me staring at my tbr rn :')))
macklin celebrini has autism
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Color Me Curious
★

gracie abrams
Lint Roller? I Barely Know Her
YOU ARE THE REASON
art blog(derogatory)
Monterey Bay Aquarium
Show & Tell
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almost home
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Love Begins

#extradirty
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@rebeccadumaurier
me staring at my tbr rn :')))

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really hope they get into the nitty gritty of the yellowjackets’ various relationships with food post rescue. like when does tai decide to become a vegetarian? how have their pallets changed over the months they were out there? will some of them develop EDs due to the drastic change in food abundance? will a few of them struggle to eat at all for a while, because they’ve come to associate food security with a price tag of death and suffering? and especially since they’re gonna be coming back to a world where y2k ‘nothing tastes as good as skinny feels’ & diet culture is about to explode. like that’s gotta be a double mindfuck on top of everything else, to see millions of people idolize the physical state you were in while you were starving to the point of eating your friends.
i must say, i am a huge fan of when a book is in the middle of a very exciting plot containing many interesting problems when out of nowhere for a few pages it's like, "hey by the way, real quick, here's a detailed explanation of the city's water filtration system! i'm telling you this for a reason and you should worry about it. anyway! haha okay back to the plot" and you just get to be Scared for a while
i am kissing you on the mouth right now
you are the only person who understands me. you and the person who tagged a series of unfortunate events
books with non linear narrative, experiments with the form, etc: go!
please do not all say house of leaves i know some of you bitches read books
Alan Moore's Voice of the Fire: each chapter takes place in the same chunk of London over something like 1000 years
if we can count comics, Moore's Promethea too, one of the volumes is a trip around the Tree of Life, i think the whole narrative can be mapped on the Tarot Majors too
Mark Danielewski's Only Revolutions is a book length prose poem that you read from the ends in to the center. i haven't gotten through it but respect the ambitious structure
i feel like Hal Duncan's Vellum & Ink had something interesting structurally between them but i don't think i finished them, specifically bc i waited too long to start Ink after Vellum & got completely lost
Honorable mention/not sure if it counts but the language was interesting enough that I'm tempted to include it: The Tide Will Erase All by Justin Hellstrom is an Improbability Drive-style apocalypse told by a ten(?) year old but might also be a radio/satellite announcement of their story after the fact? needs a revisit
OH SHIT Koji Suzuki's Ring Cycle. Ring is a horror novel that happens on an entirely different level of operation than what we find out about it on Spiral & Loop
Jeff Vandermee's Dead Astronauts, i actually don't know how to describe what he did with it but it's nuts
The Dictionary of the Khazars is a novel that's a lexicon
this is turning up a whole bunch of things I hadn't heard of which is EXACTLY what i wanted god bless you all:
So Stories of Your Life and Others has been on my wishlist for ages as has Pale Fire; Voice of the Fire is on my bookshelf waiting for me and I think I read Promethea or parts thereof when it first came out; I read Catch-22 recently and will rave about it at the drop of a hat, read Cloud Atlas… a couple of years ago I think? After having it on my shelf for a million billion years & dug the matryoska structure muchly, but yeah! Otherwise I hadn't heard of most of these?!?! excellent work everyone well done
Got a few I haven't seen in the notes:
Blake Butler's There Is No Year is decidedly nonlinear, bordering on nonsensical, with upsetting vibes and such perfect pacing that I couldn't put it down
Matt Bell plays in this territory a lot; pretty much anything by him is going to be fighting you back a little but my introduction was the short story "The Cartographer's Girl"
John Elizabeth Stintzi takes a pretty oblique approach to structure in Vanishing Monuments and, I understand, in My Volcano. (Disclaimer: they are also a friend of mine, but I make the recommendation in earnest)
The Library at Mount Char by Scott Hawkins is like if Warren Ellis tried to write House of Leaves, and I mean that as a compliment
I'm sure you're aware of Our Share of Night by Mariana Enriquez, but it is, in fact, all that and a bag of chips, especially in its structure
Monica Ojeda does some fun things with structure, especially in Nefando but definitely also in Jawbone, though I'll note that Nefando especially deals in some very dark territory
Steven Millhauser's short stories are pretty distinctly nonlinear and often outright weird in a very fun way -- I love his collection The Barnum Museum, notably the source of the short story that inspired the movie The Illusionist
I feel like Ayse Papatya Bucak's The Trojan War Museum fits here, but I also just feel like that collection is underrated, so cum grano salis
I think the movie is better-known, but Laszlo Krasznahorkai's Satantango is formally and topically very weird in a way that I found delightful
I also enthusiastically cosign the recommendations of Coup de Grace and Pale Fire. For what it's worth, Pale Fire is also one of the funniest books I've ever read.
