Gaza Forever by Sarah Fitzgerald

★
taylor price

#extradirty
Claire Keane
we're not kids anymore.
KIROKAZE
"I'm Dorothy Gale from Kansas"

I'd rather be in outer space 🛸
Sweet Seals For You, Always
will byers stan first human second
PUT YOUR BEARD IN MY MOUTH
Misplaced Lens Cap
Jules of Nature

⁂

Discoholic 🪩
🩵 avery cochrane 🩵
Peter Solarz

Andulka

seen from United Kingdom

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seen from United Kingdom

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@rebeccadunne
Gaza Forever by Sarah Fitzgerald

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Seasonal Variation of Polyphenols and Pigments in Ginkgo (Ginkgo biloba L.) Leaves [x]
Photograph by Arturo Rodríguez
for National Geographic
Gold, silver, and copper sequins, found by archaeologists at T’aqrachullo in 2022. These tiny round plates, which would have adorned ceremonial clothing around 500 years ago, signaled that the site was one of spiritual significance.
Czeslaw Milosz, from "Ars Poetica?"

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Le Sang d'un poète (1932), dir. Jean Cocteau
Eliza Griswold, Wideawake Field
"Although the wind..."
by Izumi Shikibu tr. Jane Hirshfield
Although the wind blows terribly here, the moonlight also leaks between the rook planks of this ruined house.
2.4" Polished Ocean Jasper Stone - Madagascar
John Appleton Brown, Ocean Sunrise, 1880s

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cy twombly - untitled (ramifications). 1971
Tell me what infinity attracts you, and I will know the meaning of your world. Is it the infinity of the sea, or the sky, or the depths of the earth, or the one found in the pyre?
Gaston Bachelard, Air and Dreams (1943)
Hélène Cixous, "The Laugh of the Medusa", trans. Keith Cohen and Paula Cohen / Marie Howe, from "How the Story Started", Magdalene
Muḥammad ibn Maḥmūd Ṭūsī, ʿAjāyib al-makhlūqāt va-gharāyib al-mawjūdāt, Bats, Baghdad, 790 AH, 1388 CE
“[There is more light than world.] The poet, smiling, Takes his soft lines and bends them till they meet.”
— Les Murray, from “Tableau in January”

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Before taking up his task again, he waited until the moon was a perfect circle. Then, in the evening, he cleansed himself in the waters of the river, worshiped the gods of the planets, uttered the prescribed syllables of an all-powerful name, and slept. Almost at once, he had a dream of a beating heart.
He dreamed it throbbing, warm, secret. It was the size of a closed fist, a darkish red in the dimness of a human body still without a face or sex. With anxious love he dreamed it for fourteen lucid nights.
Jorge Luis Borges, The Garden of Forking Paths; from 'The Circular Ruins', tr. Jorge Luis Borges & Norman Thomas di Giovanni
Czeslaw Milosz, tr. by Robert Haas, from “Late Ripeness”, Second Space: New Poems