RBOR

Oil on canvas,  45.5 x 35.5 cm

Close up of this guy. Second step down is/will be him trudging through a layer of icy snow.

#Dwyer Kilcollin #UCI MFA

forty-five cast concrete elements

#nextarch by @_roomonfire #next_top_architects Aldo Rossi’s unfinished San Cataldo Cemetery in Modena, Italy, is considered one of the first and most important Postmodern buildings. Rossi once declared that “I cannot be Postmodern, as I have never been Modern,” yet his cemetery for Modena displays the strong colouring, bold form and historically referential detailing that became synonymous with the movement. At the centre of Rossi’s design is a cube-shaped ossuary for housing remains and a conical tower that marks a communal grave. Set within a courtyard on the outskirts of Modena, the ossuary is covered in terracotta-coloured render, while the perimeter buildings that enclose the courtyard feature steely blue roofs.

#nextarch by @hangarbicoccaofficial #next_top_architects Damián Ortega | “Zoom” | “Casino” at #HangarBicocca | open today from 11 am to 11 pm #LastmonthDamianOrtega

Philip Guston, Duo, 1961

Mark Rothko, Untitled, 1967, Acrylic on white wove paper mounted on masonite, 652 x 502 mm

KIRIPI KATEMBO 

Banquet, 1955

[Jean Dubuffet. Vegetation (Végétation). 1953]

Louise Bourgeois, He Disappeared into Complete Silence (Plate 8); First Edition, 1947.