâ porch, enjoyinâ a cool, cloudy day. Walter, tail wagging, lays his chin on Graceâs leg, and she scritches behind his ears, but doesn't take her eyes away from Lucky.
âIt ain't pretty,â Lucky tells her.
âDidn't think it would be,â she replies, and Lucky quirks a smile.
He pulls his eyepatch up. The skin around where his eye should be is scarred, five jagged lines placed like-- claws, Grace realizes. The sheriff clawed the eye outta Lucky's head. In the socket is an eye of gemstone, shiny and black. Walter whines, but doesn't move from Graceâs side.
âWhy dâyou wear a patch over it if you've got that in there?â Grace asks.
âItâs new. Doc said I should put somethinâ in there, so the socket don't get all misshapen, and the Spider gave it to me for a song. Can't see through it, of course, but Iâm still gettinâ used to the feel of it, I guess. âSides, I don't wanna scare people,â Lucky shrugs. Grace sniffs, a curt, dismissive sound.
âLucky Byrd, I think you're overestimatinâ how scary you are,â she tells him solemnly, and Lucky grins, winkinâ at her so that, for a lightninâ quick moment, his black stone eye is all she sees, with her reflection lookinâ back at her from inside it. Graceâs breath catches.
Then Lucky puts the eyepatch back. The moment passes. Grace stops feelinâ like a hare starinâ down a coyote. She shakes her head, anâ smiles at her friend.
The Town of Lily Lake / part nine
Previous chapters on this blog ( @redashtree ), or read here on ao3.
âYou son of a--â Eun-ji hisses, Lee cradled close in her arms, wrapped up in a blanket. Jaime reaches out, but Eun-ji retreats a step, keepinâ out of reach. âYou gave up our daughter! You dealt away your own child!â
âI didn't think I would have a child!â Jaime shouts back, eyes opening over his body, teeth growinâ into defensive fangs. âI made my Deal with Lucas years ago, how could I have known?â
âIâm leavinâ town. Don't you even try to follow me, Jaime Byrd.â
âYou can't leave, Eun-ji. Eun-ji!â Jaime moves forward again, catching her arm, making her hold Lee tighter. âLucas has claim over Lee, if you take her out of town thatâs you slightinâ him, stealinâ what by our Law is his.â
Eun-ji looks up at her faery husband with all the rage and hatred and disgust he is so used to, from other humans, but not from her. Never from her. Not before this very moment.
âThen Iâm leavinâ this house,â Eun-ji says, pulling away from him. âAnd you are never gonna speak to me or my daughter, you understand me?â
Then she throws his true name at him like a knife, the precious thing heâd traded her now ringing in his ears, and Jaime bares his fangs in seething rage.
âYes,â he growls, because what else can he do but obey?
âGood.â
And Eun-ji leaves, and takes her child with her.
:::::
The Spider and the Scorpion are twins, cunning and dangerous, all jagged edges and sharp silver tongues. They make Deals and tell half-truths with a wink and a grin.
They don't come from this land. They followed the humans that believed in them across the sea. Here, there are others inhuman as they are, and other humans; new peoples to be bargained with, unknown stories to hear and be told.
Here, though, the presence of their Court is small, and slowly waning, even as their humans from across the sea claim more and more and more.
:::::
It takes them hours to make the Deal. As humans rarely understand, bargains are delicate, and must be treated as such. Terms are set and reset, loopholes closed and addendums made, until all parties are, if not happy, then at least content with the trade.
Lily gives them safe haven, just at the edges of the town heâs established; under his protection, but only just. He claims them, and tells them they should think about actinâ a little more human.
The Spider does not accept this suggestion, and stays wild, in the desert, at the boundary of Lilyâs Lake. The Scorpion becomes Jaime, and the surname will change a few times before he meets Eun-ji, and again before he meets Marie.
They make a Deal.
One twin promises a firstborn child he does not intend to have. The other promises a heart she doesnât particularly care to keep. They both think themselves rather clever when Lily accepts.