I am not aware of Our Share of Night! Also, "bordering on nonsensical, with upsetting vibes" is like catnip. Thank you.
253 by Geoff Ryman (originally published on the web with hyperlinks, later published as a paper book) now at : https://www.253novel.com/
The Bridge by Iain Banks
and
Marabou Stork Nightmares by Irvine Welsh
(both have the dude in a coma)
See Under: Love by David Grossman. It's in four parts, two of them are straightforward lit fic, one is salmon point-of-view, if I recall correctly, one is a story told in dictionary definitions.
And short stories:
Stet by Sarah Gailey (the story emerges from the footnotes)
Wikihistory by Desmond Warzel (a story in forum posts)
I'm frankly shocked nobody's mentioned David Mitchell's "Cloud Atlas," which is an interconnected set of six stories in different times and with different narrators that are all split in half and work towards the center, like this:
1-2-3-4-5-6-5-4-3-2-1
The stories leave off, sometimes mid-sentence, and resume later in the book, while working forward in time from the first story that's an Age of Sail story until the 6th one, the only one not interrupted, is in the far post-apocalyptic future. Then each story is resolved in reverse chronological order.
What amazes me about this book (it's one of my favorites) is that Mitchell somehow makes each of these stories entirely distinct and unique. I don't know how he managed to write in six such distinct voices to the point that you'd think six writers had collaborated on this work.
Ann Leckie's Ancillary Justice definitely plays with "when" the narrative is taking place from POV to POV, not to mention playing with the POV itself. The later books become a fair bit more conventional (but no less entertaining for the change) in that regard. I think her later The Raven Tower does some of that as well but it's been a bit so don't hold me to that one. (I remember being amazed by what it pulls off, mind you, so it's another big recommendation.) But definitely, Ancillary Justice.
hi yah yah, I'm sure you get this question a lot but I was wondering if you could share book recs for your fave horror books (either of all time or recent reads)? I have been in such a reading slump but I love your writing <3
Hi! I used to but I haven't in a while 😭! Guys ask me about books again, books is my job, my job is Book.
My favorite horror books of all time:
Beloved, Toni Morrison
The Haunting of Hill House, Shirley Jackson
Between Two Fires, Christopher Beuhlman
Uzamaki, Junji Ito
Frankenstein, Mary Shelley
On Sundays, She Picked Flowers, by yours truly, because I am that bitch
Failure to Comply, by DOCTOR Cavar, thank you @librarycards
More recent reads:
The Reformatory, Tananarive Due
The Changeling, Victor LaValle
Victorian Psycho, Virginia Feito
Our Share of the Night, Mariana Enriquez
thank youuuuu what absolutely fucking incredible company to be in, my GOODNESS!!!!!!!!!!
here's a promotional image for failure to comply that i made i hope you like it

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the narrator of the invention of morel is so blatantly unreliable and he's so funny
The man tried to mitigate the gravity of his statement. He said several sentences that had approximately this meaning. "There's nothing to worry about. We are not going to discuss an eternity—"
ok! super normal way to phrase things!
i’m reading casares’s the invention of morel and apparently as a baby author he was really into ulysses, because of course he was, and thought it was the perfect book. he raved about it to borges, who was his mentor, and borges was like “yeah it’s a decent book but not a masterpiece. you know who you SHOULD read though??? my favorite: GK Chesterton.” which is a hilarious response
more clothing brands should try ads / listings where the model is like. riding a bicycle. or carrying groceries. or something. so many clothing listings look incredibly uncomfortable to wear and like you can’t move around, you can only stand perfectly still looking pretty.
