The Magpie with Opal Eyes

Okay I kind of turned into a dog that won’t drop a bone with this, but I’ve been fucking with tone styles all day to get around the problems I have with tone brushes and came up with this layer system in CSP that I used to turn the first image into the second one, and made it available to download here.

The issue I was having was that I wanted screen tone layers I could paint in like you can with screen tone brushes, but I wanted to be able to edit the scale of the dots after I place the tones, and I wanted it to have traditional media grit. CSP does have a layer style that can turn greyscale into dot tones that you can edit the size and angle of, but I wanted something that had more traditional grit and noise. It has a little more visual interest and helps reduce the moirè pattern effect when you see an image at different sizes (helpful for online art that will be viewed at different sizes on different devices and in and out of thumbnail view)

So the solution I came up with was this set of layers that allow you to paint on layers with linked to seamless tiling tones in C, M, Y, and K colours

The easiest way I’ve found to work with this is to figure out the colours I want with one Colour per layer, then I use those layers to create a selection and go do fills on the different cmyk layers until I have the tones looking how I like them

Once you like how the colours look, you can use the object editor and tool properties window to change the scale of the tone layers if you want, this is an example of what they look like reduced to 80% and increased to 150%

To give it that traditional print paper look, I made the black layer slightly off-black and knocked the opacity down to 90%. I offset the layers slightly from each other and then used some texture brushes to scuff up the tones and lineart.

Then you just add paper texture!

Hiiii, it's been two thousand years.

The Glitching Out Even More Brush Pack is available over here!

Disintegrate your art, burn it, distort it. Every brush has settings to adjust size, spread, and direction. Compatible with Clip Studio only. Tell Procreate to hurry up on their desktop app. 🥺

free 2 use

I've made a sheet of quick info and tips on drawing medieval european plate armour. You can view it on a screen or print it as a leaflet to keep in your sketchbook ✌

Eva Funderburgh

🇵🇭📚 Knowledge is power. Learning about who we are and seeing books representing us, brings empowerment.

Happy Filipino-American History Month!! ✨️🎉 In honor of FAHM, here are some book recommendations for folks wanting to learn more about our history, culture, and folklore, as well as fictional books written by Filipino authors, from young adult novels to children's books.

There are so many books that I haven't covered here. As an avid book reader and hoarder of books, I love it when people ask me for book recs.

✨️ Do you have any book recommendations to share with folks?

it's like Game of Thrones meets Star Trek meets The Expanse meets Regency romance. it's incredible.

if you haven't heard of this AMAZING series by Lois McMaster Bujold, run don't walk and go read it immediately!!!!

also, fun fact, Lois Bujold got her start writing fanfic for Star Trek fanzines, which REALLY makes sense when you look at the content of her writing lol

the series wasn't written chronologically but it's definitely best to read it chronologically with one exception (which is to read Falling Free before Diplomatic Immunity).

here's my personal preferred reading order (with some notes):

Shards of Honor - 1986 start here! this book is about 33-year-old Cordelia, an astrocartographer from Beta Colony (Star Trek commie soyboy planet), and how she meets and falls in love with 44-year-old Aral Vorkosigan, a general from Barrayar (military aristocracy feudalism planet)

Barrayar - 1991 continues the story of Cordelia and Aral's romance, with many complications

The Warrior’s Apprentice - 1986 from this book onwards, the protagonist of the series shifts to Miles, Cordelia and Aral's disabled son. I was bracing myself for this switch because I was so attached to Cordelia, but 17-year-old Miles immediately jumps off the page here and quickly became one of my all time favorite literary characters. he's a disabled nepo baby from an extremely prejudiced and ableist society who may or may not have inspired Tyrion Lannister. he's incredible, character of all time, no notes

The Mountains of Mourning (novella) - 1989 this one is a novella that is part of The Borders of Infinity, which is a framing device for 3 novellas. the framing part of the book is set after Brothers in Arms, but I recommend reading each individual novella as it falls chronologically and then going back and reading the framing sections later