:::::
Eun-ji doesn't know how to categorize the sound her husband is making. It's somethinâ between humming anâ singing, the sounds mimicking but never fully forming words. She smiles, soft and happy, looking away from the book she's readinâ and putting her hand in his own. He looks up at her, and smiles back, mirror-image, squeezing her fingers without any strength. She's sitting in the grass, Jaime laying with his head restinâ on her leg.
Her middleâs finally started to look like there might really be a baby growinâ inside it, and Jaime is fully enraptured, so curious to know what their child will look like, will be like. He's always looked at Eun-ji with the strange, possessive, intense kind of love that the Fair Folk come to feel the easiest, but with this, with their unborn firstborn, an entirely new, more gentle type of love starts to spark behind his eyes. It's almost unsettlingly strange to see, this nearly-human sort of love in her faery husbandâs face.
Jaime keeps singinâ to the baby, and Eun-ji goes back to her book.
:::::
They are arrogant, and greedy, and like the humans from across the sea, the twins make a plan to claim more and more and more and more. They gain allies within their Court, and they try, and they fail, their numbers not enough to face the spirits who belonged here first. To avoid any more fighting than what will already be, their Queen exiles them, leavinâ the twins to the desert.
:::::
Lilyâs Lake wasn't ever a lake, in the literal sense. It is desert, dry dust and rock and bone, and likely won't ever be much more.
But itâs a place of refuge, of home, of belonging, and to some, that makes it worth more than a lake, even in the desert. Itâs worth enough that the faefolk among its residents are willing to Deal with Lily. And the human folk rarely stop to wonder who it is they're belonging to.
:::::
The Spider gets a camera, from a man passinâ through town, and takes to photographing all she can, birds and insects and lizards and occasionally people. Nothinâ ever sits still enough for the pictures to turn out, but she keeps tryinâ. She photographs Eun-ji, twice, keeps one picture for herself and trades the other to Jaime for a swig of whiskey from a stash he rarely touches. The pictures develop blurry, but Eun-ji is grinning in both, bright and true, her hands folded in front of her stomach, where the very beginnings of a bump are starting to show.
:::::
Eun-ji leaves her Bible in the parlor when she goes, and she doesn't come back. She doesn't ever come back for it. Jaime tucks the photograph in between its pages, and leaves it on the shelf.
:::::
âGood kid you got,â the Spider winks with three of six eyes, and Eun-ji glares daggers from her bed.
âIf I had the strength, Iâd throw you out the window,â she says. Another of the Gentry might see this as a threat, an insult, but the Spider is amused.
âYou ain't got enough strength to throw a horseshoe,â the faery shoots back, grinninâ wide enough to show all her teeth.
âIâm not makinâ a deal with you,â Eun-ji closes her eyes, leans back into her pillow, ignoring the instinctual fear that tells her not to take her eyes off the creature by her bedside. âAnd I don't want you makinâ any Deals with my daughter.â
The Spider laughs. It's the kind of sound someone makes when they know more than anyone else in the room, and are pleased with themselves for it. Eun-ji doesn't think much of it; the Spider, anâ most fae, tend to sound like that more often than not. Eun-ji opens her eyes, though, looking at her former sister-in-law just in time to see the Spiderâs eyes all turn from lilac back to gold.
âI won't make any Deals with your daughter,â the Spider replies, crossing one claw over her chest in a cross-my-heart gesture. Eun-ji scoffs.
âI know your heart isn't in there,â she points out, flat and unamused.
The Spider only laughs again.
:::::
The Spider waits, in her lightning-struck tree, for Lucky to realize who he is, anâ come to her. There are visions seen in purple, but they don't all match up; she isn't sure âtil he arrives which questions and which truth he will be bringinâ with him.
âHowâd you know I was a boy âfore I did?â he demands, ten years old and out in the desert alone, echoing half her visions anâ breaking the rest. The Spider grins, spinning down from her tree to crouch at her nephewâs eye level.
âI can see the futures,â she tells him. âWhat do you have for me, little Lucky?â
He offers three bloody teeth in a pouch, shed from his own skull, and the shimmering body of a dragonfly.
âI wanna make a Deal,â he says to her, for the first time and far from the last. They trade in stages, small things for small things over months, and then years, until Lucky Byrd is a young man. It's taken long enough-- the same length of time as any child growing into an adult-- that very few people in Lily Lake think to question it.
