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aaaangel444

birdasaurus

https://www.instagram.com/katrinerohrberg/

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frachella

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beatnikdaddio

dorothy herbert, trick rider.

theshinysquirrel

jackvanzet

Jack Vanzet

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René Magritte (Belgian, 1898-1967), La robe du soir [Evening dress], 1955. Gouache on paper, 44 x 33.5 cm.

swan-bones

Dandelion Dogs

Gouache on paper, 2015

by Kelly Louise Judd

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nevver

Animal Planet, Kelsey Oseid

miindflowerrs

bunnyfood

NOM

(via Terribly Cute)

akikonishiguchi

warmth

2013

linocut/ リノカット

27.0cm × 19.5cm

raveneuse

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(via Clotho Giclee Art Print by HollieChastainArt on Etsy)

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““The gender aspect of the term (‘matrix’ is also linked to ‘mother’) is especially relevant in the light of printmaking’s marginal status as masculine high art’s ‘feminine’ ‘other’. That the matrix with its potential for reproduction was hidden for so long (or even destroyed, as we know) is therefore not surprising as it is the visible evidence of authenticity’s dreaded ‘other’, the source, the space of the multiple or copy.””

— Ruth Pelzer-Montada, Authenticity in Printmaking - A Red Herring? (2001)

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