Interview Vampire Daily
d e v o n
Misplaced Lens Cap
Noah Kahan
One Nice Bug Per Day

if i look back, i am lost
Not today Justin
Keni


pixel skylines
YOU ARE THE REASON
Show & Tell
macklin celebrini has autism
Today's Document

roma★
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tannertan36

#extradirty
Game of Thrones Daily
Cosmic Funnies
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@ortegas-maneuver

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SUPERGIRL (2026)
Absolute trinity photocards
Prints and cards available on my site
I'm at Convergence Con in Minneapolis this weekend and they had a coloring area. Left this boy behind for someone to find 💛
Continued the tradition and left the same lil guy on the community whiteboard at a local coffee shop 🧡
wasting away again in tumblrinaville...

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in all seriousness, setting aside “Countess Boochie Flagrante” jokes and the poor example of one awful white guy's miserable body of work—
that rap lyrics must be literal admissions of action and intent, that a rapper is necessarily speaking as themself and not from the perspective of a fictional[ized] narrator or artistic persona—unlike for any other genre of music or creative writing—is a legal tool to criminalize and prosecute Black artists
Lyrics are art. Art is not evidence. Mapping Rap On Trial Our research has identified nearly 700 cases, from the late 1980s to present, where rap lyrics have been used as evidence, usually in a criminal context. In some cases the lyrics were presented as evidence at trial; in many others, the lyrics were used to justify charging a suspect, to secure an indictment, to compel a plea bargain, and/or to justify sentencing recommendations. As you zoom in, the map shows the following case information: -- State -- Jurisdiction -- Individual case name (where available)* Note: We have also made a CSV file of this data available here. (*The locations of the pins are approximations and do not indicate the precise location of the case.)
you don't see the countless (often wildly popular!) white rock/pop/indie/country/metal/etc. artists' lyrics about implied sexual violence toward women and girls getting introduced into “proceedings”
This is by no means limited to the US as well - the British government have been going after drill music for years, with the (infamously corrupt, violent, bigoted) Met Police working jointly with Youtube to take down "violent" songs, with multiple groups being banned from making music together entirely.
me and my mutuals about to leave a man who has been shot in the spine on the beach and teleport away without taking him to the hospital, because he is a liberal
“Costume Art” exhibit at the MET.
From top left clockwise: Thom Browne, Jean Paul Gaultier, Thom Browne, Olivier Theyskens.
i like it when everybody on my dash is havin a good time nd is joyful i feel like it doesnt happen often enough
Her first win after losing the first set since February— now imagine if it was in the official On crop top

