Gustave Doré (1832–1883)
illustrations from Milton’s Paradise lost, c. 1866
“The Fall of Satan to the Earth” “Satan’s Despair” “Satan Overlooking Paradise” “Satan in the Garden of Eden”
noise dept.
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Lint Roller? I Barely Know Her

Game Changer & Make Some Noise
The Bowery Presents
hello vonnie
"I'm Dorothy Gale from Kansas"
Doug Jones
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Sweet Seals For You, Always
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One Nice Bug Per Day

Jar Jar Binks Fan Club
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The Bright Sessions
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Gustave Doré (1832–1883)
illustrations from Milton’s Paradise lost, c. 1866
“The Fall of Satan to the Earth” “Satan’s Despair” “Satan Overlooking Paradise” “Satan in the Garden of Eden”

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Georges Bataille, Erotism: Death and Sensuality
156. Why is the sky blue? -A fair enough question, and one I have learned the answer to several times. Yet every time I try to explain it to someone or remember it to myself, it eludes me. Now I like to remember the question alone, as it reminds me that my mind is essentially a sieve, that I am mortal.
157. The part I do remember: that the blue of the sky depends on the darkness of empty space behind it. As one optics journal puts it, "The color of any planetary atmosphere viewed against the black of space and illuminated by a sunlike star will also be blue." In which case blue is something of an ecstatic accident produced by void and fire.
-Maggie Nelson, Bluets
New City, New York, Photo by Lee Friedlander, 1973
aperacjum edit

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Bill Brandt
Man Ray, Space Writing (Self-Portrait), 1937
Vivian Maier
Patriotism, 1968.
dir. by Yukio Mishima.
Clarice Lispector, from The Passion According to G.H.

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"As already stated, the duration of a human moment amounts to 1/18 of a second."
-Jakob von Uexküll, A Stroll Through the Worlds of Animals and Men
“Those people with perfect houses are simply obsessed with death. A house that is so well maintained, furnished with good-looking furniture of high quality, decorated tastefully, everything in its place, becomes a living tomb. People truly engaged in life have messy houses.”
— Ottessa Moshfegh, Eileen
“A poem, an exercise in omitting letters” ⌇ Thomas Penny · concrete poetry
Mona Hatoum | Performance Still | 1985–95
Henry Clarke, Vogue 1951

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“— full blood-red lips as if she’s eaten all of life she can.”
— Leslie Zemeckis, Goddess of Love Incarnate: The Life of Stripteuse Lili St. Cyr
Francesca Woodman, Angel in Rome