As is the human body, so is the cosmic body. As is the human mind, so is the cosmic mind. As is the microcosm, so is the macrocosm. As is the atom, so is the universe.
— The Upanishads
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@olivereuler
As is the human body, so is the cosmic body. As is the human mind, so is the cosmic mind. As is the microcosm, so is the macrocosm. As is the atom, so is the universe.
— The Upanishads

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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study for "Écriture", mixed media on canvas, 30 x 40 cm, 2012
study for "Écriture", mixed media on canvas, 25 x 25 cm, 2012
Polycyttaria, seen through a microscope
"Polycyttaria" (Detail), Illustration from "Art Forms In Nature" by Ernst Haeckel

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Visualisation of information from the exhibition catalogue "Einfach Komplex - Bildbäume und Baumbilder in der Wissenschaft" Museum für Gestaltung Zürich, 2005
Man is a microcosm, or a little world, because he is an extract from all the stars and planets of the whole firmament, from the earth and the elements; and so he is their quintessence.
- Paracelsus
untitled, mixed media on paper, 29,7 x 40,5 cm, 2012
www.olivereuler.com
untitled, mixed media on paper, 29,7 x 40,5 cm, 2012
www.olivereuler.com
untitled, mixed media on paper, 29,7 x 40,5 cm, 2012
www.olivereuler.com

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
untitled, mixed media on paper, 29,7 x 40,5 cm, 2012
www.olivereuler.com
untitled, marker on paper, 40,2 x 30,3 cm, 2012
www.olivereuler.com
untitled, marker on paper, 40,2 x 30,3 cm, 2012
www.olivereuler.com
untitled, marker on paper, 40,2 x 30,3 cm, 2012
www.olivereuler.com
untitled, marker on paper, 40,2 x 30,3 cm, 2012
www.olivereuler.com

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Rhizome
Rhizome is a philosophical concept developed by Gilles Deleuze and Félix Guattari. It is what Deleuze calls an "image of thought", based on the botanical rhizome, that apprehends multiplicities.
Gilles Deleuze and Félix Guattari use the term "rhizome" and "rhizomatic" to describe theory and research that allows for multiple, non-hierarchical entry and exit points in data representation and interpretation. In A Thousand Plateaus, they oppose it to an arborescent conception of knowledge, which works with dualist categories and binary choices. A rhizome works with planar and trans-species connections, while an arborescent model works with vertical and linear connections. Their use of the "orchid and the wasp" is taken from the biological concept of mutualism, in which two different species interact together to form a multiplicity (i.e. a unity that is multiple in itself). Horizontal gene transfer would also be a good illustration.
"As a model for culture, the rhizome resists the organizational structure of the root-tree system which charts causality along chronological lines and looks for the original source of 'things' and looks towards the pinnacle or conclusion of those 'things.' A rhizome, on the other hand, is characterized by 'ceaselessly established connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles.' Rather than narrativize history and culture, the rhizome presents history and culture as a map or wide array of attractions and influences with no specific origin or genesis, for a 'rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo.' The planar movement of the rhizome resists chronology and organization, instead favoring a nomadic system of growth and propagation.
"In this model, culture spreads like the surface of a body of water, spreading towards available spaces or trickling downwards towards new spaces through fissures and gaps, eroding what is in its way. The surface can be interrupted and moved, but these disturbances leave no trace, as the water is charged with pressure and potential to always seek its equilibrium, and thereby establish smooth space."
- Wikipedia
untitled, marker on paper, 20,5 x 29 cm, 2011
www.olivereuler.com