Nordic Rose

NR2.3.1.1

INT. BASEMENT              NIGHT

Sparkles is drinking in Pimp Daddy 101’s crib. It is dark and dirty space, with poor lighting. Monster Tits walks in.

SPARKLES

     What do you want, you fat chested bitch!

MONSTER TITS

     Excuse me? I’m here to make sure that this establishment doesn’t     burn to the ground.

SPARKLES

     I don’t need your damn help, you stupid skank!

MONSTER TITS

     I know that it’s been hard since Pimp Daddy’s been convicted, but    we need to stay strong for him.

SPARKLES

     Mind your own damn business, why are you even here! Just shut   your face, and go lie on your back for a few bucks, you cheap   whore!

MONSTER TITS

     You’re drunk, you need to sober up, Pimp Daddy would never want      this for us.

SPARKLES

     How would you know! I don’t need nothing from you!

MONSTER TITS

     Actually you do. We have unfinished business.

Sparkles passes out on the couch, while Monster Tits tries to speak to her, but she remains unresponsive.

NR2.3.1.2

INT. BASEMENT              NIGHT

Monster Tits is helping wake Sparkles up with a cup of ice cold water. Sparkles jumps up in shock after being splashed in the face with the cold water.

SPARKLES

     You stupid bitch! What’s wrong with you!

MONSTER TITS

     You’re piss drunk! You can barely stand straight let alone lead      the girls in this business.

SPARKLES

     Just shut the hell up, you’re just jealous that I was Pimp      Daddy’s number one bitch, and you were just another one of his     whore.

MONSTER TITS

     Actually, you were only Pimp Daddy’s favourite vaginal toy.     You’re a complete idiot and a dirty worthless skank.

SPARKLES

     You fugly little whore! You would have never gotten away with   saying those things if Pimp Daddy was here! And now that he’s     not, I’m in charge, so watch your mouth, before I kick you out on your ass.

MONSTER TITS

     Actually, that’s where you’re wrong. I’m in charge now. You’re not fit to run this business, you can’t do crap and you know it.      All you’re good for is spreading your legs.

SPARKLES

(Jumps up and slaps Monster Tits in the face)

     Say another word, bitch, and I’ll start knocking out some teeth.

MONSTER TITS

(Grabs Sparkles by the hair and punches her face, until her nose and mouth start to bleed.)

     You better shut your mouth, you have no say anymore. I’m the    boss, so you better just sit down and stay quiet, unless you want to get your ass beat again.

Sparkles is wiping the blood from her face and doesn’t utter a single word, as Monster Tits past her, while cracking her fingers.

NR2.3.2.1

INT. SINGH APPARTMENT      NIGHT

An Indian woman is making curry masala in a spacious apartment overlooking the lake. Vimal enters the apartment in his work clothes.

VIMAL

     Manjula, I’m home!

MANJULA

     I’m in the kitchen, Vimal! I’ve just finished the masala, come and eat while it’s still hot.

VIMAL

(Enters the kitchen)

     It smells delicious!

MANJULA

     So how was work? Why can’t the hospital reduce your hours, now that you’re the chief of staff.

VIMAL

     It doesn’t work that way, but this is the life that I worked for,    since I was a young scholar.

MANJULA

     Yes, I know, and you’ve done so well here in America. Completing     your doctorate in Norway has really paid off for you.

VIMAL

     Speaking of Norway, I have a new patient! Her name is Ingrid    Larsen, she’s actually the mother of one of my classmates back in Norway.

MANJULA

     Did you get to catch up with her.

VIMAL

     Unfortunately no, she passed away recently.

MANJULA

     Oh that’s too bad, well finish up your masala, I have more if you    want some.

Vimal eats his masala, while he’s in deep thought over the conversation he just had with Manjula

NR2.3.2.2

INT. SINGH APPARTMENT      NIGHT

Vimal and Manjula are both in their bedroom, getting ready for sleep.