And every time she makes a Deal with the boy, Sheriff Lucas comes questioninâ after him, possessive and protective of his claim.
:::::
When Jaime meets Eun-ji, he is a Byrd, trying to make up for something lost, and his twin is willing to play human for the comfort of his bride. Eun-ji is a spark, bright and powerful and full of life in ways Jaime thinks of as fascinating, other, like a puzzle to be solved. She Deals and half-lies and spars in wits with him, and she is not a faery, but she is dangerously clever and silver-tongued.
She has his heart, and then his hand, and then his name, and then she has his secrets and she is gone because of them.
:::::
When Jaime meets Marie, he is a Hart, trying to make up for something lost, and his twin thinks him too human now, boring, emotional, ridiculous, beneath her. Marie is a sunbeam, bright and powerful and thoroughly, humanly, kind, in ways Jaime doesn't try or even pretend to understand. She Deals and trades truths and spars in jokes with him, and she is not a faery, but she is needle-sharp and deceptively unassuming.
She has his heart, and then his secrets, and then his hand, and his name is his own again but hers is even more closely guarded. She knows him, and loves him, and doesn't leave, and he knows her, and loves her, and makes himself be human enough for it.
The Town of Lily Lake / part eight
Previous chapters on this blog ( @redashtree ), full work here on ao3.
(Warnings this chapter for more blood & injury, infection, and surgery, though still nothing graphically described.)
Zach grits his teeth, pressinâ his hands uselessly against Luckyâs bleeding chest, as more anâ more townsfolk wander outside into the dust. He hears whispers, gasps, Luckyâs name and his own, and he doesn't look for the sources of these.
He scoops Lucky into his arms, stands, and turns toward Docâs place⌠and his gaze meets Grace Kellerâs fearful one, for just a moment.
âGrace,â the sheriff orders, and the girl startles, ârun to the Hartsâ property, outside town. Tell Jaime that Leeâs hurt.â
Confused but determined, Grace nods, anâ sprints away, into the storm.
:::::
Doc hurries to clear things off her table, lettinâ the sheriff put Lucky Byrd down onto it. She gathers medicines and tools, needles and rags, and goes to the boyâs side. Luckyâs breathing is wrong, too fast and out of rhythm, anâ bloodâs already soaked all through his shirt.
âIâll do my best,â Doc tells the sheriff, who's got a hand on his chest, rubbinâ at it, lookinâ as pained as if heâd been the one shot. Outside, a gust of wind drives sand against the windowpanes.
âIâm stayinâ here,â Lucas replies. âI can help.â
âAt your own price,â Doc narrows her eyes, but the sheriff doesn't flinch from her stare. âFine. If you wanna help, start a fire, anâ boil some water.â
They get to work.
:::::
Grace pounds on the Hartsâ door for what seems like much too long a time, before Marie opens the door.
âGrace?â
âMissus Hart, whereâs your husband?â Grace asks, still out of breath. âIâve got a message for âim, from the sheriff.â
:::::
Everything is fuzzy. There's nothing keepinâ his thoughts inside his head. He doesn't really know if thatâs an effect of beinâ shot, or if itâs the medicine Doc gave him.
âIâm sorry I know your name,â he says, and the sheriff looks up, and doesnât respond. âI know I shouldn't have said anythinâ about it. I won't tell, you know. I wouldn't ever use it.â
:::::
âI know,â Lily replies, because he does. Lee Byrd is half human, and half fae, but he ain't one of either kind thatâd use someone's name against them. If Zechariah Lily was the sheriffâs true name, he might feel differently about lettinâ Lucky know it, but it ain't, so he doesn't.
âHold his arms still,â Doc orders, and the sheriff does.
âYou should know my name, too,â Lucky continues.
âHush, boy,â Doc interrupts him. âDon't say nothinâ stupid.â
:::::
Jaime enters Docâs home without knocking, Marie and the Keller girl close behind him. And there is Lee, on the table, bleeding, mumbling indistinctly around the leather belt the doctorâs stuck in his mouth. Jaime starts forward, but Zechariah is there, pushing him back.