The Vor Game - 1990 Miles is 20 now

Cetaganda - 1995 a fun murder mystery starring 22-year-old Miles

Ethan of Athos - 1986 this book is somewhat of a detour because Miles isn't in it, but it heavily features a character who later becomes his girlfriend. it's set concurrently to Cetaganda

Labyrinth (novella) - 1989 another novella from Borders of Infinity which introduces Taura, a character who becomes very important to Miles

The Borders of Infinity (novella) - 1987 the final novella from the Borders of Infinity. it goes here chronologically. the framing device is technically set after Brothers in Arms, but it's fine to read here too if you want

Brothers in Arms - 1989 Miles goes to Earth in this one! kudos to Lois for pulling off one of my least favorite plot devices here (a secret clone) and making it an incredible and heart-breaking exploration of identity and character

Mirror Dance - 1994 this book is probably one of the best in the whole series. Lois was really cooking with this one! split POV between Miles and his clone brother, Mark

Memory - 1996 this book is a little quieter than the previous ones, but in a really good way

Komarr - 1998 introduces Miles primary love interest, Ekaterin, and splits POV between her and Miles. they're both 30 here

A Civil Campaign - 1999 this one is like, a classic Shakespearean comedy in terms of structure. apparently it was inspired by Regency romance. it's absolutely incredible and one of my favorites in the series

Winterfair Gifts (short story) - 2004 Miles and Ekaterin's wedding, told from the POV of one of their armsmen. sort of a Christmas special but in a good way!

Falling Free - 1988 another detour. this book is actually set 200 years before the events of the series, but it tells the origin story of the Quaddies and is relevant to Diplomatic Immunity, hence why I suggest reading it here

Diplomatic Immunity - 2002 32-year-old Miles and his wife untangle a diplomatic crisis with the Quaddies

Captain Vorpatril’s Alliance - 2012 told from the POV of Miles' cousin Ivan

The Flowers of Vashnoi (novella) - 2018 a novella about Ekaterin, Miles' wife

Cryoburn - 2010 get ready to WEEP

Gentleman Jole and the Red Queen - 2016 we're back in Cordelia's POV for this one. lots of spicy revelations about her and Aral's marriage (including a space throuple)!!!! we love to see it!!!

I read this series so insanely fast, like I was quite literally blasting through one book a day (each book is around 300 pages so it's not as crazy as it sounds), but that's honestly how good they are.

every single book has at least one moment that made me stop short and really think about my life. I would say the whole series is kind of a meditation on the concept of honor. and also gender issues and disability politics. some of the gender terminology is dated, but the sentiments are extremely forward-thinking, especially considering when these books were largely written. as I mentioned, the main character is disabled, and there are MANY queer and gender non-conforming characters throughout the series!

if you like Ursula LeGuin, you'll probably enjoy these! honestly surprised Bujold isn't as well-known/highly regarded as LeGuin, because imo they're very similar and very comparable!!!

Learning color theory through oil painting is more difficult than learning it through gouache & watercolor, primarily because it takes way more time to find mass tone and mix everything and also it's much less obvious to easily and quickly discern if a paint pigment is highly staining or transparent.

Oil painters like to seem like they have the richest and most storied traditions in color theory to past down but also inevitably they are the most likely to retain an extremely limited chroma palette based on classical palettes for the sake of classicism and not always make that fact very apparent to a beginner aside from saying it's an "old masters palette" watercolor/gouache painters are bad at using paints that are not light-fast and clinging to them despite having better alternatives, but generally still understand chroma gamuts and pigment importance better or at least talk about them more.

When you're mixing paints, the earth colors (browns) don't need to handled and thought of as brown. Ask yourself if the brown is yellow, orange, red, or leaning towards a black (which would be treated as a violet or blue, depending on whether black is warmer or cooler).

Yes there are cool reds and warm blues

Any reference color wheel that places red on the very top hurts my feelings, stop doing this just because you learned "roygbiv". Yellow is at the top and the Indigo-Blue range is on the bottom because this also means the color with the lightest possible value is opposite the color with the darkest possible value, so you have the colors arranged with a value scale from top to bottom BUILT IN.

This makes me think makeup artists have good color theory, having to understand undertones of skin, warm v neutral v cool toned red lipstick....

