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@ramblingruminations
it's so important to post about black sails every single day because what if people forget

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This post is ancient and stupid but I still laugh whenever I see it
you're owen lars. your father has fallen in love with a woman and she's enslaved. you and your father aren't rich, but eventually you manage to free her. this one woman. one woman on a planet full of injustices.
you're owen lars. the woman you call mom had another child once. it doesn't make her love you less, but she talks about him in a way that makes it clear that she loved him, too. he's off to be a jedi now and she's very proud.
you're owen lars. your mother's been kidnapped and you have to assume the worst. a man and a woman step into your home and the man announces himself to be that kid who went off to become a jedi. he knows you less than you know him and before anything else can happen, he takes off to bring back his mother, a feat you think is impossible.
you're owen lars. anakin skywalker brings your mom's corpse to your doorstep. her funeral is interrupted by a message of utmost galactic importance.
you're owen lars. your brother is dead. you never saw him again after that first time. there is another jedi on your doorstep, with a baby in his arm and you know what it means and you can't bring yourself to face him as he hands your nephew off to your wife.
you're owen lars. obi-wan ben kenobi is a pain in the ass. he was more your brother's brother than you ever were and he doesn't understand your particular kind of grief, is drowning in his own. you don't even know the full story and kenobi will never tell you all of it. but you have a child to care for so you tell him off and get back to work.
you're owen lars. you didn't know your brother, but you know your nephew and your nephew wants out of this place as soon as possible. you know he won't be safe out there but in the end you're helpless to stop him. and you know the stories, you remember the one time you met him, the days your mother died. and you do this for her and you do this for your father and you do this for your brother and you do this for your nephew.
you're owen lars. your last act is to protect your brother's child. your child.
via http://imgur.com/gallery/x5mE5
Original: http://william-snekspeare.tumblr.com/
Never will these not be cute.
One of my all time favourite things Iâve seen tumblr
we shortly interrupt your regular shitposting program with these reptiles
@allison1710 Please enjoy these sneks again!
@givemeunicorns made me think of you
This is my stuff!! Ah, memories
happy pride to the phrase "something else" specifically

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driving me insane that the inscription in marcus aurelius is to "my truest love" like "my dearest love" would have been sad enough but TRUEST... the whole show is about the illusions and the falsehoods that prop up power and flint is so good at using them. but he was once someone's truest love. the least false. in this world that runs on lies and stories and theater there was once something true. and it was destroyed. i get why flint is like that now i'd go fucking crazy too
everyone talks about how strong and great Aragorn was for refusing the ring when Frodo offered it to him as if this man has not spent his entire life dodging leadership and responsibilities like bullets in the matrix đ
about to say something mean but i feel like every "male-specific" issue is something that also happens to women its just that a lot of you dont seem to see women as people
women are also feeling lonely and alienated from communities en masse women are also expected to stifle their mental health for the sake of perfomance at work, in relationships, for children ect women are also expected to work extremely hard to maintain a perfect body and perfect health and are punished for being fat/having hair loss/having health issues especially those that affect ones sex life women are also insecure women are also neglected by parents and teachers and authority figures women are also scrutinized for having emotions and punished for not meeting the gendered expectations of our class and expected to climb upwards and overcompensate while being punished for signs of poverty and we get the added bonus on top of, yknow, being women. your emotional issues are not a Crisis Attacking Manhood theyre the way our society is fucking built you just dont see women as people
Me when I contact IT and tell them yes I restarted and followed any instructions I could but computer still angry and IT says they are escalating this because it is an actual issue: I am getting a good grade in service desk ticket. Something that is both normal to want and possible to achieve.
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tequila is like drinking the tears of a very happy young woman and whiskey is like drinking the tears of a very sad old man and gin is like drinking the tears of a closeted gay man named james

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Google AI Overview court loss in Germany could spell doom for AI search industry.
"Google AI Overview court loss in Germany could spell doom for AI search industry."
It fucking better.
Like to charge, reblog to cast?
Like to charge, reblog to cast!
it's interesting to me to see like. within queer communities the thing where if you said "things are really fucking stressful and awful for us right now and it's giving us a lot of really terrible feelings that don't have an outlet" ppl are like "yes, true" and then if you're like "it's far easier and safer to vent that frustration and fear on accessible members of your own community than it is to try to vent it on the people who are actually in power" they would be like "yes, true" and if you said "it feels better to justify venting that frustration and fear and anger if you can frame it in head as very important and righteous, rather than admitting that it's a coping mechanism being utilized by a fallible human being undergoing very difficult circumstances" they'd say "yes that's also true"
but if you're like "this is relevant to your own current behavior" with the implication that the intracommunity thing they're currently big mad about is actually not as important and righteous as they're casting it in their head, it's like "no no. not MY behavior. mine is rational and I am correct. the issue I am fighting with other queer people about like rats in a sack IS actually the most important issue to be addressing right now"
and like
this is stuff I have to constantly watch out for in my own behavior! it is absolutely absolutely a thing, and absolutely something we ALL deal with and are capable of engaging in. it's ramped up in intensity the last year or two and I don't think that is a coincidence. I wish we were more capable of this level of analysis of this stuff without getting defensive.
and like, again, it isn't like it's evil. I don't think it's GOOD to do, but as I said, it's the completely understandable behavior of a human being under considerable stress. we need to cut ourselves a break in order to be able to be honest about what we are doing sometimes.
