NSCR

Olafur Eliasson, The mediated motion, 2001 Kunsthaus Bregenz, Austria

Syd Mead

This is one of my favorite paintings. Whenever I look at this painting, I feel trapped behind an invisible sphere of self and this lay figure seen from behind. (Friedrich himself). It is almost like you are becoming one, seeing the world trough the lens of the artist’s personal perception.  A heavy fog lingers before him, alive to the divine glories of nature that open up right in front of your eyes. His gaze from afar gives a sublime rapture to the watcher, yet this sight remains an unknowable mystery to him, shrouded in fog. Caspar David Freidrich was a master in his ability to transform a landscape into a personal and spiritual chronicle, a difficult task for many painters.

The grid by  DOFRESH

As industrialization proceeded, it became necessary to discipline the body and fit it to machinic production

Ajak Deng by Julia Noni for Obsession Magazine, Fall 2012

Metal Skin Panic MADOX-01 (1987)

alt colourway

‘The Matrix’ by Chris Skinner

Photo by Lorenzoclick on Flickr

“Forest Depths” by Alex Saberi

RICK OWENS | SUBAH, SS19 BABEL WOMENS