Yes!!! I mean first of all, makeup artists are artists.

and they are ALSO ultimately just blending pigments to produce certain colors and effects, so yeah professionally do study the basics of color theory and then necessarily have to adapt it to their medium. And they tend to generally add like, what you talked about with recognizing cool/warm/olive/neutral undertones and such as a big consideration to their canvas.

And that IS why people will say "this is a cooler red lipstick" (although even cooler than that would be magenta or fuschia!).

I think the only thing I've noticed wrt to honestly mostly beauty influencers and not actual professional MUAs is that too many people buy an eyeshadow palette of cool tones in the palette and then put it on and complain it pulls "too warm for their cool skin." And it "isn't actually a true cool tone palette."

I just want to grab all these people by the face and say:

"Shhhhhh. Color temperature is relative. Although you have cool skin undertones, you ALSO have blood under your skin which will inherently make your base skin-canvas slightly warm no matter your foundation shade. So when you put any kind of pigment that isn't fully opaque onto your skin, the transparency WILL be warmed by your skin because you're alive and have blood still. The eyeshadow palette IS a cool palette. You're just not a vampire, which is why that cool taupe shade suddenly looks different from the mass tone in the palette."

These influencers would understand this better if they did some watercolor painting on pre-tintedpaper and then compared it to painting on pure white.

Handprint.com is hands down the most comprehensive scientific explanation of how different color wheels or palette choices work. It's big and dense and exceptionally thorough. I skim frequently and find myself always learning more. https://handprint.com/HP/WCL/water.html everything is done using watercolors as a reference point but a LOT of this translates to other mediums. For the record his CIECAM color wheel is what I consider to be the best (not 3 dimensional) color wheel for artists. Period.

He uses pigment numbers for some of the most common watercolors rather than specific paint brands or color names to place the pigments. It's also a case study in why yellow being at the top is the best because it also means you have a value scale from top to bottom (since black paints are just dark violets or blues, ultimately.)

When you look at this, you can start realizing more and more why the earth colors can be used as if they were like, straight red, or yellow, or orange. Like if you wanted to make a limited palette, you could use "burnt sienna" as your dark yellow (which will make the whole palette lean orange!) Or it could be your orange or you could use burnt sienna as your red. (Look at gamut masking links below)

Seriously it's good to try and swatch your medium (even really quickly!) Within a CIECAM Artist's color wheel. Below are two of my attempts:

From loose memory and then mapping pigments roughly.

He also discusses the difference between visual complements and mixing complements!

Anyways absolutely try to read bits and pieces. The whole site is amazing. Handprint is amazing.

Also:

https://gurneyjourney.blogspot.com and James Gurney's book: Color and Light: a guide for the realist painter. James Gurney is the dinotopia guy. That book is also amazing for painting fantasy with lots of fantastical examples. Here are two short videos on gamut mapping and gamut masking. Accompanying blog posts.

No surprises here! His book also charts pigments:

Actually these are my four favorite books hands down:

Color and Light: a Guide for the realist painter - James Gurney

Color for Painters: a guide to traditions & practice - Al Gury

The oil painters color handbook - Todd m casey

Artist's master series: Color & light - 3d total publishing. This one emphasizes digital!

The first two have been out for awhile now and you can more easily find them cheaper/used online than the latter two which are relatively newer and hefty hardbacks.

Also, from personal experience: al gury is a sweetheart angel who is a huge crazy cat man. I adore him, he's so kind and helpful. I think it's a little late to join the current session (although they did only start Jan 28, so you can always ask! Class videos are recorded), BUT he frequently offers a class on color that is fully online through PAFA continuing education, as well as other classes. I haven't taken it yet, but I HAVE taken other classes online with Al and he's really great.

Oh also online gamut masking tools:

In krita: https://docs.krita.org/en/user_manual/gamut_masks.html

https://claudiamatosa.com/resources/gamut-masking simple tool

https://mypaintingclub.com/blog/post/39-The-Gamut-Mask-Tool another tool with more complexity

Shalom Harlow in Christian Dior Fall/Winter 1997 Haute Couture by John Galliano