CD-CALL Can't Read the Writing on the Wall: The Cyclical Nature of Character-Building and Worldbuilding.
Yet another thing in Into the Void has caused a thought to surface, an old problem of hers that just feels worse now that she controls the lore. Namely in that her main cast is so non-specific they can be swapped into another setting without a major rewrite.
To explain for the less media literate, worldbuilding and character building are concepts that often intersect, and often are at their best when they do. For most writers i feel like im getting those looks of "yeah, no fucking shit, stupid" but we have the misfortune of talking about a woman who thinks animation is unimportant to critiques of animated works so YOU JUST CAN'T BE SURE NO MORE...
For a series off the top that absolutely excels at this, good ol' MHA. It doesn't science too great, but it's logic is always on point. It nails a lot of big and small details that elevate it from being a generic copy of marvel/DC. From something as small as countering power incontinence with oven mitts for a sleepy uraraka, up to how bakugo embodies both the great and bad things about powerful and flashy quirks. On the positive side, he's unshakable. He can toss hands with the strongest the verse has to offer. He is as much a tactical genius as Izuku despite having a powerful quirk that CAN brute force most problems at no cost to himself. Though in return for all this he is absolutely as entitled and arrogant as you'd expect from a kid that had a better handle of how much of a god amongst men he was before he could write full sentences.
In sharp contrast.... we could make Into the Void into a cross- country RV trip and the MOST you'd need to rewrite is how they met Julie. For the extensive worldbuilding it is written like its happening like, today. Not one character is written like they are in this free love far flung apocalypse cubed, it honestly feels pretty modern with occasional reminders that space is, well, SPACE. You'd swear aside from when they are specifically discussing their norms, they'd be totally exempt from them. Everyone almost randomly unsyncs with the setting like trying to pick up a radio station from the bottom of a fallout bunker with a mostly dead walkman. "But blivion is first draft." I'll believe the second when I see it. Pokemadhouse had the same problem. G could be replaced with any mildly attractive psychic alien because she ain't a Gardevior. Not to mention the hundreds of Lore breaks so C!Lily can keep real Lily's "Le tragic past". But that's mean and frankly isn't the worst thing she did anyway. Even though I'm having trouble remembering Scars right now, I do remember Sai remarking that "these 80's teens talk like they're about to grab out their smartphones."
It hampers Lily's ability to really say anything about the worlds she had explored and/or built. The characters all feel replaceable, shit just a post ago I talked about how trading the cast of ItV out for MHA characters made Lily's chunky n' chunky dialogue BETTER. There might as well not even be a Kestri, Lev, and Julie. Just leslri, levly, lulie Orchard... lord knows I ain't getting a Lecture from Lev Martin, Ace Pilot of the Big Sister! I'm getting ranted at by a woman with her hair style slightly different and a nametag made with notebook paper and the nearest crayon... who's cycled through friends and lovers alike at a worrying rate...
Yeah i don't think I give a fuck what they have to say about relationships.
Love him, hate him, indifferent towards him, you can't replace Bakugo without losing a LOT, he IS Deku's rival, his equal and opposite, a mirror to our protagonist and the world they both grew up in that if missing the story would be infinitely lesser for. You could draw lots for Lily's characters and basically lose nothing in any given scene....