MANJULA

     Vimal, that classmate of yours, was he also going to be a doctor.

VIMAL

     It’s actually a she, she’s was pursuing her degree in      communications.

MANJULA

     (jealous tone) Oh, it’s a girl.

VIMAL

     Yes, Eva Larsen. Apparently she has at least one sibling, a     sister named Norma.

MANJULA

     Norma Larsen? That crazy woman who kidnapped a bunch of people and held them hostage!

VIMAL

     Yes, the same one. I’m glad that Eva doesn’t have to be around to    witness her sister’s sinister plot come to light. She’s in a better place now.

MANJULA

     Yes she is. And hopefully that Norma rots in her dirty jail cell.

Vimal and Manjula turn off the lights and go to sleep.

NR2.3.3.1

EXT. BASEMENT              NIGHT

It’s a rainy night in Crystal Woods. All the shops have closed down early, and the nightlife has died down. Patricia is walking along the pier, with a bottle of whiskey in her hand.

MONSTER TITS

     Hey you! You alright?

PATRICIA

     Huh?

MONSTER TITS

     Are you lost or something?

PATRICIA

(crying and hysterical)

     I’m so sorry, I’m a wreck. I don’t know what to do with my life.

MONSTER TITS

     I can help you out if you need. I help ladies like you all the time. Those who need a new purpose in life.

PATRICIA

     Really?

MONSTER TITS

     Ya, definitely.

Monster Tits wraps her arm around Patricia and consoles her. They sit on a nearby bench and talk.

NR2.3.3.2

EXT. BASEMENT              NIGHT

Monster Tits and Patricia are outside near a sketchy intersection of Crystal Woods. Patricia has been made-over more provocatively. The streets are quiet, but there are a few people standing around.

MONSTER TITS

     Come on, you can do this. It will make you feel better.

PATRICIA

     Really? I don’t even know what I’m suppose to say or do.

MONSTER TITS

     Don’t worry, see that guy over there (pointing), just go say hi.     I’ll take care of the logistics.

PATRICIA

     I don’t know about this. I don’t feel right.

MONSTER TITS

     It’s just nerves. Here just take this (hands her a pill). It will    make you feel better. The pain will just go away.

PATRICIA

     Ok, so I just go say hi to that guy.

MONSTER TITS

     Yup, that’s all you need to do. Get in there tigress!

NR2.2.1.1 – JENNIFER’S SON AND BJORN ARE BEST FRIENDS

  INT. HIGH SCHOOL                DAY

  Two young boys are hanging out in the hallway before class. They are both high school sophomores at Crystal Woods High School. Jacob Spalt and Bjorn Eriksen are both athletic and social teenagers.

  JACOB

     Hey Bjorn! How’s it going!

  BJORN

     Hey Jake, ready for a new school year.

  JACOB

     Ya... this year will definitely be better than last year,        we’re      Sophomores!

  BJORN

     I know what you mean. Did you get your timetable yet? What      classes do you have?

  JACOB

(hands timetable)

     Take a look.

  BJORN

     We’re in the same Math class.

  JACOB

     Amazing! We still have time before first period starts,          let’s   head to the caf.

  NR2.2.1.2

  INT. HIGH SCHOOL                DAY

  Jacob and Bjorn enter the cafeteria, they notice a table seated with a group of students. Among the students, Kaylee Reynolds is there.

  BJORN

     (pointing) Oh look, there’s Kaylee.

  JACOB

     (walking towards table) Let’s go say hi.

  KAYLEE

     Hi guys!

  BJORN

     Hey Kaylee! How was your summer?

  KAYLEE

     It was good, what classes do you guys have this semester?

  JACOB

     We both have fourth period Math.

  KAYLEE

     Oh god, I feel bad for the teacher, you guys are such            troublemakers hahaha.

  BJORN

     We are not troublemakers! Haha

  JACOB

     First period is about to start, we better get to class.

  BJORN

     Ya, we better get going.

