Anton Starkopf
Andumus, 1927
hello vonnie
trying on a metaphor

@theartofmadeline
Peter Solarz
Misplaced Lens Cap
Lint Roller? I Barely Know Her
AnasAbdin
Mike Driver
DEAR READER


JBB: An Artblog!
d e v o n

JVL

Love Begins
we're not kids anymore.
cherry valley forever

romaâ

ellievsbear
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@opfer-modus
Anton Starkopf
Andumus, 1927

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Attraction and Repulsion. Modern views of electricity. 1892.
Internet Archive
I love everybody because I love you!

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doing a fat line of hope
Even better, the comments to this Twitter post were an absolute FIRESTORM of mostly dudes explaining to her that dials canât only have 2 positions (not true) and that it wasnât a very good piece (not true) that she was being disrespectful to her teacher (donât care) and that it was a sign of her stupidity/rabid feminism/intellectual laziness/misandry/etc. that she couldnât see any âmiddle ground.â It became, in its way, a performance piece. I was absolutely mesmerised, even as I wished I could cock-punch people through the internet.
Personally I hope that knob goes to 11 and stays there.
âDials canât have only 2 positionsâ is also missing the point. Even if it doesnât have only 2 positions, the point stands that getting less of/farther away from âraging feministâ requires getting more of/closer to âcomplicit in my own dehumanization.â You should always be at 0% having to be complicit in your own dehumanization.
Carol O'Malia - Not a Worry in the World, 2025 - Oil on Canvas
da artista irina selaru

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Patti Smith, CBGB, New York City. 1975.
Tae Lee - Be in your heart, stay in your heart, 2024 - Acrylic on canvas
Vivienne Mok
AgresiĂłn al imperialismo
Diego Arango y Nirma ZĂĄrate.

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Turned out way better than I expected lol
Photo by Jenny