Out of control Edwardian youths refuse to clap at production of Peter Pan, force distraught J.M Barrie to pull out rarely seen "Tinkerbell Fucking Dies" ending
You probably know this but shitpost ruining fun fact for anybody who doesnât:
When the play first was performed, JM Barrie et al were so concerned this might happen that they instructed the orchestra to drop their instruments and clap at this point, just in case
I did not know this and I'm grateful for being informed
Peter Pan edited by Anne Hiebert Alton (2011)
(sorry to interrupt joke post but) this is true!
Children not clapping did happen too, (and some were even expected to have hissed, which was later written into the 1928 playscript and 1911 novel). But my all time favourite anecdote about it is from Pauline Chase (who played Peter)'s intro to Peter Pan's Post Bag 1909:
Children love to clap their hands at the play because then they feel that they are really part of it, and you can see them holding their hands poised ready to seize an opportunity. Their great chance is when I ask them to clap their hands if they believe in fairies, and so save Tink's life. But they are very wrathful if any one claps who has the reputation of being a cynic, and once there was quite an uproar in the front row of the dress circle because of a girl who clapped. Those about her pulled down her arms angrily. "How dare you clap," they cried, "when you know you don't believe in fairies!" There was one dreadfully hard-hearted little boy who came to the theatre not to clap. That was his object for coming, and he came round "behind" to tell me so in the middle of the play. His teeth were firm set. "I won't clap," he said doggedly; "I'm not going to clap." And when the time came he didn't clap; above the clapping of all the others I could hear him shouting from a box, "Peter, I'm not clapping."
(Tink was revived each time anyway)
i think the key difference between george lucasâs star wars and disneyâs star wars is that lucas is a man with an ideology. someone with a point of view, and all that entails. which comes with ideas of revolution, anti-imperialism, challenging the status quo, cultural appropriation and racist stereotypes. complex and contradictory ideas because thatâs how artists are: complex and complicated people. disney is not. disney is a corporation. a corporation canât have ideology, because ideology defeats the purpose of profit. and when the only thing you do is to turn on the movie manufacturing machine before you sit down and plan what ideas are you trying to convey to the audience, then your results are going to be washed out corporate garbage. and because when youâre a giant corporation who only cares about selling to the widest audience possible, you canât take sides. you canât decide on an idea. because you want to sell your product to people who are on the entire political spectrum. which results in movies without ideology, without purpose, without soul.
I have been looking for this post for years after I came across it and itâs finally here and I need to reblog this because it is absolutely and entirely accurate.
#as I always say: lucas was making a samurai film and a ww2 flying ace film and a western film and adding laser swords#because he fundamentally LIKED samurai films and dambusters films and westerns and 40âs adventure serials#but disney are making a âstar wars filmâ and adding nothing because it already had laser swords and they have nothing else to say#xerox of a xerox baybeeeee (via harrietvane)
As I get older, the entire moral arc of Return of the Jedi irks me more and more, even without getting to see Anakin's actual atrocities in the prequels or the fact that his act of defiance barely even mattered in the sequels.
I remember an Expanded Universe comic set immediately after RotJ where Leia tells Luke words to the effect of "Vader literally had me tortured and blew up my homeworld. What, am I supposed to feel kinship with him just because I discovered he's my dad yesterday?"
The important thing that happens in Return of the Jedi is that the Emperor dies and the planet-killing superweapon gets blown up. Vader spent the last two hours of his life doing something good after 25 years of genocide, mass murder and torture, and even then, it was partly out of vengeful hatred. Vader fucking hated Palpatine for a quarter century and never had the spine to do anything about it. It was only after his own son was being tortured to death in front of him that he chose to act - and he'd cut off the kid's hand like two years before that! That's not a fucking redemption arc.
Darth Vader the fucking child-killing planet-murderer gets to stand there with Yoda and Obi-Wan as a Force Ghost, give me a fucking break.
"My father's name was Bail Organa, actually."
I have a whole other post I did about the original Star Wars trilogy that is relevant to this, but I'll try condense it:
So one, yes, absolutely it is entirely correct to take issue with Darth Vader's apparent forgiveness by the Force, there is no need for Leia to accept him as her father or to feel anything for him besides hate and contempt, redemption takes more than turning back for a couple of hours and then getting out of culpability by dying, all fair.