âYou ainât got rights to this claim. I sent Grace to tell you out of courtesy,â the sheriff says lowly. Jaime looks at the sheriff with surprise, and something almost like gratitude. Courtesy. What a strange, human, reason to do anything. (Stars above and dark below, Jaime wonders, has spendinâ these last years in human skins really changed them both so drastically?)
âCourtesy,â Jaime echoes. Lily narrows his eyes.
âYou weren't there when Eun-ji was sick,â he explains. âI thought you might wanna be here for her son.â
Her son. Somethinâ unpleasant sits in the back of Jaimeâs throat, but he doesnât disagree with Lily. He knows better than that. So he just nods. The sheriff steps back, lettinâ Jaime go to Lucky's side.
Heâs kept his distance so long, has barely seen Lee at all since Eun-jiâs funeral. The boy shares his curls, his dark complexion, Jaime notes now, but the kidâs features are all Eun-ji. Human eyes and human ears and human teeth, nothinâ but the kidâs aura to even suggest heâs got anythinâ of the faefolk in him. Jaime senses the potential for something Other, but it's hidden under Leeâs skin, not by a glamour but by solid flesh and blood and bone. Jaime wonders absently if it'll ever find its way out.
âGrace, get on home now,â Doc orders, bringinâ Jaimeâs eyes off of Lucky and to herself with the words. The Keller girl, wide-eyed and pale-faced, also tears her gaze away from Lucky-- from his wounds, and obeys the doctor. Marie shuts the door behind her, moves forward into the room, intertwines arms with Jaime. A show of loyalty, or comfort, or solidarity. Jaime doesn't know.
âWhat can we do?â Marie asks Doc.
âIâve done most of what I can,â the doctor admits, gesturing to her bloodied tools, the misshapen bullets sheâs pulled from the wounds, the clearly alcohol-soaked rag in her hand. âAll that's really left is to get him fully stitched anâ bandaged up, anâ hope for the best.â
:::::
Lucky drifts in and out of sleep. Every time he wakes, the painâs a little less sharp, anâ the worldâs a bit more hazy, out of focus. He hears voices, sees people leaninâ over him, sometimes, but has trouble understandinâ what they say. He just hears pieces of conversations.
â...infectionâs gettinâ worseâŚâ
âI don't think he can hear us.â
âIf I give him more medicine⌠end up dependent...â
â...nothing left⌠keeps gettinâ worse.â
â...canât die! He can't! Doc--â
â...absolutely forbid you to make a Deal⌠deranged from fever...â
âLucky.â
Lucky opens his eyes, blinking past the brightness of the sunlight streaminâ through the window. The sheriff is standinâ there.
âSheriff,â Lucky greets. Everything in his head isâŚmuffled, like his thoughts are tryinâ to reach him through a storm. Somethingâs wrong.
:::::
Lucky looks confused, when Zach wakes him. His eyes aren't focusinâ right, and his voice is soft anâ half-asleep. Drenched in sweat, his bandages soaked through with blood anâ pus, his skin a shade grayer⌠he looks close to death.
âLucky, you need to make a Deal with me,â Lucas says. âYou're sick, yâhear me? You need to make a Deal, so I can help.â
âA deal?â Lucky says, not understandinâ. âA deal. I-- what was I gonna tell you, when we talked before?â
âLucky, focus.â the sheriff orders.
âLilyâs not a good name for you, sheriff. Yâdonât look like someone who ought to be named after a flower.â
âAnd right now, you don't look very Lucky,â Lucas shoots back, irritated now. âFocus, Byrd. You've been dyinâ slowly for nearly a week. What'll you give me for helpinâ heal you? Make a Deal.â
âA dealâŚâ Lucky repeats. His words are starting to slur, now, as he slips further back toward sleep. âI can give you-- I should tell you my name. I know yours. It seem fair that I should know your name when you dunno mine? Eye for an eye, anâ all that, right?â
âFocus, Lucky,â Sheriff Lucas snaps. A part of him regrets it, croons to let the boy speak, let him tell, let him bind himself, bind him, bind him-- âFocus.â
âEye for an eye,â Lucky murmurs.
âByrd! What will you give me for this?â
âEye...forâŚâ Lucky trails off.
