the sense that they had survived a shipwreck
-Gabriel García Márquez, One Hundred Years of Solitude
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the sense that they had survived a shipwreck
-Gabriel García Márquez, One Hundred Years of Solitude

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Only when they deviated from meticulous routine did they run the risk of losing something. So when she heard Fernanda all upset because she had lost her ring, Ursula remembered that the only thing different that she had done that day was to put the mattresses out in the sun because Meme had found a bedbug the night before. Since the children had been present at the fumigation, Ursula figured that Fernanda had put the ring in the only place where they could not reach it: the shelf. Fernanda, on the other hand, looked for it in vain along the paths of her everyday itinerary without knowing that the search for lost things is hindered by routine habits and that is why it is so difficult to find them.
—Gabriel García Márquez, One Hundred Years of Solitude
With them he waged the sad war of daily humiliation, of entreaties and petitions, of come-back-tomorrow, of any-time-now, of we're-studying-your-case-with-the-proper-attention; the war hopelessly lost against the many yours-most-trulys who should have signed and would never sign the lifetime pensions. The other war, the bloody one of twenty years, did not cause them as much damage as the corrosive war of eternal postponements.
—Gabriel García Márquez, One Hundred Years of Solitude
"Don't you feel well?”she asked her.
Remedios the Beauty, who was clutching the sheet by the other end, gave a pitying smile.
"Quite the opposite," she said, "I never felt better."
She had just finished saying it when Fernanda felt a delicate wind of light pull the sheets out of her hands and open them up wide. Amaranta felt a mysterious trembling in the lace on her petticoats and she tried to grasp the sheet so that she would not fall down at the instant in which Remedios the Beauty began to rise. Ursula, almost blind at the time, was the only person who was sufficiently calm to identify the nature of that determined wind and she left the sheets to the mercy of the light as she watched Remedios the Beauty waving goodbye in the midst of the flapping sheets that rose up with her, abandoning with her the environment of beetles and dahlias and passing through the air with her as four o'clock in the afternoon came to an end, and they were lost forever with her in the upper atmosphere where not even the highest-flying birds of memory could reach her.
—Gabriel García Márquez, One Hundred Years of Solitude
At the age of twelve he asked Ursula what was in the locked room. "Papers," she answered. "Melquíades' books and the strange things that he wrote in his last years."
—Gabriel García Márquez, One Hundred Years of Solitude

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He finally lost all contact with the war. What in other times had been a real activity, an irresistible passion of his youth, became a remote point of reference for him: an emptiness.
—Gabriel García Márquez, One Hundred Years of Solitude
Valancy got up and dressed, with a deepening of that curious sense of freedom. When she had finished with her hair she opened the window and hurled the jar of potpourri over into the next lot. It smashed gloriously against the schoolgirl complexion on the old carriage-shop. "I'm sick of the fragrance of dead things," said Valancy.
—L.M.Montgomery, The Blue Castle
you know those places in dreams? i think we found it
The famulus seemed to navigate the world as quickly and quietly as it ever had. ("I see in many different ways," was all it would tell her.)
—Oliver Darkshire, Isabella Nagg and the Pot of Basil
—Oliver Darkshire, Isabella Nagg and the Pot of Basil

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The final ingredient was obvious, in the end. The answer was so simple she could almost weep.
—Oliver Darkshire, Isabella Nagg and the Pot of Basil
She was more dangerous in high heels with a letter opener than the average warrior with a broadsword, and the goblins realized their mistake too late.
—Oliver Darkshire, Isabella Nagg and the Pot of Basil
And day by day the tethers of their lives have broken one after the other and everything they are now is a new invention.
– Samantha Harvey, Orbital
I live without a possible explanation.
—Clarice Lispector, A Breath of Life

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