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The reality is that there are six major reasons why women cheat. Here they are:

It’s not often you come across a photographer who can transport you to another place and time. Through his own work US artist Neil Krug (@neilkrug) has the ability to convey a lost age in time, an innocence hard to recapture. Starting out in the rural Mid-west State of Kansas, Krug quickly ascended the world of photography after word spread of his mysterious and illuminating work. Krug soon found artists appearing one after another, demanding his talent; Australian psych band Tame Impala, post-rock outfit Foals, legendary electronic duo Boards of Canada and the high mistress of dark pop Lana Del Rey, just to name a few. Krug is a photographer who doesn’t mess around. It might look “pretty” but his work cuts right through the popular culture divide. He carries a rich psychedelic tapestry of mystery and nostalgia wherever he goes, creating a playful world of female forms, rich colours and otherworldly shapes and patterns; a world that we want to go back to over and over. 

It’s not often you come across a photographer who can transport you to another place and time. Through his own work US artist Neil Krug (@neilkrug) has the ability to convey a lost age in time, an innocence hard to recapture. Starting out in the rural Mid-west State of Kansas, Krug quickly ascended the world of photography after word spread of his mysterious and illuminating work. Krug soon found artists appearing one after another, demanding his talent; Australian psych band Tame Impala, post-rock outfit Foals, legendary electronic duo Boards of Canada and the high mistress of dark pop Lana Del Rey, just to name a few. Krug is a photographer who doesn’t mess around. It might look “pretty” but his work cuts right through the popular culture divide. He carries a rich psychedelic tapestry of mystery and nostalgia wherever he goes, creating a playful world of female forms, rich colours and otherworldly shapes and patterns; a world that we want to go back to over and over.