OH, PSSHAW

Gargoyle character studies I had on my Patreon for a while now, featuring Brooklyn, Broadway, Lexington, and Angela! :)

These were largely a bid in trying to capture the likeness of the characters while translating them into my style. As seen with Angela's sheet: what I did was take the official character model sheet and trace it to get a feel of their base character shapes, then did a second pass over the trace to add the features I wanted to incorporate into my headcanon design.

The final iteration (the big colored ones) is entirely freehanded and drawn using my passes as reference. I like how they all came out! :>

I'll eventually do the same with other characters (Elisa, Demona, Goliath, and Hudson are next on my list), then do fullbody redesigns to act as refs for any future drawings and headcanons I make for Gargoyles.

Tracklist:

Well, Well, Well • A.K.A. I - D - I - O - T • Here We Go Again • I'm a Wicked One • Automatic Schmuck • King of Asskissing • Hail Hail Spit N' Drool • Black Jack • What's That Spell?... Go to Hell! • Theme from... • Uptempo Venomous Poison • Oh Lord! When? How? • The Stomp • Closed for the Season

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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2026/06/09/deliver-us/#kritzer

Naomi Kritzer's Obstetrix is a new, tense thriller in the mode of Atwood's Handmaid's Tale and Alderman's The Power; it's a beautifully turned, claustrophobic horror novel about an obstetrician who's been kidnapped by a Christian cult obsessed with fertility:

https://us.macmillan.com/books/9781250423375/obstetrix/

Kritzer is a master of building scenarios that require her characters to express and resolve a wide variety of complex and contradictory emotions. Her breakout novel, Catfishing on the CatNet is a charming and deceptively goofy story about an AI trained on the impeccable vibes in a really solid groupchat becoming sentient and demanding…cat pictures. This is the setup for a warm (but intense) novel of internet-mediated friendship and IRL mutual aid:

https://memex.craphound.com/2019/11/19/naomi-kritzers-catfishing-on-the-catnet-an-ai-caper-about-the-true-nature-of-online-friendship/

Then there's her incredibly prescient 2015 story "So Much Cooking," about people in lockdown during a pandemic. For obvious reasons, it enjoyed an revival in 2020, with Kritzer penning an excellent essay reflecting on what it means to have thought through the implications of a disaster that is now upon us:

https://reactormag.com/didnt-i-write-this-story-already-when-your-fictional-pandemic-becomes-reality/

In 2023, Kritzer published one of the most memorable YA novels I've read, Liberty's Daughter, which is set on a libertarian seastead and told from the point of view of the daughter of the cult's founder:

https://pluralistic.net/2023/11/21/podkaynes-dad-was-a-dick/#age-of-consent

Liberty's Daughter is basically what you'd get if you rewrote a Heinlein YA novel from the perspective of one of the kids, who had to live with a Heinlein-type dad (Heinlein was childless and had some of the most batshit child-rearing ideas, which he managed to make sound bizarrely plausible). There's a lot of sf that is "in dialogue" with Heinlein (including some of mine), but no one nailed RAH like Kritzer.

Then there's Obstetrix; it's got one of those admirably propulsive setups. Doctor Elizabeth Gwynn is an obstetrician who performed an abortion to save her patient's life, only to be dragged into the culture wars by North Dakota's crusading attorney general, who charged her with felony murder and offered to let her plead out if she would admit that she was wrong to do it, as an example to other OBs who might be tempted. Now, Dr Liz lives in Minneapolis, where her savings are running out and no one wants to hire an obstetrician who's done time.

Then, Dr Liz gets a cold-call from a midwifing service that wants to hire her as an on-call doc. It's a weird offer from out of the blue, but Dr Liz can't afford to pass up a chance at steady work. She finds herself in a residence that the midwives work out of, and the nice woman there offers her a cup of tea. That's when the world fades to black, as the drugs in the tea take hold.

With his best (and only) friend gone, an eighteen-year-old Lucas struggles to right himself from an emotional tailspin. He finds company in his late-night wandering... as well as a peculiar sense of deja vu. Whether this goes anywhere good remains to be seen!