Douglas Latchford marketed stolen Cambodian art for decades. And he couldn’t have done it without Denver Art Museum consultant Emma Bunker
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Douglas Latchford marketed stolen Cambodian art for decades. And he couldn’t have done it without Denver Art Museum consultant Emma Bunker

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And it didn't do a better job than me—but we should maybe be worried that it didn't do much worse
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A Gay History of Private Eye

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Yes, but not at this price.
“When people talk about representation, or reflections, or mirrors, they don’t mean, ‘Replicate my exact experience.’ They mean, ‘Make it ordinary to see someone who looks like me. Make it as common as it once was to see a friend. Make it so that I don’t even notice.’” To me, this speaks to two separate issues: how minority groups view themselves (which they can do quite well without representation), and how outsiders view that minority group (which is rather more outside of their control). But the first is tied up in the second: we internalize the opinions that other people hold of us, and come to believe our worth is what the dominant hegemony says it is. Representation in media isn’t just about seeing oneself; it’s also about seeing that others see us as we want and deserve to be seen.
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The long read: A drone sighting caused the airport to close for two days in 2018, but despite a lengthy police investigation, no culprit was

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Verdigris was such a beautiful color, it was hard for painters to resist, even when they knew it would render their works mortal.
Postmodern Mystery is a web site devoted to experimental, unconventional and postmodern approaches to stories of mystery and suspense