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Tigers by Antoine-Louis Barye, c. 1850-69
Queen In Australia
May 1976
BY IAN MELDRUM
OUTRAGEOUS Queen arrived back in mother England from Australia with a right Royal message to all their subjects: "We came, you saw, we conquered."
Yes, Queen, who paid a royal visit to Australia, but failed to impress the colonials with a message they delivered at Sunbury, Victoria, just over two years ago, left their Australian subjects breathless a month ago with one of the most amazing stage acts the country had ever witnessed.
The group, comprising Freddy Mercury (lead singer cum (no, I haven’t written this up wrong, the magazine actually wrote it that way) keyboard player), Brian May (lead guitar and vocals), Roger Meddows-Taylor (drums and vocals), and John Deacon (bass guitar), had capacity audiences around the country leaving concert halls using such superlatives as "incredible", "stunning", "mind boggling", "stupendous", "fantastic"... to describe their musicianship and stage act.
And deservedly so. This group, which was born in 1971, has become one of the hottest properties on the world music scene today. Their unique albums, Queen, Queen II, Sheer Heart Attack and, most recently, A Night At The Opera, coupled with one of the most outrageous, yet stunning, stage acts we have ever witnessed, has made Queen the king of rock theatre.
Out front is the incredible character of Freddy Mercury, whose stage clothes make even Elton John green with envy. Who can you liken him to? Mick Jagger? Rudolf Nureyev? Mae West? Joan Sutherland? Or the Devil himself?
“Black magic I'm not into," says this dynamic singer, "but the love of it I am." The writer of Bohemian Rhapsody says: "It means nothing unless you, the listener, interpret it into something. I wrote it purely for myself."
For an interviewer it is a horrifying experience to come face to face with Mercury, because you always have the fear he is about to put an evil spell on you, or just become bored and disappear in a puff of smoke. The black nails that glint on stage and the "bucky beaver" teeth that could be a clever disguise for a vampire, make this rock animal one of the most photographed and central figures of today's rock scene.
“Meet my friends and colleagues," he says, and you turn to Roger Meddows-Taylor, who possesses the face of an innocent child, the voice of a nightingale and the strength of a wharfie. Meddows on stage sits behind a mountain of drums and provides the heartbeat of Queen. You rarely see him through the cymbals and tom toms, but you are always aware he is there. "Our satisfaction," he says, "is in our music and our audiences. Without them we are nothing but university graduates.”
And then there is John Deacon, always with such a serious face you could easily mistake him for a doctor or electronics engineer, the latter in which, oddly enough, he holds a first-class honors degree. But on stage he provides the pulse and the throb of the bass guitar. He rarely moves and you get the impression that he is horrified when Mercury minces in front of and around him. He's their instrument, and he's their friend. He is also the writer of their current single, You're My Best Friend.
Finally, there is Brian May, who is gentle and quietly spoken. He sits cross-legged and on stage he assumes the same position standing, but when he leans into Queen he and his guitar come out with some of the most amazing sounds you could ever wish to hear.
The four members of Queen have been described as "eccentric", "flashy", "sophisticated glitter", and even "frightening", but most music critics around the world agree they are one of the finest bands to emerge in the '70s.
In April, Australian audiences saw Queen in action. There were explosions, smoke bombs, fog machines, grand pianos, a Chinese gong, intricate lighting plots, electrifying sounds and four talented musicians. To begin their concert with Bohemian Rhapsody, then trace their music through four albums, finish with a version of Hey, Big Spender, where Mercury strips from a Japanese robe to candy-striped braces and shorts, and to encore with a rock 'n' roll medley, is an experience. An evening with Queen is certainly A Night At The Opera.
Queen is without a doubt the group of today and of the future. Yes, they came to Australia in '76, they saw, and they conquered.
FREDDY MERCURY — Virgo, born in Zanzibar on September 5, 1946, qualified illustrator and graphic designer, lead vocalist, keyboard player, composer and lyricist.
BRIAN MAY — Cancer, born Hampton July 19, 1947, Bachelor of Science, Degree in Physics, and PhD in Astronomy, lead guitarist, vocalist, composer and lyricist.
ROGER MEDDOWS-TAYLOR — Leo, born Norfolk on July 26, 1949, Bachelor of Science Degree in Biology, drummer, vocalist, composer and lyricist.
JOHN DEACON — Leo, born Leicester on August 19, 1951, first-class Honors Degree in Electronics, bass guitarist, composer, vocalist and lyricist.
need a hat that says I WONT SPEAK UNLESS SPOKEN TO AND ITS NOT BECAUSE IM DISINTERESTED AND DONT LIKE YOU I JUST DONT UNDERSTAND SOCIAL INTERACTION AS WELL AS MOST PEOPLE AND ASSUME BY DEFAULT MY PRESENCE IS UNWELCOME AS A PRECAUTIONARY MEASURE SO I KEEP TO MYSELF BUT I DONT MIND IF YOU INITIATE so i can wear it to work
is it just me or is it distasteful, disrespectful and annoying as fuck how overused "cults" are in low effort & low quality horror content and how they're executed/used in the narratives, ESPECIALLY minecraft horror mods, unfiction & args? like those are real things people have dealt with and real things that have actual issues and the way a lot of horror treats them is so insanely distasteful
like the way a lot of internet horror handles cults as a subject is so. like it almost treats it like a joke? that a cult exists and that someone would join one? something about that is just extremely distasteful to me
yeah and - do correct me if i'm wrong - i'm fairly sure they do (or at least a lot of them) specifically target people who ARE at their lowest to get them to join. like the way theyre using the rituals as the horror is just lame and distasteful because like, ok, rituals are a completely normal part of everyday culture no matter what culture you're from. it just doesn't make sense to use that as the horror when what's actually scary about them is their ability to manipulate you and take your agency away
[ID: tags by imjustexistingtbh that read #YES #like as someone who was raised in a cult it honestly feels like. cheap #there are ways to pull it off well but it requires a) doing research about actual cult tactics and b) showing the ACTUAL horror of cults #the real horror of cults (often) isn't rituals and robes and candle lit rooms. its having your identity and agency taken away from you #its being gaslit. being told you can totally leave anytime you want but knowing if you do you'll lose everything #i feel like cults ARE a terrifying thing that absolutely can be used in horror media. but the way it's done 99% of the time is Not It #also only partially related but the idea of 'oh I would never join a cult' is so BS. they KNOW how to recruit people#they know how to manipulate people at their lowest#and NO ONE is immune to that #anyways sorry mini rant over /End ID]
You will heal. You will create again. You will wake up genuinely excited about your life. You will laugh again. You will get out of survival mode. You will trust yourself again. You will get your spark back. You will find your way back to yourself. You will. You will. You will.

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Frankly I think a lot of Tumblr users think there is no overlap between trans women and gay men like there is between trans men and lesbians 1. because RuPaul did a great job intentionally convincing at least two generations of baby queers that gay men and trans women don't share culture because he's a transmisogynist piece of shit who intentionally kept trans women off Drag Race for years - shattering the perception of our community overlap in the eyes of the mainstream, 1.5. and that culture he cultivated in the mainstream made you afraid of drag as an art so you're uncurious about it, and 2. you're afraid of learning about balls because they're not sanitized white queer culture.
Once upon a time a huge proportion of trans women came out from the gay community. My trans mentor was one such person. It was a core part of our history, one of the only communities where we could experiment without (much) fear. Trans women who still ID as gay (for men) fucking exist, just like trans men who still ID as lesbians. It’s pretty normal to want to keep IDing with the community which gave you your life and stay part of it. Transitioning shouldn’t mean giving up that community, and the expectation that we should is transphobia.
Love it when you do a quiz and it’s obvious what the answers correlate to. U know what I mean. The quiz will be like… r u a mermaid or a vampire… and the questions are like
Do u like the ocean
1. Omg yes I love the ocean I could live there forever
2. It’s ok
3. Not a fan of the ocean
4. Fuck the ocean unless it’s made of blood which btw I love to drink