Sheriff Lucas exhales, the air leavinâ his lungs in a frustrated sigh. He grabs Luckyâs hand in his own, an imitation of a handshake.
And he makes the Deal he's been offered.

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The Town of Lily Lake / part seven
(previous chapters on this blog, @redashtree. Full work on ao3.)
warnings for injury, blood, described body horror bc fae, and minor character death.
Itâs storm season. The wind blows up the desert sand, and brings it, stinginâ, blindinâ, into town. The streets are empty more often than not, but the people continue their lives, keep workinâ, keep goinâ about their business.
Empty streets and an open bank make storm season perfect for a robbery.
:::::
Sam touches a hand to the bracelets âround their wrist. Through Willâs eyes, they see themself, which means Will is watchinâ them, waitinâ for something.
âWhat?â Sam asks, signing the word as they speak it aloud. Will looks down at their own hands to sign their reply.
âNothing.â
âThen why you lookinâ at me?â Sam demands. Will hesitates. Sam hears Angel come into the room, but Will doesnât look up, so Sam doesnât see them.
âAre you sure we wonât be crossing anything we shouldnât, here?â Will signs, still looking at their hands so Sam can see.
âLike what?â Sam asks. âYou think some faerieâs gonna care about a human bank? They donât generally involve themselves withââ
âNo. This town is different, and you know it,â Will interrupts. âThere are faefolk walking around like they belong.â
Angel claps for the othersâ attention, anâ Will looks up.
âItâll be fine,â Angel signs. âNot a one of the fae will try and stop us, with these.â They pull lightly at the pouch âround their neck, full of salt and iron flecks and rowan ash. âNeedles promised these would ward them off.â
âNeedles also said powerful enough faeries could overcome these,â Will points out.
âMaybe, but there ainât nothinâ that powerful in a human bank,â Sam replies. âStop whininâ. Weâre about to be rich.â
:::::
Mrs. Irma Solomon has worked at Lily Lakeâs only bank for years. Irma moved into town with her wife, before their children were born, âcause Lily Lake seemed to be the kinda place where there were plenty stranger things for folk to worry about than two women livinâ together. Sheâs seen her fair share of that strangeness.
Odd as the Gentry can be, though, Irma has to say, theyâd never be quite so uncivil as to rob the bank at gunpoint.
:::::
Preparation is a necessary evil. Wait for the street to be dusty enough for people to stay inside, tie their horses up âcross the road from the bank, map a course out of town that wonât leave their backs open to any sharp-shooters. Thatâs all important, but it ainât no fun.
This is Samâs favorite part. The chaos that breaks out when they shoot at the sky, the screams of the few people in the bank.
âEveryone, please accept my deepest apologies,â they drawl, âbut this is a robbery. Weâll be takinâ your money now.â
:::::
Angel canât hear the shots they put through the roof. But then they borrow Willâs ears, and oh, are those startled and frightened screams satisfying.
âKeep watch,â Sam says and signs, and Angel nods, guardinâ the door while their siblings move further into the room, headinâ for the teller and the vault.
:::::
Sheriff Lucas doesnât generally have to do much, to keep the peace in Lily Lake. Disputes get handled, disagreements get resolved. The faefolk, and the human folk whoâve learned to live with âem, mostly figure things out on their own.
But the sound of gunshots in the middle of town is somethinâ he thinks he may have to check on.
:::::
Lucky is too curious not to run toward the shots, even through the dust startinâ to hit town. Heâs a quick draw and nimble, so he figures heâll be quick enough to keep safe should there be trouble. Heâs almost to the bank already when he sees the Sheriff runninâ from the other way.
âYou stay back,â Sheriff Lucas orders Lucky.
:::::
Will ignores the panic, ignores the noise, focuses on getting at the money in the vault. The man with the keys blubbers the whole time, bargaininâ with skill. Will ignores him, too.
:::::
People here ainât reckless, which is good. They get their money without havinâ to shoot any of the people cowerinâ around the room.
âSomeoneâs outside,â Samâs voice says, but itâs Angelâs inflection, Angelâs message from the door.
