Paths of Art

The painting is titled Self-portrait, created by the Welsh artist Gwen John circa 1900.Key DetailsArtist: Gwendolen Mary ("Gwen") John.Date: Circa 1900 (also sometimes cited as 1899 or 1902).Medium: Oil on canvas.Subject: A self-portrait of the artist wearing a rust-colored or red dress with a prominent black bow.Collection: This specific work is held by the National Portrait Gallery in London.Gwen John is recognized for her introspective portraits and subtle use of color, though this early self-portrait stands out for its bold, confident character and the vibrant hue of her dress.

The painting is titled Self-Portrait as the Apostle Paul (1661), created by the Dutch master Rembrandt van Rijn.Key DetailsSubject: It is a self-portrait historié, a genre where the artist depicts themselves as a historical or religious figure.Iconography: Rembrandt is identified as Saint Paul through traditional attributes: the sword visible in his coat (symbolizing his martyrdom and military past) and the manuscript or sheaf of papers in his hand (representing the word of God and his epistles).Location: The original oil-on-canvas painting is part of the permanent collection at the Rijksmuseum in Amsterdam.Significance: This is notable as Rembrandt's only self-portrait in which he assumed the identity of a biblical figure. The mood is described as "sombre in the extreme," reflecting the pensive and emotional tone typical of his late religious works.

This etching is titled Self-Portrait with Long Bushy Hair: Head Only, created by the Dutch artist Rembrandt van Rijn around 1631.Key Details of the ArtworkTechnique: It is an etching, sometimes featuring light touches of drypoint.Style: The work is composed of loose, energetic lines that provide movement and texture to the subject's wild, curly hair.Subject: It is one of many self-portraits Rembrandt produced throughout his career. During this early period in Leiden, he often used his own face to study different facial expressions and lighting effects, known as "tronies".Dimensions: It is a small work, with the plate typically measuring approximately 6.4 x 6 cm (about 2.5 x 2.4 inches).This particular piece is held in several prominent collections, including the Morgan Library & Museum in New York, the Harvard Art Museums, and the Fitzwilliam Museum at the University of Cambridge.

The painting is titled Self-Portrait II (1944) by the American artist Horace Pippin.Details of the PaintingArtist: Horace Pippin (1888–1946), a self-taught African American painter.Medium: Oil on canvas, which was then adhered to cardboard.Dimensions: It is a small work, approximately 8.5 x 6.5 inches (21.6 x 16.5 cm).Subject: Pippin depicted himself wearing a brown business suit and a striped tie, looking directly at the viewer with a calm expression. Unlike his other self-portraits, such as the one showing him at an easel, this painting does not overtly display the injury to his right shoulder that he sustained while serving in World War I.Location: The painting is part of the collection at The Metropolitan Museum of Art in New York.

The painting is titled "Portrait of the Dancer Alexander Sakharoff" (also spelled Sacharoff or Aleksandr Sakharov), created in 1909 by the Russian Expressionist artist Alexej von Jawlensky.Key DetailsArtist: Alexej von Jawlensky (1864–1941).Style: Expressionism.Medium: Oil on cardboard.Subject: Alexander Sakharoff, an avant-garde dancer and choreographer known for his androgynous appearance and modern dance approach.Location: It is currently housed in the Städtische Galerie im Lenbachhaus in Munich, Germany.The work is considered a cornerstone of early Expressionism, characterized by its intense, vibrant colors, simplified contours, and the sitter's haunting, direct gaze.

The painting is titled "Slovak Girl in Sunday Attire" (also known as "Young Girl of Zsdjar in Sunday Clothes"), created by the Austrian-born artist Marianne Stokes around 1909.Key Details of the WorkArtist: Marianne Stokes (born Marianne Preindlsberger).Technique: It was likely executed in tempera on panel, a medium Stokes adopted to achieve a flat, fresco-like appearance.Cultural Context: The portrait is part of a series Stokes painted during her travels in Hungary and the High Tatra mountains (now part of Slovakia) between 1905 and 1908.Significance: This piece serves as an important ethnographic record of traditional Slovak culture and the incredibly detailed traditional garments (kroj) of the early 20th century. It was featured as an illustration in the 1909 book Hungary, written by her husband Adrian Stokes.

This 1909 oil on canvas painting by Dutch artist Piet Mondrian is titled Zeeland Farmer (also known as Zeeuwsche boer or Zeeuwse boer).Key DetailsArtist: Piet MondrianYear: 1909Style: Post-ImpressionismCurrent Location: Kunstmuseum Den Haag (formerly Haags Gemeentemuseum), The Hague, Netherlands.Medium: Oil on canvasDimensions: Approximately 69 x 53 cmThe work was created during a transitional period for Mondrian, where he moved from naturalistic landscapes toward an increasingly expressive and abstract style. This portrait focuses on the eyes, which Mondrian believed were a link to the soul and an intimate reality.

This painting is titled "Portrait of Gabriele Münter". It was painted by Wassily Kandinsky around 1905.The work depicts fellow Expressionist artist Gabriele Münter, who was Kandinsky's student and longtime companion. It is currently housed in the Städtische Galerie im Lenbachhaus in Munich, Germany.

