Lucien Gaillard, Pill Box, 1900
Show & Tell
TVSTRANGERTHINGS

titsay
YOU ARE THE REASON

@theartofmadeline
sheepfilms
I'd rather be in outer space 🛸

roma★

DEAR READER
wallacepolsom

Product Placement

Kaledo Art

izzy's playlists!
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ

★
Cosimo Galluzzi

Andulka
seen from Mexico

seen from Austria
seen from United States
seen from United States

seen from Malaysia

seen from United States
seen from Malaysia
seen from France

seen from United States

seen from Germany
seen from United States

seen from Malaysia
seen from Romania
seen from Türkiye
seen from Australia

seen from Malaysia

seen from Türkiye
seen from United States

seen from United States

seen from Canada
@ourooucabelo
Lucien Gaillard, Pill Box, 1900

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Lia Menna Barreto, da série Gueixas
John Cale for Comme des Garçons.
Six Magazine/1990
Kitagawa Utamaro and The Red lantern Shop, Kyoto, Woodblock printing technique From Process of Printing Wood Engraving (Mokuhan Suritate Junjo), 1956.
From the Baxley Stamps book collections
Jeremy Millar – Robert Smithson, Hotel Palenque (1969-72)

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Withinee Wynne, 10 month old english setter owned by Mr. and Mrs. Eadington of the Withinlee kennels, Cheshire, 1937
Guardar
Guardar uma coisa não é escondê-la ou trancá-la.
Em cofre não
se guarda alguma coisa. Em cofre perde-se a coisa à vista.
Guardar uma coisa é olhá-la, fitá-la, mirá-la por admirá-la, isto
é, iluminá-la ou ser por ela iluminado.
Guardar uma coisa é vigiá-la, isto é, fazer vigília por ela, isto é,
velar por ela, isto é, estar acordado por ela, isto é, estar por ela
ou ser por ela.
Por isso melhor se guarda se guarda vôo de um pássaro.
Do que pássaros sem vôos.
Por isso se escreve, por isso se diz, por isso se publica, por isso se
declara e declama um poema:
Para guardá-lo:
Para que ele, por sua vez, guarde o que se guarda:
Guarde o que quer que guarda um poema:
Por isso o lance do poema:
Por guardar-se o que se quer guardar
Anne Duk Hee Jordan, Ziggy and the Starfish, 2018
Ziggy and the Starfish looks at sexuality from the perspective of marine life. Hydrospheric climate change is the deciding factor in the changing sexuality of ocean inhabitants. The visualisation of the sex life of sea slugs, octopuses and starfish, amongst others, and their vibrant and seductive performative play, draws the human spectator into an intimate and hallucinatory sexual world.
Gerhard Richter | Stilleben (Kerzen) / "Still Lifes (Candles)" (1983)

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C.C.C.C (Cosmic Coincidence Control Center)
SOUL FOOD
Everybody on earth knowing
that beauty is beautiful
makes ugliness.
Everybody knowing
that goodness is good
makes wickedness.
For being and nonbeing
arise together;
hard and easy
complete each other;
long and short
shape each other;
high and low
depend on each other;
note and voice
make the music together;
before and after
follow each other.
That's why the wise soul
does without doing
teaches without talking.
The things of this world
exists; they are;
you can't refuse them.
To beat and not to own;
to act and not lay claim;
to do the work and let it go:
for just letting it go
is what makes it stay.
Lao Tzu translated by Ursula K. Le Guin
"Guys play music, I loved music. I wanted to push up close to whatever it was men men felt when they were together onstage – to try to inc in that invisible thing. It wasn’t sexual, but it wasn’t unsexual either. Distance mattered in male friendships. One on one, men often had little to say to one another. They found some closeness by focusing on a third thing that wasn’t them: music, video games, golf, women. Male friendships were triangular in shape, and that allowed two men some version of intimacy. In retrospect, that’s why I joined a band, so I could be inside that male dynamic, not staring through a close window but looking out.”
Kim Gordon, A girl in a band
DRIES VAN NOTEN SS26 COATED PRINTED COAT

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