As I understand it living in LA is one of those cosmically perfect acts where the punishemnt for the crime is the act itself
you are my coworker and to some extent my victim

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outside
Finding out AI companies are chewing through - literally, they’re pulping and burning them as they go - millions of books often including 1/1s and old texts that cannot be reprinted
Meanwhile there’s always some dipshit telling me AI is the future and we’ve got to just let companies erase human history and literature so they can train their abomination machines to pretend to think like people because a judge said it’s fine
AI companies are buying and scanning printed books for training data, raising copyright and cultural preservation concerns as rare volumes a
Amazing
The three types of kink are
* you have power
* you're safe
* feet
this is a shitpost but I think it's not THAT wrong. Most kink is either one of (or a combination of):
You get to play at having power over someone else. This is your dominance sorts of things, your sadisms, etc.
You get to play safely. You can play with scary things while knowing there's safewords and a dom/top who loves you.
Feet. By which I mean, there's some normal part of the human experience that your brain has for some reason fixated on. Maybe you're into red hair, or glasses, or fluffy tails.
"safety" can also present as "useful". You have some intrinsic value that cannot be taken from you (because of some sex/kink thing). The safety is from abandonment, because you're useful, despite everything. And "useful" is a bunch of kinks (none of which I'm comfortable mentioning here).
oh no, animal ears are feet
yeah. cat ears are feet!
can someone turn this into the calvin's dad dialogue
oh god, this is so obviously calvin's dad dialogue that now I'm worried that I plagiarized it without realizing it
the two types of tumblr post are calvin's dad and rule 34. all posts fall into one of these two categories. despite being kink-related, this post is actually calvin's dad.
The thing about the moon is maybe you don’t need to write a poem about the moon. The moon’s been done, we’ve discussed it. It’s a coin a mirror an eye a lantern in the darkness. It’s a rock in space. It’s the dang moon we’ve all seen it! Is there something you can notice that’s is more surprising than the moon???

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i've been wanting to learn more about communism and socialism, i recognize that what i was taught in my grade school courses is mostly pro-capitalist propaganda. does anyone have any book/documentary/video essay recommendations?
To learn what pro-capitalist, anti-communist propaganda is doing and what it is trying to keep you ignorant and forgetful of, I would recommend reading The COINTELPRO Papers edited by Ward Churchill, The Jakarta Method by Vincent Bevins, and Endless Holocausts by David Michael Smith. These will give a sense of the full scale of atrocities committed by capitalist imperialists against revolutionaries who sought a better life for everyone, from the U.S. Empire to the countries neighboring it to the world as a whole.
History of pro-capitalist anti-communism:
I would also recommend watching the following documentaries to learn more about the history of capitalist brutality:
COINTELPRO 101 created by the Freedom Archives, which includes firsthand accounts and interviews from people who the U.S. government targeted for organizing in the Civil Rights movement, opposing the Vietnam War, and fighting for liberation from capitalism, white supremacy, and patriarchy.
The War You Don’t See directed by John Pilger, which covers the way that corporate media and governments deceive us about the actual nature of 21st century imperialist wars in Africa and Asia by misrepresenting them as fights to “make the world safe for democracy” and eliminate dictatorships.
Crucible of Empire: The Spanish-American War directed by Daniel Miller, which goes into the history of U.S. overseas imperialism and how it has always been misrepresented to the public as a crusade for democracy and freedom.
The Corporation directed by Mark Achbar and Jennifer Abbott, which goes into the history of modern corporations, how they achieved legal personhood, and how they’ve established a monopoly of control over all aspects of life under 21st century capitalism.
