Peter Stackpole
San Francisco, 1935

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@onemagnificentfailure
Peter Stackpole
San Francisco, 1935

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Artist Barry Underwood photographs wonderfully mysterious light installations that he installs on-site in forests, mountainsides, or near lakes and rivers. Via his artist statement:
By reading the landscape and altering the vista through lights and photographic effects, I transform everyday scenes into unique images. Light and color alter the perception of space, while defamiliarizing common objects. Space collapses, while the lights that I install appear as intrusions and interventions. This combination renders the forms in the landscape abstract. Inspired by cinema, land art, and contemporary painting, the resulting photographs are both surreal and familiar. They suggest a larger narrative, and yet that narrative remains elusive and mystifying.
Bee Orchid
Robert Moran - Relics (2013)
"Nihilistic Optimistic"
Tim Noble and Sue Webster - 2012

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Martin Wittfooth

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Nicholas Swan - Untitled (2012)
Le Souffle Blanc
Nicholas Hughes -Â In Darkness Visible Verse I, 2005-2007
Artist’s statement:
"In reaction to media led sensory anaesthetisation, and wearied by empty political rhetoric, my aim was to construct a forest built from accumulated memory and the ghosts of trees. Spending a period of two winters’ visiting public spaces in central London, this work inverts decorative Arcadian layout in an attempt to restore a sense of the natural in the cultivated, somewhat synthetic city ‘wilderness’ spaces."
Israeli artist Eyal Gever explores catastrophic events through his art. In his pieces known simply as Nuclear Bomb and Large Scale Smoke, he fabricates the fiery mushroom cloud that forms from an atomic explosion and the suffocating carbon and debris that billows from a volcanic eruption, respectively.

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