Untitled from Silueta series in Mexico, Ana Mendieta, 1976

@theartofmadeline

Andulka
trying on a metaphor
art blog(derogatory)
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

Cosimo Galluzzi

bliss lane
The Bowery Presents
I'd rather be in outer space 🛸
PUT YOUR BEARD IN MY MOUTH
RMH
Xuebing Du
occasionally subtle
The Stonewall Inn
Not today Justin
almost home
"I'm Dorothy Gale from Kansas"
we're not kids anymore.

seen from Germany
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seen from Iraq
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@poofagenius
Untitled from Silueta series in Mexico, Ana Mendieta, 1976

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Amazing seaside Murals by street artist Sean Yoro aka HULA
Sean Yoro aka HULA is an Hawaiian street artist who loves to combine two of his greatest passions: art and surf.
Luis Camnitzer - The Photograph (1981)
The Screenshot (2014)
The Reblog (2014)
Bahahahaha love this
The Unnecessary Comment (2014)
The Revival (2026)
Solange Pessoa, Untitled, 2019
Soil on canvas, 200.0 x 200 cm
Dawn Surratt, objects and ephemera

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Geraldine Pilgrim - Dreams of a Winter Night
Photographed by Susan McKeon.
Alessandro Passerini
On this day, 21 July 1936, one of the most iconic photos of the Spanish civil war was taken on the rooftop terrace of what is now the Iberostar/Apple store buildings in Barcelona. Taken by German photographer Hans Gutmann, the photo depicts 17-year-old socialist Marina Ginestà. Although she is captured holding a rifle, it is doubtful that Ginestà actually fought on the front lines during the war. Instead, as she was partially brought up in France and spoke fluent French, Catalan and Spanish, she worked as a journalist during the war and more notably as a translator and interpreter for the Soviet correspondent from the Pravda newspaper, Mijaíl Koltsov. Gutmann had come to Barcelona to cover the anti-fascist Popular Olympiad games and, at the onset of the war, decided to stay to cover the conflict. He then castilized his name to Juan Guzmán. A communist himself, he had easy access to what was formerly the Hotel Colón, a building taken over by the PSUC (the Catalan Socialist Unification Party) where he took many of his renowned photos. When the photo was taken of young Ginestà, she had never held a rifle in her hands - Guzmán offered it to her to pose with, and the same rifle appears in another photo in the same hotel of the writer Ludwig Renn. Ginestà survived the war and fled to France as a refugee. She later escaped the Second World War by fleeing to the Dominican Republic. With the rise of the dictatorship under Trujillo, Ginestà moved to Venezuela, where she settled for many years working as a journalist and a novelist. In 2014, she passed away in Paris, France, aged 94. Learn more about the Spanish civil war in our podcast episodes 39-40: https://workingclasshistory.com/podcast/e39-the-spanish-civil-war-an-introduction/
Paul Albert Besnard, A Study of Waves, c. 1890s

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L'Inferno di Dante con il Monte Saint Michel di Pierre Ionica.
Henri Matisse, Acrobats, 1940′s
more
Saul Leiter.
Mers inexplorées (Unexplored Seas) by George Wetherbee (American painter, 1851-1920)

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renaissance in the 21st century
some more
the WHAT??
okay, found her
some more good replies from the notes
i didnt expect these to hit so hard but then they kept going and going….my god
Whilst these are beautiful, only really a few of them actually look rennaissance. Show my friend Baroque some love. Some of this stuff looks more like Bosch (Early Nederlandish). The hockey one gives Rockwell vibes to me.
“Resting Place II” (2024) terracotta, 132 figures, dimensions variable.
Architecture Converges with the Human Form in Antony Gormley’s ‘Body Buildings’
“Resting Place II”
“Buttress” (2023), cast iron, 176.8 x 54.5 x 67.2 centimeters
“Shame” (2023), cast iron, 161.7 x 59 x 42.9 centimeters
“Circuit” (2022), cast iron, 29.3 x 201.3 x 122.4 centimeters