Capitalism: A Love Story directed by Michael Moore, which dives into the ways that 21st century capitalism directs society’s wealth towards anti-social and destructive ends. It also points out the contradictions in a lot of pro-capitalist anti-communist ideology.
What communism is:
For a basic overview of what communism is trying to accomplish, I would recommend reading these two short essays written during the biggest working class revolutionary wave in Western history in the aftermath of World War I: Rosa Luxemburg’s The Socialization of Society and Sylvia Pankhurst’s Socialism.
For a more detailed sense of what communist society would mean, I like Cornelius Castoriadis’s Workers’ Councils and the Economics of a Self-Managed Society (for some idea of post-revolution measures) and Peter Kropotkin’s The Conquest of Bread (for a stronger sense of a well-rounded communist society).
To learn about the history of communism in the U.S., some good books to read are Pioneers of Liberty by Rudolf Rocker, The Haymarket Tragedy by Paul Avrich, Hammer and Hoe by Robin D.G. Kelley, The American Revolution by James Boggs, and Black Against Empire by Joshua Bloom and Waldo Martin.
History of capital-C Communism:
For the history of 20th century capital-C Communism, you’re going to have to rely on a pretty wide range of sources to get a good look at the big picture. I’ll just list some books, then some documentaries.
Books:
As intros that come at the topic from radical liberal and social democratic outlooks, many people start with Michael Parenti’s Blackshirts and Reds, written as a critique of 1990s anti-communist triumphalism, and Why Women Have Better Sex Under Socialism by Kristen Ghodsee, which points out that the personal freedom that feminists were fighting for in the 2010s had come closest to becoming a reality in 20th century socialist states.
For a fuller portrait of some 20th century socialist experiments, I would recommend reading John Reed’s Ten Days That Shook the World, Ronald Grigor Suny’s The Soviet Experiment, William Hinton’s Fanshen: A Documentary of Revolution in a Chinese Village, Maurice Meisner’s Mao’s China and After, and Aviva Chomsky’s A History of the Cuban Revolution. These all cover the three most influential socialist revolutions in the 20th century and will give you a better sense of why so many people supported them in their day before the neoliberal anti-communist propaganda that Parenti and Ghodsee critiqued placed them behind the pale of acceptable discourse in the 1990s and 2000s.
If you’re okay with a longer book, The Soviet Century: Archaeology of a Lost World by Karl Schlögel will give you a very comprehensive portrait of what everyday life in the Soviet Union was like. It really humanizes the experience compared to the cartoon caricatures we’re used to getting from family, school, and anti-communist media.
Documentaries:
To learn a bit about the U.S.’s own tradition of communist militancy, I would highly recommend watching The Wobblies directed by Stewart Bird and Deborah Shaffer. It includes archival footage and interviews with working class veterans of the Industrial Workers of the World (IWW) and shows how they became communist revolutionaries as a result of struggling to improve the conditions of their own lives against the power of capitalists.
Red Storm Rising: The Struggle for the American Communist Party from PBS covers the basic history of the CPUSA and how it declined under the leadership of people who wanted to liquidate into New Deal Civil Rights reformism and focus on advocating for peaceful coexistence with the Soviet Union. However, it does neglect to cover the militants like Harry Haywood and Mary Inman who wanted to keep fighting for total liberation and world revolution. These were the people who carried on into Black Power and the New Left in the 1960s.
The Black Panthers: Vanguard of the Revolution goes more into the history of American communism and shows just how recent and relevant it is for regular people struggling for liberation. This is what the repression and programs of programs like COINTELPRO are designed to destroy and prevent.
The Lost World of Communism from the BBC covers the Eastern Bloc from a liberal perspective but gives a pretty detailed sense of everyday life in the socialist states. It’s definitely a much more grounded source than a lot of what we’re taught in the U.S., which is that there effectively was no society in the Eastern Bloc and it was just a totalitarian police state all the way down.
October: Ten Days That Shook the World directed by Sergei Eisenstein is the first documentary about the 1917 Russian Revolution and includes reenactments of its events from the regular people who lived through it and participated in making it. If watching a silent movie is not so much your speed, surprisingly Lucasfilm made a pretty good documentary about the Revolution called The Russian Revolution: All Power to the Soviets, although it comes with all the one-sided pitfalls of a 21st century liberal perspective.
