One Nice Bug Per Day
occasionally subtle

★
Sade Olutola

ellievsbear
Misplaced Lens Cap
Keni
RMH

#extradirty
Cosmic Funnies
YOU ARE THE REASON
sheepfilms
DEAR READER
Aqua Utopia|海の底で記憶を紡ぐ
Jules of Nature
TVSTRANGERTHINGS

if i look back, i am lost
todays bird

Janaina Medeiros

shark vs the universe
seen from United States

seen from Indonesia
seen from United States

seen from Croatia

seen from United States
seen from Spain
seen from Canada

seen from Germany
seen from United States
seen from United States
seen from Netherlands
seen from Brazil

seen from Peru

seen from Netherlands

seen from Türkiye

seen from Malaysia
seen from United States

seen from United States
seen from United States

seen from Brazil
@outbounnd

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hi im eraserhead baby and youre watching disney channel
A Single Man (2009) Directed by Tom Ford

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Cinematography by: Dan Laustsen The Shape of Water (2017)* Directed by Guillermo del Toro
“The way I’m shooting movies, it’s 1:1. What you’re shooting on the set is exactly how it’s going to look in the movie. When we did the color-correction, the DI, for this movie, Guillermo said, “I don’t want to make a DI, because I think I like exactly how it looks.” We spent some time on the set to do the right colors, and I think that’s very, very important for me, to shoot the movie exactly as it should look. So when we’re doing the DI, I’m just making a corner a little bit darker or a window a little bit brighter, but we’re not changing the color. So when you see framegrabs from the sets the day we shot it and you see the final movie, it’s exactly the same; we’re not changing colors at all.” — Dan Laustsen on the gap between what’s captured in-camera and the final image
*Academy Award nominee for Best Cinematography in 2018
Kisses on the foreheads of the lovers wrapped in your arms
“how beautiful it is that we choose to live in art.”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Lord knows I’ve been trying. I’m still trying.
life imitating art
We’re afraid that we will never escape our past. We’re afraid of what the future will bring. We’re afraid we won’t be loved, we won’t be liked. And we won’t succeed. Lady Bird (2017) dir. Greta Gerwig

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This is all we need. Couple of smokes, a cup of coffee and a little bit of conversation. You and me and five bucks.
Reality Bites (1994)
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