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@randomizemytime

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another treat for you guys, full version is on my twitter
all goofing aside I genuinely don't understand the urge to reimagine Taylor Allison Swift as a secretly queer icon when the pop music scene(TM) is like. literally overflowing with women who actually like women. Gaga and Kesha and Miley and Halsey are right there. Rina Sawayama and Hayley Kiyoko and Rebecca Black and Kehlani and Victoria Monét and Miya Folick if you're willing to get slightly less top 100. Janelle and Demi for them nonbinary takes on liking girls. like what are we doing here. like I'm not even saying you can't enjoy Taylor but why would you hang all your little gay hopes on her.
Isn’t Lady Gaga bisexual?
yes that is indeed why she's on the list of famous women who like women
why have multiple people reblogged this with some horse-assed "um actually most of these people are bi or pan" did I fucking stutter I said they like girls. what is your point. I'm going to kill you.
Images that make you enter a fugue state
Surrender to cars?
Jesus Christ, when was the last time a swede did anything useful?
What the fuck those streets were before cars, fucking playgrounds and parks with waterslides?
Or did people commute on them, on the level of whatever technology they were on, the vere purpose they were built for since the first city?
I'm trying my best not to automatically dislike artists, I really do, but sometimes I just wish I could send them milking cows or shoveling gravel.
@santaclausdeadindian "What the fuck were those streets before cars, fucking playgrounds?"
Yes, actually.
[description: a black-and-white photo from the 1900s of a group of girls in pinafores standing in the middle of the street; according to the website I found it on, this is a 'street dance'. The girls are talking to each other in small groups. end description.]
Children used to play in the street all the time. And for most of recorded history, that was relatively safe. Running into someone on foot is not going to kill a child, and horses - let alone carriages- were relatively rare.
Streets used to be public spaces. People would hang out and talk in the middle of the road, or set up shop with a little cart at the side of the road. "Right of way" used to mean "your right to take up space on the street, because you are a free citizen and free citizens get to use the road."
[description: a black-and-white historical photo of two children in the middle of a mostly empty street. One child is sitting in a wagon, and the other child is standing, ready to pull it. End description.]
It wasn't until the 19th century that it became common enough for your average joe to own horses that it was unsafe for kids to play in the street (and they still did anyway!). And it wasn't until the early 20th century that people got cleared off of the street in favour of cars- before then, people and horses and carriages had to share the road, and carriages had to go at the same pace as whatever was around them.
We laugh at the insanely low speed limits of the 1910s and 1920s - really, cars can only go at 3 mph?- but they were there for a reason, and that reason was "to keep the roads safe for horses and pedestrians". If cars could go at top speeds on city roads, they'd only be safe for cars, and people couldn't use their public spaces anymore. But thanks to lobbying by the auto industry and a whoooole lot of PR spin, that's exactly what happened.
I'm going to leave you with two pictures. The first is Mulberry Street in NYC, according to wikipedia, in 1900. The second is Mulberry Street today.
[Description: two photos of city streets. The first photo is sepia-toned, from the 1900s. It shows a city street full of people and carriages. The foreground of the photo is taken up by a group of vegetable sellers, and a group of men and young children standing beside them looking at the camera. The second photo is a modern photo of the same street. It is a heavily decorated tourist district, but most of the street is taken up by cars. The sidewalks are crowded with pedestrians, but they're shoved off to the side. End description.]
Little Italy is a tourist district. It is meant to be walkable so that tourists can browse and look at all the little restaurants and window-shop. And yet 75% of this picture is taken up by a fucking car canal, and people- the people this street was built for - are shoved off to the side, so as not to get in the way.
People got forced off the road in favour of cars. People got forced out of public space in favour of cars.
And if that doesn't piss you off...
you’ve got to embrace being weird or else you’re going to die both spiritually and for real life

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Hello, I was curious to know more of your thoughts about Billy and Max, especially about what do you think their relationship will be like after they are reunited and how "defeating Neil" will fit into that. Thank you! <3
Oh my, you just asked one of the BIG questions! Haha my answer is gonna be longggg~~
Well, before we can predict what their relationship will be like, we have to establish what their relationship has been like so far. That may seem unnecessary, but imo people misread it pretty badly. As it turns out, Neil is central to their dynamic; Billy's fear of him colors everything, including how he treats Max.
For all his protests that "she's not my sister," Billy absolutely views Max as family. He sees his mother in her, and that drives his actions in S2. We know this from several pieces of evidence, most of which didn't become clear until we saw his memories in S3.
when a film or tv show takes place somewhere where you have been, it is your sacred duty as viewer to say “i’ve been there” every time you recognize a place
When a film or TV show claims to take place somewhere but you been there and it is your sacred duty as a view to say “no the hell that is not there.”
No because pride and prejudice isn't "I changed myself for you so you would love me back." It's "your blatant rejection and disdain for me made me realize things about myself no one had ever been bold enough to tell me so I sat down and evaluated all my behavior patterns and why they came about and came to the realization myself that I had to work on myself. Also I don't expect you to love me now that I'm a work in progress, so I'm just going to do nice things for you because I don't like seeing you hurt." No wonder P&P fans refuse to settle.
And it is also not "now that you have proven yourself to be less of an asshole I will give you the second chance you deserve." It's "you were rude to me once, so I was very ready to believe the worst about you. But now you're opening up and I realise that, while you definitely have flaws that you need to work on, they are different and less fundamental flaws than what I thought. So I'm going to sit back and reassess on what I actually see and not just what confirms my preexisting bias. And in doing so I realise that at your core you are a very good person."
[call me by blondie playing] THE STEVE HARRINGTON BABYSITTING SERVICE
The grumpy/sunshine trope is unbeatable and no one can tell me otherwise. That shit has me in a chokehold.

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Maybe the real stranger thing was the heterosexuality we lost along the way
i love dean cause someone will be like hey remember when cas did some genocide? dean’s like well we all make mistakes. he’s just a little guy. cmon. and then cas lies to him about something and dean is like so you’re basically telling me you hate me and im worthless and i should kill myself. fuck you.

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They call me Jack the Ripper cuz I'm out here butchering English
The language or the people?