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Psst, hey, Marilyn Monroe’s image as a freewheeling sexpot was a carefully constructed lie. The real Marilyn Monroe was a roiling tragedy and her life was an indictment of our society as a whole. She was orphaned after her mother had a schizophrenic breakdown, bounced around between foster homes where she was sexually abused, and married a 21-year-old at 16 to get out of being sent to an orphanage. Hugh Hefner published nude photos of her without her consent that were taken when she was 23 and desperate. She suffered severe anxiety and depression, which she coped with by drinking and using barbiturates, and was already a full-blown addict when she became famous in the mid-50s. Her career was one of exploitation, condescension and alienation, and she killed herself at 36. That Hugh Hefner, a man who was at best an unpleasant footnote in her life, felt entitled to be buried next to her is one more humiliation in a pop cultural landscape we should all be ashamed of.
Can I just also say, in addition to all this, that I’m still pissed off about the fact that Joe DiMaggio swooped in and gave Marilyn a Christian funeral before her Rabbi could return from a trip overseas? ‘Cause that shit is fucked up.
So many men who claimed to be in love with her, and not one could fucking respect her wishes, even in death.
“I’ve never fooled anyone. I’ve let people fool themselves. They didn’t bother to find out who and what I was. Instead they would invent a character for me. I wouldn’t argue with them. They were obviously loving somebody I wasn’t.”” — Marilyn Monroe
Also:
As one of the biggest Ella Fitzgerald fans, she literally helped desegregate her performances. Ella was not allowed to play at Mocambo because of her race.
Ella Fitzgerald: “I owe Marilyn Monroe a real debt… she personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it.” thisisnotmyfairytaleendingg (Source: dmvnessa)
ALSO:
In August 1956, Monroe began filming The Prince and the Showgirl, with Laurence Olivier staring and directing. The production was complicated by conflicts between him and Monroe. He angered her with the patronizing statement “All you have to do is be sexy” and his attempts to get her to replicate Vivien Leigh’s interpretation.
She became pregnant and miscarried during the production, which heavily worsened her depression and increased her drug abuse.
A L S O , I will never forget watching a documentary about her once and, speaking about her marriage with Arthur Miller, the narrator said, verbatim: “America’s Brain had married America’s Body”. Like, literally, because he was a famous writer, he was entitled to personhood; she, being an actress, and a beautiful woman, was reduced to being “a body”. I have never been more enraged with her portrayal in the media. If you want to be dismissive of her, literally come for you.
She was also chronically ill her whole life: she suffered from endometriosis with pain so debilitating that a clause was written into her contracts accounting for the days when she would not physically be able to work during her periods.
She was on courses of strong medication, had invasive surgery to try and limit the damage caused, and despite trying for a baby numerous times, suffered many miscarriages because of her condition. The miscarriages especially sent her into deep depression, since she desperately wanted to be a mother.
There is speculation that the condition may have been one of the triggers in her drug dependency as well, because when you have endo, you will take whatever you can to stop. it. hurting.
Marilyn Monroe was smart and strong as hell in a world that saw her as a sexy doll and nothing more.
Marilyn was a founding member of the Hollywood branch of the Committee for a Sane Nuclear Policy and had lifelong left-wing political views with a particular emphasis on racial equality. She formed her own independent production company that survived for several years and earned a credit as an executive producer on several films. Additionally, she was not only concerned for workers rights, she acted for them, using her own fame to stop staff being unfairly sacked from several of her films. She was a loyal, kind woman and her early death remains a great tragedy. Worse still, as OP notes, is the co-opting of her image by exactly the sort of people she would have loathed in life.
