massively expanding the concept of "god of the gaps" to include everything i don't immediately apprehend or understand. dark matter is god. chinese is the language of god. a car with tinted windows is being driven by god
Xuebing Du
occasionally subtle

#extradirty
cherry valley forever

pixel skylines
Misplaced Lens Cap
almost home
tumblr dot com

Andulka
Aqua Utopia|海の底で記憶を紡ぐ

shark vs the universe

oozey mess

Keni
🩵 avery cochrane 🩵
Three Goblin Art
PUT YOUR BEARD IN MY MOUTH
Sade Olutola
he wasn't even looking at me and he found me
we're not kids anymore.

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@pantestudines
massively expanding the concept of "god of the gaps" to include everything i don't immediately apprehend or understand. dark matter is god. chinese is the language of god. a car with tinted windows is being driven by god

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I think really my main issue with Star Trek Picard is its dialogue. with a lot of other treks that i've enjoyed the conversations always felt like these dynamic ping pong games, or explorations of a power dynamic, or anything to give you a bit of ground to stand on. With Picard it feels like every conversation is 2 people standing in a blue militaristic warehouse and talking to each other while being forced to always stand in the same spot with zero motion. they don't answer each other's questions unless they have to regurgitate exposition about what a borg cube is to someone who absolutely should know what that is. they always directly say what they mean. nobody's ever a little repressed about it. everyone's somehow too mean yet too soft. nobody feels like they're anything to each other. characters start relationships with each other for seemingly no reason and no chemistry. forever trapped on nothing ship with nothing characters. how does this happen
actually not just the dialogue. the way its conversation scenes are directed too. closeup. reverse shot closeup. closeup. lens flare. closeup. Can I please get anything slightly further away
cake is such an underappreciated band. i can’t believe we brought back low rise flare jeans before we brought back cake in the top 40
i’m just saying cake’s music would be widely regarded as so sexy if it wasn’t for all the mariachi horns and vibraslap and the vocalist didn’t always sound like he was explaining his suicide plans to a gun store clerk in sacramento. the world wasn’t ready for them
The fact that it sounds like a dispassionate reading of a terrorist manifesto is a feature
"light brown" is a hair color more people should get comfortable having. you don't need to think of yourself as blonde
its funny "runes" get used as like a general term for "magical symbols" when real life runes were just a small family of late antique to medieval northern european alphabets

