Sino Yung Multo?

Same goes for the people I saw just the other day whose discord server explicitly disallowed "Yaoi" but said that M/M content was allowed. What they meant was "M/M content is allowed as long as it isn't pornographic and fetishistic." What they actually said was "M/M content is allowed, but M/M content is strictly forbidden," and expected you to understand that the Japan-Adjacent term has porn/fetish connotations while the English-language term for THE SAME THING refers to the "normal, non-perverted" version.

There is no victory in skipping dinner, or lunch, or breakfast, or morning coffee, or dessert.

There is no victory in refusing heaters and air conditioners and fans and heated blankets.

There is no victory in denying yourself sleep, or showers, or movement, or water, or a comfortable bed, or taking the elevator vs. the stairs.

There is no victory in refusing pain meds and heating pads and ice packs and medical help.

There is no victory in punishing yourself needlessly, in telling yourself that this pain you feel is because you are bad to the core and deserve it.

There is no victory in choking back your laughter and your tears, to keep an imagined equilibrium of safety that is really just a dry, cracked, empty, endless emotional desert.

You are here. You are in this body, and this body is yours. You deserve good things. You are alive, and that is messy and loud, and messy and loud are okay.

I'm afraid they'll become engineers and sign off on bridge designs that collapse - and people will die.

I'm afraid they'll become medical professionals who don't know what they're doing - and people will die.

The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.

They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.

The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.

The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.

The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.

Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.

Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.

OP: How on earth did the leads and all the crew on set keep a straight face?

(Fast‑paced, highly emotionally charged short dramas are trending on Chinese short‑video platforms. Actors who frequently play the male lead often run into all sorts of filming difficulties simply because they are too tall.)