take time off from over analyzing yourself

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@optimisticbrothers
take time off from over analyzing yourself

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You can't hurt me. I saw it coming 2 months ago when I was overthinking.
on healing: “i’d like to but how?”
a few tips i have found helpful (feel free to add) —
keep in mind that healing isn’t linear
write down accomplishments every day even if they’re small such as “i ate dinner today”, “i washed my face”, etc.
seek out a good therapist/psychiatrist that you click with even if it takes a few tries
reach out to loved ones when you need help
practice forgiving yourself often
make a point of doing little acts kindness for both yourself and others
work on positive self talk
etc, etc, etc
they should make a version of socializing that doesn’t make you feel like you’re still the weird 12 year old kid that doesn’t know why she’s not normal like the other kids

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some days you just gotta go through the motions
to love someone is firstly to confess: i'm prepared to be devastated by you. by A History of My Brief Body by Billy-Ray Belcourt
[ID: A page of a play. It reads as follows, "Theseus: Stop. Give me your hand. I am your friend. / Herakles: I fear to stain your clothes with blood. / Theseus: Stain them, I don't care." End text.]
Herakles - Euripides (Tr. Anne Carson)
"ولو خيروني لكررت حبك للمرة الثانية."
Translation:
"And if they made me choose, I'd choose to love you once more."
– Via "warag-3nb" on Tumblr
"و في قلبي مدينة كُل سُكانها أنتي."
Translation:
"And there is a city in my heart where you are its only population."
– Quote to owner

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"فالهروب من الموت... هو موت آخر"
''running away from death, is another form of death''
source: mohannad.aburizk (ig)
- Mihail Sebastian, from 'For Two Thousand Years' (tr. Phillip Ó Ceallaigh)
Mahmoud Darwish, From Memory for Forgetfulness: August, Beirut, 1982 (tr. Ibrahim Muhawi) / Elizabeth Wurtzel, From Prozac Nation (Houghton Mifflin, 1994) / Artwork By Holly Warburto / Anne Carson, Wonderwater / Pedro Salinas, tr. By Ruth Katz Crispin, from Memory in My Hands: The Love Poetry of Pedro Salinas; "The voice I owe to you" / Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980 / Robert Hass, Praise
the studio in the bateau-lavoir as part of the fernande olivier and pablo picasso exhibit at the musée de montmartre in paris, france.

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get in losers, we're going to annotate classic literature with gen z vocab
listen i KNOW Hamlet is not a teenager but. i love the idea of teenage Hamlet for no other reason than how it plays with the idealism that belongs to the very young. teenage Horatio trying to support his friend, who's just lost his dad, who's not allowed to go back to the school he loves, and wants to end his own life. Rosencrantz and Guildenstern who are helping Hamlet's parents because that's the right thing to do, right? parents must want the best for their kids. they think they're on the right side and can't understand why Hamlet turns on them. and Hamlet himself, idolising his father at a crucial age where he's finding his identity and looking for a role model, absolutely goes insane and destroys them.
and don't even get me started on Ophelia. looking at her first relationship through rose-tinted glasses, internalising that kind of misogyny in her formative years? being so much more vulnerable to what she is subjected to by her father (depending on how you play them) and by Hamlet?
i completely stand by adult Hamlet in the sense that identity formation is an ongoing thing. but also... maybe when you're just kids who think people are inherently good, contending with the power of the adults around you, all this growing up is very hard to do.