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Genuinely evil and dark-sided to put the periods between the letters in "milf" and "dilf." Like what is M.I.L.F. that is a supervillain organization composed entirely of cougars. Whoa that's a great idea actually post canceled hold on
okay so. as a Fallout Blog or whatever. my take on "new fallout game in development at obsidian!" is that there genuinely doesn't need to be new fallout games, really, and the circumstances in which we're getting one -- amidst layoffs and the cancellation of all of obsidian's original IP projects in-development -- suggests that microsoft is holding obsidian at gunpoint and demanding them to print money above all else, which doesn't really inspire me with confidence even if this game is made by two or three of the same guys who made the last good fallout game so many years ago that new vegas could be going to senior prom soon
materialist-scumbag
THE TICK THAT DREW THE MAP OF THE WEST June 28, 2026
So the longhorn was a garbage animal. Stringy, mean, half-feral, descended from Spanish cattle that had gone loose in the brush country for a couple centuries and bred for survival rather than meat. In Texas after the war it was worth maybe three or four dollars a head, because there were millions of them and nobody to eat them. The local market was Texans, and Texas was broke. Up in Chicago or New York the same animal was worth thirty, forty dollars, because the Union had spent four years eating its way through the eastern cattle supply and the cities were short on beef.
That spread is the whole engine of the cattle drive. You don't need a tick to explain why a man would walk a cow a thousand miles to multiply its value by ten. The arithmetic does it.
What the tick explains is the SHAPE.
Because the thing about the longhorn nobody in the romance mentions is that it was a carrier. Centuries in the brush had given it a shaky immune truce with Babesia bigemina, a protozoan that lived in its blood and rode around on a tick that dropped off into the grass wherever the herd went.
The longhorn itself looked fine. Walked fine, sold fine, butchered fine. But the cattle it walked past, the fat improved Midwestern stock that had never met the parasite, those animals would start pissing blood and die at a rate that touched nine in ten. The Texans, reasonably, refused to believe their healthy-looking cattle were doing it. They took it to the Supreme Court in 1877 and won, on the entirely correct observation that their cows weren't sick. The cows weren't sick. The cows were Typhoid Mary.
(The disease disappeared every winter, too, north of a certain latitude, which baffled everybody for thirty years until somebody worked out that the tick just froze to death up there, no vector, no disease, the whole thing seasonal in a way that made it look like a moral judgment on Texas cattle specifically. It wasn't anybody's leading hypothesis that an insect was committing the murders. The leading hypothesis for a while was that the longhorns were poisoning the grass.)
So now run the two facts together. The cow is worth ten times more up north. The cow kills every other cow it passes on the way up north. What do you get?
You get a line.
You get a bunch of lines, actually. Quarantine lines, drawn and redrawn by Missouri and Kansas legislatures and eventually by the federal government, declaring that Texas cattle could not cross at all, or could only cross in winter when the tick was dead, or could only cross by rail if they were going straight to slaughter and never touched dirt that a local cow might later stand on. Missouri shut its border. Farmers formed Vigilance Committees (which is a polite nineteenth-century way of saying armed men) and turned the herds back at gunpoint. Kansas banned Texas cattle outright in 1885. And every one of those legal and shotgun-enforced lines was a wall the drive had to find a gate in.
The gate was the railhead.
This is the part that rewires the map. The famous cattle town (Abilene, Dodge City, Wichita, Ellsworth, the whole gunfighter pantheon) is not a town that grew up around ranching or water or gold or a river crossing. It's a point where the trail coming up out of the quarantine zone touched a railroad that could take the cow east to the slaughterhouse without it walking through anybody's protected pasture.
Abilene gets invented basically from scratch in 1867 by a man named Joseph McCoy who looked at the map, found a spot on the Kansas Pacific that was far enough WEST that the trail in from Texas could swing around the settled farm country and its quarantine, and built stockyards there. The town is a loading dock. The cowboy at the end of the trail, in the saloon, shooting the place up: he is a longshoreman who has just finished a shift, and the shift was getting the cargo to the one point where it could legally change from hooves to wheels.
And the cargo had to keep moving west precisely because the tick kept the settled east closed. As Kansas farmers spread and the quarantine line marched west with them, the railhead had to march west too. Abilene to Ellsworth to Wichita to Dodge, each town flaring up and dying back as the line of legal infection-free transfer slid across the state. The towns weren't competing on amenities. They were competing on being the current solvent point in a chemistry problem about where a tick could and couldn't survive the trip.
(Dodge City lasts longest because it's furthest out, last to get caught by the advancing farms, sitting out where the quarantine couldn't reach it yet. Its whole mythological career (Wyatt Earp, Boot Hill, the Long Branch) is a few years long and happens because of an agricultural-settlement frontier creeping toward it at the speed of homesteading. When the farms arrive, the party's over. The party was always a function of the farms not having arrived.)
So the geography of the Wild West, which towns exist and why they're where they are and why they boom for five years and empty out and why the trail bends where it bends, is not topography and not destiny and not the romance of open range.
It's the intersection of a price differential and a quarantine map. The price differential said go north. The quarantine map, drawn by the tick, said you may only go north HERE, and HERE, and now not there anymore, here. The cow drew the route and the parasite drew the borders and the men with the guns were just enforcing a public-health regime they didn't know was a public-health regime.
And it all gets zeroed out, eventually, the same way these things always do, not by a hero but by a logistics upgrade. They build the Kansas City stockyards and the packing plants, and then the rail net gets dense enough that the cow doesn't have to walk to the train at all, the train comes to the cow. Refrigerated cars mean you slaughter in Chicago and ship the meat instead of the animal. The long drive, the trail town, the whole apparatus that existed only to get a tick-bearing animal across a quarantine line to a loading point, it just stops being necessary, and the gunfighter towns settle down into being ordinary Kansas, dry and flat and law-abiding, within about a decade of their own legend.
The cattle tick itself they finally beat in 1943, dipping every cow in the South in arsenic for forty years to break the lifecycle. Nobody made a movie about the dipping vats.
Same as it ever was.
sometimes a dr pepper is a religious experience
isn't he beautiful

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fallout if it was good
But like genuinely. "humans have an innate need for spirituality" should be pretty transparently a reactionary opinion. It's simply not true and equates something that some people get benefit from with it being a fundamental aspect of being human (and one that is missing it most people today). You gonna start arguing "children *need* fathers or they grow up broken" next?
For some reason in New Vegas you can’t gift toys to the Boomer children unless your charisma is high enough but not to worry you can raise your charisma with drugs, alcohol, and sexy underwear.
Man, this party is a bust. I’m out. (Turns into seven foot tall blue creature.) 📯 Bwibwabebwibwobabaa heehwahwohweehwa. (Builds pit kiln in the middle of the living room)

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drinking wikipedialyte until i have the sum of all human knowledge
Vintage Story is truly one of the games of all time and has a level of attention to detail that I aspire to one day reach, and nothing exemplifies that more than the bugs. There are 169 unique butterfly models in the game! They have unique spawning conditions depending on world height and rain frequency and temperature, and a unique pin you can wear for every single one! You don't have to interact with them at all if you don't want to! This is something someone did out of true passion!
And then you turn to the bees (something you need to interact with if you want to make meaningful progression) and their m. Their models are. Their models a