i keep forgetting to post about it but I have a whole bunch of merch i wanna offload bc im moving, pls help me get rid of stuff!!!!!!!! this is some of the tgcf stuff, DM if interested in anything
i also have more tgcf, svsss, mdzs/cql, misc anime stuff, etc which u can view hereee:
Shipped from USA Domestic shipping would generally be ~$5-6 (except for sticker only orders $0.75) International shipping would be ~$10-15
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Thoughts on Qifrey's slutty slutty black turtleneck thing that got very much out of hand and became thoughts more broadly on the theme of concealment and Qifrey's character:
(manga spoilers below the cut)
Because while the obvious purpose would be that it protects against anyone seeing potential manifestations of the silverwood, that doesn't explain why he starts wearing it as a kid before he or anyone would have known about the silverwood. So I think the top is something that has come to serve multiple purposes throughout his life. AND I think it has an important role to play related to the one silverwood attribute that it seems like a lot of people skip over: it heals injuries in its host (to allow them to escape to "safety").
When he was a child, I think the black top was devised as a solution to cover the wounds and scars from his abuse and captivity. While it's hard to see in the illustrations that there's any obvious neck wounds, his wrist is clearly shown as marked by some kind of bondage (Beldaruit's flashback in ch. 36)--which is also why the thing extends so far onto his hands. It makes sense that as a child he would be self-conscious about these obvious scars, and so the garment was created to allow him to have freedom of movement with the most coverage.
With the revelations of the silverwood, I think the meaning changes. First, because obviously now there is the potential for someone to see its growth on him, but ALSO because when it does manifest, his wounds and scars are erased. This is what we see at the end of ch. 93 when he walks into the lake--not just that gazing at Olly has activated the silverwood, but that in being activated, it is erasing the scar left from the Romonon injury on his shoulder. If anyone were seeing Qifrey's body regularly, the sudden disappearance of scars would obviously be incredibly suspicious. I personally imagine the first major Silverwood incident at the Tower of Tomes is what erased the neck and wrist scars--but he couldn't ever let anyone know that. Any time he is seen without the layer is a potential risk for questioning.
(This is also why I think fics/fanon that describe his body as scarred are wrong. The eye wound remains because the eye can't be replaced, but there's a reason why the silverwood always starts there--that's the injury it's trying to heal. Otherwise though, Qifrey should actually be unsettlingly unmarked by all his injuries).
Finally, on a more meta level, the fact that the top is there to cover nothing--that is, not the presence of something but the absence, is fucking genius. I'm sure like many of us, when I was first watching/reading WHA I assumed that the layer was covering some kind of glyph or magical marking on his body, considering how much that was signaled as the ultimate wrong in the early parts of the story. If not that, then yeah, maybe some kind of scar. But then when we finally see him stripped of it, there is nothing.
This is paralleled by the hair/black lens used to cover the lack of his right eye. It's hard not to see this as Shirahama's direct response to the (especially shounen) anime/manga trope of the character with a hidden "magical eye." There's obviously the Kakashi-type, and Lelouch from Code Geass, and a million others I'm suddenly blanking on. But the trope is predictable: ooh, can't see this guy's eye, must be some kind of taboo magic, etc. etc. So again, in the same scene where we see him without the black top, we also see him without the glasses, and all that's there is... nothing. Not some scary powerful forbidden magic eye but just a horrendous and heartbreaking injury, a total absence.
Parallel that again with Qifrey's entire story as one of lack, and it all comes together. Who is this mysterious guy, deep down? What kind of crazy origin story? And like, yeah, the Silverwood story is tragic, but especially in the midst of so many fantasy tropes about lineage, Qifrey coming from nothing, nowhere, is profound. I'm sure we'll eventually get more answers, but for now, it's the fact that all of these forms of veiling, hiding, covering, concealing, keep getting revealed as ways of covering up a kind of nothing--that really amazes me.
I watched Iron Lung again tonight in the comfort of my home and my dog must've been watching with me cause as soon as bad things started happening to Simon she started crying. In the scene where he ultimately dies she could not stop crying at me. I am now watching him play the Henry Stickman collection so she can see that A.) He's not dead and B.) He's not in distress. Occasionally he'll whine or hum in discontent about something and my dog will look at me and whine to try and get me to fix whatever is distressing Markiplier.
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