That said: the original trilogy is Luke Skywalker's story and the story of Luke Skywalker, on a meta level, is about being a young adult in the 60s and 70s who did not experience WWII or the depths of fascism personally, but who grew up with gaping familial wounds - family members who you never knew but who older people refer to or talk around, people they compare you to, figures who other children had in their lives but you didn't. Someone who as a child was given fantasies of heroes fighting daring battles, who was told it was all about nationhood and fighting for your people and the course of civilization, someone who internalized those principles as guiding lights for their own morality and who they want to be... and THEN finding out when you become an adult, and are permitted to know about the horrors, that it is not just honor and glory in your heritage, that you, 70s white boy, may have evil and darkness and the corruption of all your values as a potential to fall into just as your father did, the temptation to hate and cruelty and domination and atrocity. And the absences in your family are maybe not just because of death, of noble sacrifice, but perhaps instead because those people who shared your blood became monsters, severed from their family because of their terrible actions, and still live as awful hateful versions of themselves, enslaved to evil, and that could be you.
And what do you do with that? Will you strike your father down with all of your hatred, when the thing that corrupted him by his hate for its own ends is sitting there grinning and laughing, waiting to do the same to you? Is violence the answer against that creature, infinitely better at taking advantage from violence than you are? Or will you just die - and even just walking away here means death, sooner or later - and let the evil persist?
Or will you, privileged young person with ideals and hopes, with a family member who has done terrible unforgivable things but who still holds affection for you, make use of that affection to tempt them to just turn their back on that evil for a moment, the thing it will never expect from the person it made its slave for longer than you've been alive? Neither you nor he can pay back the crimes of those years, but perhaps you can stop the evil, here and now, from going on.
So you do that. And what is your reward? Is it appropriate for Luke, whose whole story has been about becoming the ideal he grew up admiring and defeating the evil that ideal had the potential to become, both halves of it embodied in the being of his father, to come back to his friends and then have the universe say to him 'your father was unredeemable, and had nothing good enough in him to deserve peace in death'? Or to say there was a darkness lifted from him, and a light restored?
The whole purpose of Darth Vader in the story of the original trilogy is to represent who Luke could be, and through Luke, the audience. He wasn't really supposed to have a character arc of his own, his redemption isn't for his own sake, the story isn't about him - or wasn't meant to be originally, in any case. How you depict the fate of Darth Vader is something that sends a very strong message, and there's a reason why it was chosen as the final message of the original movies, in the context of the world in which those movies were made and who they were intended to be speaking to. If you change that, you change the message. Which you can do! And you can take issue with the original message! But like, there was a message, that was chosen purposefully, and you have to lose the original message to add a new one.
This rebuttal is really good, but I actually think it also works as the culmination of Anakin/Vaderâs arc⌠when you understand the message ISNâT âone good deed absolves years of atrocitiesâ: Itâs that itâs never too late to do the right thing, and be a better person.
It doesnât mean people will forgive you - hell no. The things Vader did were unforgivable, and he knew that. But because of that, he believed the only path left was to keep committing atrocities, to wallow in self-hatred and anger for decades and take it out on the galaxy. He says it himself: âItâs too late for me, sonâ.
But what Luke shows Vader is that we ALWAYS have a choice: To be a better person, and to choose compassion. Anakin doesnât kill the Emperor out of hatred, or even because he thinks itâll make up for anything he did: He knows nothing ever will. He chooses to save Luke, and break the cycle of violence because itâs the right, kind thing to do.
Vader/Anakin isnât fully redeemed by the end of Return of the Jedi: He simply takes his first step back into the light. Obi-Wan and Yoda chose to give him that second chance, but that was their decision to make. The people you hurt are by NO means obligated to forgive you - but you should still strive to be better regardless.
And I think thatâs the message of Anakinâs sacrifice: No matter what weâve done, we always have a choice to break the cycle and be better, with no expectation of forgiveness.

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i was on the way to the movies & i saw an old guy with a piece of wood over his shoulders. it was huge -- a pole several feet long with a kind of wide fan at the end of it. and i said "what the hell is that?" and he looked at me and had this kind of ear to ear grin, and he said "what do you mean 'what the hell is that'?" and he sat back on his heels, still with that big smile like the sun spilling from the underside of a cloud and waited for me to answer and i said "i mean i don't know why you're walking around with that thing, whatever it is." and he laughed and put down his pole and kinda clapped me on the shoulder. "can i get you a drink?" he said. and i said "no, the show's in ten minutes," and he said "oh? what are you seeing?" and i said "christopher nolan's odyssey, i'm pretty excited," and he sighed and picked up his oar and kept walking.
I donât get the joke :( someone help me
in some versions of the Odysseus legend, Odysseus leaves Ithaca and is supposed to wander the world carrying a ship's oar until he finds a place where no one knows what it is. here, he encounters someone who doesn't recognize it, but since the narrator is going to see a movie version of the Odyssey, that anonymity can't last & he has to keep wandering.