China: A Century of Revolution directed by Sue Williams covers the rise of the People’s Republic of China and demonstrates how it was very much an indigenous product of China’s revolutionary process. It goes into the Xinhai Revolution of 1911, the Republican period and wars of the 1920s-1940s, the rise of the PRC’s New Democracy in 1949, the Great Leap Forward of the 1950s, the Cultural Revolution of the 1960s, and finally the Reform and Opening Up in the 1980s and 1990s.
Morning Sun directed by Carma Hinton, daughter of William Hinton, covers the Chinese Cultural Revolution from the perspective of everyday participants and victims. It gives a much more grounded sense of what the era was like than some of the cartoonish and racist caricatures that conventional U.S. narratives offer.
For the Cuban Revolution, you can get the most comprehensive coverage by watching Fidel: The Untold Story directed by Estela Bravo and Che Guevara: Beyond the Myth directed by Tancrede Ramonet. The pro-capitalist anti-communist lies that we’re told about this Revolution are the most straightforward for us to debunk because of how closely the participants were linked with the rest of the Americas, including the U.S.
The Death of Yugoslavia from the BBC is one of the better documentaries for seeing just how chaotic and horrific the collapse of 20th century Communism was for the people who lived it. Although it’s from a liberal perspective, it’s ultimately right that the collapse stemmed from inner rot as much as enemy encirclement. It avoids the pitfalls of the dumbest and most simplistic anti-communist narratives about corruption and inefficiency in the socialist states.
Loyal Citizens of Pyongyang in Seoul from REDFIST Media covers DPRKorean citizens living in the Republic of Korea. It shows how difficult the conditions of their lives are once they go to the south, how these horrific conditions incentivize them into agreeing to produce propaganda for the capitalist dictatorship of the South against the North (as if the North were the only dictatorship in the peninsula), and how many of them seek to return to the North where they at least have families, jobs, and social assistance.
Conclusion:
The big picture problem with the pro-capitalist anti-communist perspective is that they a priori rule out thinking about anything from a global perspective. They ask you to ignore the overwhelming violence and sabotage that it took to destroy 20th century communism in spite of its massive appeal for regular people. At the same time, they expect you to believe that the brutality and misery of capitalism is justified by its successes, and by the “greater” threat of communism. Then they point to the agonies of overwork, industrialization, and state-directed capital accumulation in socialist countries, as if these can be objected to without implying our very own objections against capitalist exploitation and corporate tyranny.
If there’s any other blindspots of anti-communism and pro-capitalism that you want to explore, feel free to let me know and I can add more sources for them here
thinking about the affective link between vampires and slaveownership in american literature. a surprising number of the most popular works of vampire fiction set in america, from the vampire chronicles to the twilight saga to abraham lincoln, vampire hunter (2012), has one or more vampire characters either personally own a plantation and slaves or fought to defend slavery. and the interesting thing is you would think this is largely because of the parallels between vampirism and enslavement as the ultimate dehumanization and violation of another person’s will, or because the american civil war has a historical narrative as the ultimate battle against the forces of evil lurking among us, but abraham lincoln, vampire hunter (2012) is the one work i’ve seen that actually presents it from that angle. most other works, including interview with the vampire and twilight, just present the plantation as flavoring, with the humans that the vampire has openly and legally enslaved relegated to set dressing. which suggests to me that those works are using it as the traditional solution to the traditional american gothic problem—that is to say, that gothic fiction typically centers around ancient and deep-rooted aristocratic families, something a settler colony like america obviously lacks, so american writers from edgar allan poe onwards who wanted to write gothic fiction in as non-revisionist a style as possible seized upon the pseudo-aristocracy of the southern gentlemen for their setting. this doesn’t make it any less of a lazy and unexamined choice on the authors’ part, but it does offer an interesting insight into america’s affective geography