RebelWriter99

So Shane takes the cat home and Ilya is freaked out because Shane and the cat don't get along at ALL. He raises this concern and Shane is so confused like "Wait why do you think that?? we literally love each other???" And Ilya is like "But she doesn't cuddle you or get in your lap or hang out with you and sometimes she bites and claws you like a rabid beast????" And Shane is like "Well yeah she needs her space she's not a dog. Obviously."

Meanwhile Anya is doing that collie thing of slinking around on her belly following the cat everywhere wagging her tail frantically like Pls pls pls pls pls can we be friends :) pls :) until finally the cat gets tired of beating her up and a tense truce is established.

There are no wolves in Ottawa cottage country, but Lily the Cat might have been attacked by a raccoon. If she’d been attacked by a coyote, she wouldn’t have survived. And let’s face it, this is Ilya. He grew up in an apartment building in Moscow, and he thinks bird calls are wolves. He thinks everything in nature is a wolf until proven otherwise.

me, an elder fandom veteran, suddenly having anne rice flashbacks:

no.

NO.

starting to rock back and fourth.

you do not understand.

you were born into an age of peace. i was there Gandalf. i was there three thousand years ago. i remember the cease and desists. i remember authors hunting fanfic writers for sport. i remember when every fic opened with a disclaimer because we genuinely thought it might protect us.

we do not charge money for the copyrighted gay wizard stories.

do not tempt fate youngling.

step away from the paywall.

that is how you summon the ancient evils.

It's All Stars and a camera catches them sitting together on the bench during the skills competition, leaning in and whispering to each other, clearly trying to be sneaky. They're both kind of smiling, looking like they're trying not to laugh. Then Ilya says something that makes Shane crack up and have to hide his face while he's trying to pull himself together. This moment gets giffed and everyone is dying to know what made the famously cool and collected Shane Hollander laugh like that.

nathaniel doesn't know how to keep his mouth shut, so someone gotta do it for him

ILYA ROZANOV WEEK: DAY FOUR FAVORITE TRAIT   ↪ HIS EMPATHY AND KINDESS 🥺💕

A lot of analyses propose that the overwhelming predominance of male/male ships over female/female and female/male ships in fandom reflects an unhealthy fetishisation of male homosexuality and a deep-seated self-hatred on the part of women in fandom. While it’s true that many fandoms certainly have issues gender-wise, that sort of analysis willfully overlooks a rather more obvious culprit.

Suppose, for the sake of argument, that we have a hypothetical media franchise with twelve recurring speaking roles, nine of which are male and three of which are female.

(Note that this is actually a bit better than average representaton-wise - female representation in popular media franchises is typicaly well below the 25% contemplated here.)

Assuming that any character can be shipped with any other without regard for age, gender, social position or prior relationship - and for simplicity excluding cloning, time travel and other “selfcest”-enabling scenarios - this yields the following (non-polyamorous) possibilities:

Possible F/F ships: 3 Possible F/M ships: 27 Possible M/M ships: 36

TOTAL POSSIBLE SHIPS: 66

Thus, assuming - again, for the sake of simplicity - that every possible ship is about equally likely to appeal to any given fan, we’d reasonably expect about (36/66) = 55% of all shipping-related media to feature M/M pairings. No particular prejudice in favour of male characters and/or against female characters is necessary for us to get there.

This is certainly one large factor in the amount of M/M slash out there, and the first reason that occurred to me when I first got into fandom (I don’t think it’s the sole reason, but I think it’s a bigger one than some people in the Why So Much Slash debate give our credit for). And nice point about adding female OCs.

When it’s a male-female buddy show, all of the failed relationships are usually, canonically, because the leads belong together. (Look at early Bones: she dates that guy who is his old friend and clearly a stand-in for him. They break up because *coughcoughhandwave*. That stuff happens constantly.) Male-male buddy shows write the central relationship the exact same way except that they expect us to read it as platonic.

Long before it becomes canon, the potential ship of Mulder/Scully or Booth/Bones or whatever lead male/female couple consumes the fandom. It’s not about the genders involved. Rizzoli/Isles was like this too.

If canon tells us that no other relationship has ever measured up to this one, why should we keep them apart? Don’t like slash of your shows, prissy writers? Then stop writing all of your leads locked in epic One True Love romance novel relationships with their same-sex coworkers. Give them warm, funny, interesting love interests, not cardboard cutouts…

As in, people gravitate to the characters given the most depth, complexity, and satisfying interactions for their shipping needs, because those characters are most human, and we want the realest characters to play with.

In a lot of media, the most depth gets handed to male characters.

And, oftentimes, even when the screentime and depth and interactions are granted equally well to female characters, there can be a level of, for lack of a better word, dis-authenticity to those female characters: they are pared down, washed out, or otherwise made slightly less themselves than they could be, in the interest of making them decorative, or likeable, or “good,” or keeping them from upstaging or emasculating their male companions, or just that the writer whose job it is to write them doesn’t know how to write women the way they write men.

And you get the characterization equivalent of that comparison chart where so many animated female characters have the same facial features because the animators and designers are so worried about not letting them be ugly.

When you have a group that’s allowed to be themselves, warts and all, and another group that has to be decorative at all costs, the impression given on some level is that the decorative quality is making up for a shortcoming. That they wouldn’t be enough in their own right.

And sometimes that cost is authenticity. The interesting, striking, awe-inspiring, bold and glorious unapologetic selfhood that draws the viewer most particularly to those characters who are unapologetic in their particular existence, standing clear of the generic and bland and unchallenging “safe” appearances.

It is authenticity, not beauty, which powers subjectification. The love for a character, not because they are perfect, but because they are them.

They can be pretty, sure. They can be sweet. But being pretty and sweet is not a replacement, and too many female characters have been written by writers who think it is, while the interest—in appearance, in personality, in interactions, in plot development—goes to the men.

You have to do so much of the work yourself, because the canon left them unfinished, with huge gaps or unexplored contradictions that you have to somehow resolve. Every female character you decide to integrate into your fanwork in some major role constitutes an undertaking in her own right as you patch together an understanding of her sufficient to model a consistent set of reactions and priorities &c.

The dudes just get handed to you. Even the ones whose canon is a mess have properly developed character cores.

Saw a tweet about Neil doodling fox paws and wanted to draw it

I reread that part in the book and remembered it was like right before the banquet where riko invites him to evermore 😭