The name of this painting is Self-Portrait as a Lute Player (Italian: Autoritratto come suonatrice di liuto), created by the Italian Baroque artist Artemisia Gentileschi.Painting DetailsArtist: Artemisia Gentileschi (1593–c. 1656).Date: Created approximately between 1615 and 1618 during the artist's time in Florence.Medium: Oil on canvas.Dimensions: Approximately \(77.5 \times 71.8\) cm.Current Location: It is held in the collection of the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, USA.Significance and CompositionThe work depicts Gentileschi in the guise of a musician, specifically a "gypsy" entertainer, identified by her headscarf and low-cut blue and gold dress. Historically, it was part of the Medici family collection in Florence.Scholars highlight the accurate depiction of the lute and finger positioning as evidence of the artist's firsthand musical knowledge. It is noted as one of the few surviving self-portraits where Gentileschi represents herself directly rather than purely as an allegory.

The painting is titled Self-Portrait with Two Circles (Dutch: Zelfportret met twee cirkels), created by the Dutch artist Rembrandt van Rijn.Key FactsArtist: Rembrandt van Rijn.Estimated Date: Between 1665 and 1669.Current Location: Kenwood House (The Iveagh Bequest) in London, England.Subject: Rembrandt depicts himself at age 59, holding his professional tools: a palette, brushes, and a maulstick.Significance: It is considered one of his most monumental late masterpieces. The "two circles" in the background remain an enigmatic motif that art historians have debated for generations.Composition: The artist is shown standing boldly in front of a white wall, dressed in a fur-lined robe and a white linen cap. He employs his signature chiaroscuro technique (the dramatic use of light and shadow) and an improvisational, "unfinished" painting style typical of his later years.

This oil on panel painting is titled Self-Portrait in a Flat Cap, created by the Dutch master Rembrandt van Rijn in 1642.Key Details of the Painting:Alternative Name: It is also referred to as Self-portrait wearing a Hat and two Chains.Collection: The original work is part of the Royal Collection in the United Kingdom.Dimensions: The support measures approximately 70.3 x 58.8 cm.Context: Painted when the artist was 36, it captured Rembrandt at a significant moment in his life—the same year he finished his masterpiece The Night Watch and also the year his wife, Saskia, passed away.Style and Description: In this work, Rembrandt depicts himself as a prosperous man of the world, dressed in a stylish flat cap and a russet doublet adorned with two gold chains. Despite the theatrical attire, his expression is noted by historians as sober and introspective.

This painting is titled Self-Portrait with the Yellow Christ (or Portrait de l'artiste au Christ jaune), created by the French Post-Impressionist artist Paul Gauguin between 1890 and 1891.Key Features of the ArtworkTriple Self-Portrait: The artist depicts himself between two of his other works: his famous painting The Yellow Christ (1889) on the left and a ceramic grotesque self-portrait (a pot in the shape of a head) on the right.Context: Gauguin produced this work in Pont-Aven, Brittany, shortly before his first departure for Tahiti.Symbolism: By placing himself between these objects, Gauguin explores his identity "between the angel and the beast," using Christ as a personal symbol of his own suffering and artistic vocation.Mirror Image: The representation of The Yellow Christ in this painting is reversed because Gauguin was likely painting his own reflection in a mirror.Current LocationThe original oil on canvas is currently housed at the Musée d'Orsay in Paris, France.

The painting is titled Retrato de Gonzaga Duque (Portrait of Gonzaga Duque).Created around 1910 by the Italian-Brazilian artist Eliseu Visconti, it depicts his close friend and influential art critic Luís Gonzaga Duque Estrada. The work is a hallmark of Visconti's realistic style, utilizing a sophisticated layering of brown tones against a dark background to characterize the subject's distinct personality and "particular way of dressing".Artist: Eliseu ViscontiMedium: Oil on canvasLocation: Museu Nacional de Belas Artes, Rio de Janeiro

The painting you provided is titled "Woman in Brown Coat". It was created by the American Post-Impressionist artist Maurice Brazil Prendergast.Key DetailsArtist: Maurice Brazil Prendergast (1858–1924).Location: The original work is part of the collection at the Museum of Fine Arts, Boston.Style: The painting is characteristic of Prendergast’s late work, featuring a "mosaic-like" application of color and flattened, patterned forms

This painting is titled Georges de Miré, created by the French artist Roger de La Fresnaye in 1910.Key DetailsArtist: Roger de La FresnayeSubject: Georges de Miré, the artist's first cousin and friendDate: 1910Medium: Oil on canvasLocation: The Metropolitan Museum of Art, New YorkStyle and InfluenceThe work reflects an early interest in Cubism, characterized by faceted, reduced forms and a limited color palette. The inclusion of the sitter's name at the top of the canvas was inspired by the work of Paul Cézanne. This piece was notably exhibited at the 1910 Salon d'Automne in Paris, highlighting a shift in modern art toward form over color.

The painting is titled "Isaac with a Pipe" (Swedish: Isaac med pipan).Created in 1911 by the Swedish modernist artist Sigrid Hjertén, it is a portrait of her husband and fellow artist, Isaac Grünewald. The work is characteristic of her Fauvist style, featuring bold, non-naturalistic colors and expressive brushwork.

Status: While it is the iconic representation of Leonardo as the "Renaissance man," its identity as a self-portrait is widely, though not universally, accepted. Some scholars suggest it could be a portrait of his father or uncle, or a preparatory study for another work.