Recently washed rugs being laid out to dry near Tehran, Iran. Circa 1972.

titsay
ojovivo
YOU ARE THE REASON

izzy's playlists!
Sade Olutola
🩵 avery cochrane 🩵
Misplaced Lens Cap
Keni
Noah Kahan
Lint Roller? I Barely Know Her
KIROKAZE
$LAYYYTER
hello vonnie
d e v o n

The Stonewall Inn
will byers stan first human second
untitled
Sweet Seals For You, Always
seen from Brazil

seen from Malaysia
seen from Netherlands
seen from Brazil
seen from Brazil
seen from Brazil
seen from Brazil

seen from Iraq
seen from Brazil
seen from Ecuador
seen from United States
seen from United States
seen from Malaysia
seen from Brazil

seen from Malaysia
seen from Brazil
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seen from United States
seen from United States
seen from United States
@original-visual
Recently washed rugs being laid out to dry near Tehran, Iran. Circa 1972.

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lexie liu fffff (2025)
Columbus, OH, 2006
SPIRITED AWAY (2001) | dir. Hayao Miyazaki

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Red Velvet Summer Mini Album [Velvet Summer] Big Wave #YERI
that Brian Eno quote about how whatever you find most repulsive about a medium (film grain, record scratches/fuzz, CDs skipping) will be the first thing you try and emulate once that medium is obsolete because it's "the sign of a moment too powerful for the medium assigned to contain it".... man.......
“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.” -Brian Eno
For about fifteen seconds there, we were actually playing tennis. And we understood each other completely. So did everyone watching. It's like we were in love. Or like we didn't exist. We went somewhere really beautiful together.
my all-time favourite movies + OSCAR WINNER IN MY HEART ↳ CHALLENGERS (2024) dir. Luca Guadagnino
Y Tu Mamá También (2001), dir. Alfonso Cuarón

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Sheep, Berlin 2026
[260504] aespa_official: getting ready
SENTIMENTAL VALUE (Affeksjonsverdi) dir. Joachim Trier (2025)
New Order - Bizarre Love Triangle single artwork designed by Peter Saville, 1986

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Slumber was a performance/installation: whenever it was shown, the artist lived in the gallery, weaving during the day and sleeping with an EEG machine recording her Rapid Eye Movement (REM) at night. The REM is an analogue to Antoni’s dreams, and she weaves this pattern into the blanket that covers her bed while she sleeps. In this piece, an uneasy truce exists between contemporary medical technology, ancient myths of weaving and the mysterious world of dreams.