âLetâs give them a welcome,â Will says, also usinâ Samâs voice, anâ signing at the same time for Angel, who gives them a nod.
The man with the keys looks confused. Will ignores him once again.
:::::
âYou stay back,â Sheriff Lucas orders, and Lucky opens his mouth to respond, to argue.
Then a bullet comes through the bankâs open door, invisible through the sandy air. Lucky curses, scramblinâ down the street a ways, toward safety. The sheriff is close behind him.
Lucky counts eight more shots, one after the other, before it goes quiet.
âThey out already?â he asks, wary. Lucas shakes his head, says nothinâ.
The bank door swings open, anâ the three strangers exit at a run, headinâ for where their horses are tied up across the street. Itâs hard to see âem clearly through the building storm, but oneâs got a full knapsack slung over one shoulder. The sheriff aims, shoots, and one goes down silently, clutchinâ at their bleedinâ leg.
âBy beinâ in this town you agree to follow its laws,â Lucas calls, carefully controlled rage underlyinâ every word. âIâll give you one chance to put that money down anâ leave peacefully.â
Lucky knows what Lucas is. He knows that this is a Deal, and the only one these outlaws will receive.
âYâall might wanna listen to him,â he says over the wind, and Lucas sends him an irritated glance.
âWe ainât scared of you,â one of the strangers replies. They drop the money, only to put a hand on the second pistol in their belt.
âReconsider,â Lucas says, his voice enraged and Other in a way Lucky ainât ever heard in his life, not from the sheriff or from anybody. Lucas raises his gun again, slowly, givinâ the three time to accept. The one without an ear touches a hand to a bracelet âround their wrist, then yanks their arm aside, and the sheriffâs gun goes flyinâ from his hand.
Lucky curses in surprise.
âLast chance,â Lucas growls.
The bandits donât accept the Deal. The uninjured two raise their guns, and the shot one shakily matches their aim from the ground.
They shoot.
Lucky hits the ground. Through the rush of wind and the rush of blood in his ears he hears the sickening pops and shifts of a body becoming something new. Hears a deep, rattlinâ hiss, hears the terror of the strangers, only now understandinâ what kinda nest theyâve disturbed, what kind of man and what kind of thing the sheriff of Lily Lake truly is.
There are gunshots, but the other noise doesnât stop. He hears a scream, cut short, and more awful sounds that bring bile into his throat: the cracks of bones, gurgling breaths, the heart-shaking vibration of a low growl. Luckyâs never seen Sheriff Lucas look anythinâ less than perfectly human. Now heâs got the chance, he doesnât dare look.
There is the same shifting again of Lucasâ body, turninâ back into what the town knows him to be.
Then, besides the storm still growinâ worse, there is silence.
:::::
Zach twists his shoulder, forcing it back into place. His chest hurts, bad, but he figures thatâs just what he gets for changinâ so quick, after so many long years contained fully in a human skin.
He hears, through the wind, footsteps, the creak of opening shutters, the low whispers of rumours starting. He doesnât know who saw him⌠no. Thatâs not entirely true. He knows Lucky Byrd saw him.
Lucas turns, expectinâ to see Lucky already up on his feet. Instead, the boyâs still on the ground, breathinâ heavily out of panic. Even with all the dust in the air, now, Lucas doesnât need to get closer to see why.
Luckyâs shirt, and the dirt under him, are stained with red.
the chest
Itâs just a chest. Old and heavy, all scuffed metal and cracking wood and a sticker declaring the chest to be priced at $11.99. It's in the back of the store, with the other furniture, words and years written in different mediums, most worn enough to be unreadable. Dry, peeling, years-old tape has been cut away, but what remains suggests it was taped all the way around, so it wouldn't open. When you lift the lid, it is empty, the interior boring and peeling and old, just like the outside. There is no unease, no cold, no spark, nothing to make you feel or think that the chest might be haunted. And yet⌠you close the lid, and lock the latches on each side. There is nothing to suggest the chest may be haunted, but your hand hovers above the closed lid for a few long moments before falling back to your side, curiosity left unsatisfied. Nothing to suggest the chest may be haunted, except for the strong, sourceless feeling that were you to knock, on that closed lid, something inside would certainly knock back.