Mira Schendel. Untitled (from the series Datiloscritos), 1974
The Bowery Presents

⣠Chile in a Photography âŁ
Noah Kahan
Misplaced Lens Cap

titsay
EXPECTATIONS
ojovivo
noise dept.
đŞź

KIROKAZE
TVSTRANGERTHINGS

gracie abrams

Andulka
we're not kids anymore.
taylor price
$LAYYYTER
I'd rather be in outer space đ¸

@theartofmadeline
Sweet Seals For You, Always

seen from Singapore
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@permanentgreenlight
Mira Schendel. Untitled (from the series Datiloscritos), 1974

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Oksana Linde
Kananaskis, Alberta
Marian Zazeela. 29 VIII 75 - 15 IX75, 1975
Marian Zazeela (April 15, 1940 â March 28, 2024)
Ăliane Radigue in her studio, Paris, 1971 photo: Yves Arman

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AndrĂŠ ALMURO
"Musiques expĂŠrimentales"
(LP. Disques Adès. 1969 / c. 1964-69) [FR]
Roland Kayn : a musical pioneer in âCybernetic Musicâ and a creative who saw the modes of thought processing from the word of 60â˛s Cybernetics and turned its attention to audio aesthetics. His far reaching ideas allowed for experimentation with musical hardware and musical theory  - and leads the listener into a world of possible feedback from an array of sources.
Thanks to Data is Nature for bringing Roland to my attention - and more info can be found in Thomas W Pattersonâs article âThe time of Roland Kaynâs Musicâ
4 track album
So pleased to announce the release of the new Hydropark EP today with four brand new songs. They were recorded and mixed in Chicago with Elliot Bergman and Erik Hall. These sessions were quite a bit varied, in terms of arrangements and instrumentation, from our earlier synth and rhythm-based work. Thereâs even some singing! You can check out EP1 on Bandcamp at the link below or stream it on most available streaming services.
Performing with Sean Curtis Patrick and Kendall Babl at Mini-Moogfest on Saturday November 18, 2017. Panoramic shots taken by Mariah Cherem.
âles maisons du travailleurâ # 11 (actual poetâs house) photo by Max Kuiper circa 1981\1982

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The new Hydropark album is finally out! The LPs ship in June, with silkscreened covers on gold and silver reflective metallic foil. Get it here.
Parable of the Swans
On a small lake off the map of the world, two swans lived. As swans, they spent eighty percent of the day studying themselves in the attentive water and twenty percent ministering to the beloved other. Thus their fame as lovers stems chiefly from narcissism, which leaves so little leisure for more general cruising. But fate had other plans: after ten years, they hit slimy water; whatever the filth was, it clung to the maleâs plumage, which turned instantly gray; simultaneously, the true purpose of his neckâs flexible design revealed itself. So much action on the flat lake, so much heâs missed! Sooner or later in a long life together, every couple encounters some emergency like this, some drama which results in harm. This occurs for a reason: to test love and to demand fresh articulation of its complex terms. So it came to light that the male and female flew under different banners: whereas the male believed that love was what one felt in oneâs heart the female believed love was what one did. But this is not a little story about the maleâs inherent corruption, using as evidence the swanâs sleazy definition of purity. It is a story of guile and innocence. For ten years the female studied the male; she dallied when he slept or when he was conveniently absorbed in the water, while the spontaneous male acted casually, on the whim of the moment. On the muddy water they bickered awhile, in the fading light, until the bickering grew slowly abstract, becoming part of their song after a little longer.
- Louise Gluck
"In a field I am the absence of field. This is always the case. Wherever I am I am what is missing" - Mark Strand

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