Unrest 2017 oil-based enamel, sumi ink and watercolor on paper

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he wasn't even looking at me and he found me

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@pearlchsiung
Unrest 2017 oil-based enamel, sumi ink and watercolor on paper

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On Friday June 30, 2017, A.L. Steiner delivered an 8-hour lecture at the Women's Center for Creative Work as part of her contribution to ARTIST WRITES for X-TRA. Below is a companion to Steiner's lecture and essay, a reading list compiled from the 8-hour lecture. Steiner spoke for a full 8-hr
Major BIBLIOGRAPHY to add to your reading list!
Come 👀! Phoenix, 2016 in Full Gorge at @visitorwelcomecenter, show's up through June 24. #pearlchsiung (at Koreatown, Los Angeles)
Detail of Full Gorge - show opens tomorrow eve 6-9pm at Visitor Welcome Center, 3006 W. 7Th St, Ste 200A, LA, 90005 👁 C u there! 👁 #pearlchsiung
Pearl Hsiung / Kamuro / 16" x 16" / oil-based enamel on canvas / Price upon request
As part of the Amplify Compassion art sale benefit for the ACLU taking place at 356 Mission Rd. Jan 21st and Jan. 22nd!

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Queen
2016
oil-based enamel, sumi ink and watercolor on paper,
295 mm x 210mm (11.75 in x 8.25 in)
Centennial Whiskeytown CA park pass w 'No. 3' from Whiskeytown water colors 2015. It's little...business card size! 👶🏻 #Whiskeytown #pearlchsiung
Simurgh, 2015, oil-based enamel on canvas, 30" squared #pearlchsiung #happysolarnewyear !!! 🎉🎉🎉🎉🎉🎉🎉🎉
A white woman in my class said to me a couple of months ago, ‘I feel that Third World women hate me and that they are being racist; I’m being stereotyped, and I’ve never been a part of the ruling class.’ I replied, 'Please, try to understand. Know our history. Know the racism of whites, how deep it goes. Know that we are becoming ever more intolerant of those people who let their ignorance be their excuse for their complacency, their liberalism, when this country (this world!) is going to hell in a handbasket. Try to understand that our distrust is from experience, and that our distrust is powerless. Racism is an essential part of the status quo, powerful, and continues to keep us down. It is a rule taught to all of us from birth. Is it no wonder that we fear there are no exceptions?
-Merle Woo, "Letter to Ma" (via fertile-praxis)
“Until we can all present ourselves to the world in our completeness, as fully and beautifully as we see ourselves naked in our bedrooms, we are not free.” -Merle Woo
pictured: Gabrielle Daniels and Merle Woo

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Magnetic putty subsumes a bar of metal.
Harvey Ball, creator of the smiley face, autographs posters in his office on July 6, 1998.
Rory Rowan “EXTINCTION AS USUAL?: GEO-SOCIAL FUTURES AND LEFT OPTIMISM”
Kick 'em Jenny, 2015, oil-based enamel, ink, watercolor on paper, 9.5 x 14 in.
Moon Mind (Light Side), Moon Mind (Dark Side), 2015
The gallery's latest blockbuster actively blinkers knowledge of the past.
“This is called “disappearing”. Through exhibitions then, the erasure is repeated. What we are allowed to know in art history is thus gendered: favouring “men who invent” and “fathers of invention” when the special fact about this particular event was actually the participation of women side by side with progressive men.”

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Guts Out, 2015 #pearlchsiung
Mamie Tape (top photo,middle) was a Chinese American born in San Francisco who in 1884, when she was eight years old, was denied entry to public school because of her ethnicity. The principal of Spring Valley School, Jennie Hurley, stood in the schoolhouse door way to bar Mamie’s entrance on the sole grounds that she was Chinese.
In a case that is still cited as precedent in racial quota lawsuits, the Tape parents sued the San Francisco Board of Education. They argued that the school board's decision was a violation of the California Political Code, which stated:
"Every school, unless otherwise provided by law, must be open for the admission of all children between six and twenty-one years of age residing in the district; and the board of trustees, or city board of education, have power to admit adults and children not residing in the district, whenever good reasons exist therefor. Trustees shall have the power to exclude children of filthy or vicious habits, or children suffering from contagious or infectious diseases."
On January 9, 1885, Superior Court Justice McGuire handed down the decision in favor of the Tapes. On appeal, the California Supreme Court upheld the decision.
He wrote that "To deny a child, born of Chinese parents in this state, entrance to the public schools would be a violation of the law of the state and the Constitution of the United States."
Tape v. Hurley, 66 Cal. 473 (1885) was a landmark court case in the California Supreme Court.
Yet even after the court found that the San Francisco Board of Education violated the fourteenth amendment in banning Mamie from the public school, the school still refused to admit her, stating that Mamie had not gotten her vaccinations in time.
Also, the San Francisco school board lobbied for a separate school system for Chinese and other "Mongolian" children. A bill passed through the California state legislature giving the board the authority to establish the Oriental Public School in San Francisco.
On April 16, 1885 Mary Tape wrote an impassioned letter to the Alta California newspaper, expressing her anger at this injustice:
“What right have you to bar my child out of the school because she is Chinese […] You have expended a lot of the Public money foolishly, all because of one poor little Child ….It seems no matter how a Chinese may live and dress…they are hated…I will let the world see sir What justice there is When it is governed by the Race of prejudice men!”
Mary Tape was an early Chinese American woman who took up an urgent and historic public cause. In the court and through the press, Mary Tape demanded the right to public education for her daughter and for the children of the Chinese community. Of course, Mary Tape is the heroine in this story.
More info about the Tape Family: http://berkeleyheritage.com/essays/tape_family.html