Parasite Eve 1998 - Aya Brea
d e v o n
almost home

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ
Monterey Bay Aquarium

titsay
noise dept.
2025 on Tumblr: Trends That Defined the Year
sheepfilms
Lint Roller? I Barely Know Her

oozey mess
KIROKAZE
trying on a metaphor
taylor price

Product Placement
Show & Tell
Game of Thrones Daily
Fai_Ryy
Sade Olutola

seen from Türkiye
seen from Slovenia

seen from Türkiye
seen from Russia
seen from France
seen from United States

seen from United Kingdom

seen from Russia

seen from United States

seen from France
seen from Vietnam

seen from Türkiye
seen from Switzerland
seen from United Kingdom
seen from Ukraine

seen from Fiji
seen from United States

seen from Brazil
seen from United States
seen from United States
@outstandingrandomness
Parasite Eve 1998 - Aya Brea

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Studio Ghibi kids when they encounter a magical guide or animal: wow, amazing! I’m going to follow it and trust it.
Mahito with the heron:
girlie you can’t give up now you don’t have the dark green couch of your dreams yet
The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943), dir. Maya Deren, Alexander Hammid
“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’? (…) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON
the last supper

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evening routine
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My Fair Lady (1964) dir. George Cukor
@hxh
(source)
JEONGHAN Super, 230427

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Sung Hwa Kim (Korean, 1985) - Untitled (2022)
HINT: you can move my white ass using the arrow keys.
the gif i was thinking of when i made this post