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@papierscolles

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«El pliegue: el Barroco inventa la obra o la operaciĂłn infinitas. El problema no es cĂłmo acabar un pliegue, sino cĂłmo continuarlo, hacer que atraviese el techo, llevarlo hasta el infinito. Pues el pliegue no sĂłlo afecta a todas las materias, que de ese modo devienen materias de expresiĂłn, segĂşn escalas, velocidades y vectores diferentes (las montañas y las aguas, los papeles, los tejidos, los tejidos vivientes, el cerebro), sino que determina y hace aparecer la Forma, la convierte en una forma de expresiĂłn, Gestaltung, el elemento genĂ©rico o la lĂnea infinita de inflexiĂłn, la curva de variable Ăşnica.»
Gilles Deleuze: El pliegue: Leibniz y el Barroco. Paidós, pág. 50. Barcelona, 1989.
TGO
@bocadosdefilosofia
@dias-de-la-ira-1
Illustrations by Yann Bernard Dyl for La Danse Macabre by Pierre Mac Orlan (France, 1927), found in the wonderful exhibition catalog Le Salon de L'Araignée 1920–1930 (Michel Lagarde Gallery)
Pink Floyd / design by David Arnott, 1968.

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IRAN. Les grands intérpretes.
André Kertész Daisy Bar, Montmartre, Paris 1930
Janis Joplin, Schenectady 1970.
Art by Gary Butts.

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Elmore James and His Broomdusters - The Sky is Crying (1959) (Elmo James and His Broomdusters) Elmore James from: “The Sky is Crying” / “Held My Baby Last Night”
Personnel: Elmore James: Vocals / Slide Guitar J. T. Brown: Saxophone Johnny Jones: Piano “Homesick” James: Bass Odie Payne: Drums
Elmore James by Nate VandenBos

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John Heartfield Ob schwarz ob weiss – im Kampf vereint! (Black or White – United in the Fight), Cover for Arbeiter-Illustrierte-Zeitung (AIZ), Berlin 1931
Daniel Radcliffe