  NR2.2.2.1 – INGRID IS VIMAL’S PATIENT

  INT. GENERAL HOSPITAL      DAY

  Vimal is in his office completing some files for cases he’s consulting on. The phone rings and he answers.

  VIMAL

(on the phone)

     Dr. Singh, Chief of Staff.

     Yes, speaking.

     Yes Mrs. Larsen, you can stop by in 5 minutes if you want        to. I free this afternoon.

     See you then. Bye.

  Vimal hangs up the phone.

  NR2.2.2.2

  INT. GENERAL HOSPITAL      DAY

  Ingrid arrives to Vimal’s office and knocks on the door.

  VIMAL

     (from inside) Come in!

  INGRID

     Hi Dr. Singh, I’m Ingrid Larsen, we spoke on the phone          earlier

  VIMAL

     Hi Ingrid, come on in, what did you want to discuss.

  INGRID

     Yes, I’m still not feeling well. I don’t know what it is,        I’m light headed, my sleeping schedule is erratic, the food      here makes me sick.

  VIMAL

     These all sound like symptoms of jetlag, I’m sure there’s        nothing to worry about. But let’s get some tests run            anyways. It will be quick.

  INGRID

     Ok great, thank you very much.

  VIMAL

     I’m just going to take your blood pressure and do a routine      check up. (does medical tests)

  INGRID

     No problem.

  VIMAL

     Ok Ingrid, I’d like you to come back, but in the mean time,      (fills out paperwork) I want you to do a few more test,          they’re located 3rd floor, and they’ll just run a few more      tests for you.

  Ingrid leaves the room with the paperwork. Vimal looks at his notes for Ingrid’s file, and has a worried look.

  NR2.2.3.1

  INT. HIGH SCHOOL                DAY

  Patricia enters the teacher’s lounge, she’s looking frail and lethargic. Jennifer is taking a coffee break when Patricia is about to make an announcement.

  PATRICIA

     Can I have your attention. Due to a difficult few weeks, I      will be taking a leave of absence. This means there will be      changes with this semester’s schedule, and some of you will      need to take on additional classes. I have a math class for      fourth period is there anyone who can cover for me?

  JENNIFER

     Patricia, I can do it, fourth period is my free period, so      I have the time.

  PATRICIA

     Thank you Jennifer, It’s in room 815. I’ll give you all the     teaching materials tomorrow.

  JENNIFER

     No problem. I hope you feel better.  

NR2.2.3.2

  INT. HIGH SCHOOL                DAY

  The class is anxiously waiting for the teacher to arrive. Jacob and Bjorn are both sitting at the back of the class room. The students are starting to get rowdy, suddenly the door opens and Jennifer Spalt appears.

  JENNIFER

     Hi everyone. I’m Ms. Spalt. I know that your time table          says that Mrs. Reynolds is your teacher for this period,        but she’s taken a leave of absence, so I will be filling        in. Does anyone have any questions?

  STUDENT

     Is this permanent or only for today.?

  JENNIFER

     I’m unsure about the status at the moment, but I will let        you guys know. (looking at the back of the room) Boys back      there! Please settle down. Let’s get started with today’s        lesson.

NR2.1.1.1

INT. GENERAL HOSPITAL      DAY

Crystal Woods’ Special Investigations Unit arrives to General Hospital requesting for a highly confidential autopsy on the bodies recovered in a police shootout at the warehouse. Dr. Vimal Singh is the chief of staff at the hospital, he’s a well-respected international medical professional with several works published in various medical journals. Detective Hugh Reynolds is the lead in the investigation and has escorted the bodies to the morgue.

HUGH

     Hi. Are you Dr. Vimal Singh, the chief of staff?

VIMAL

     Yes, I am. Is there something I can help you with?

HUGH

     Yes. I’m Detective Hugh Reynolds, I’m here on official business      regarding the autopsies of a high profile crime investigation.

VIMAL

     Oh, yes, I was informed 5 minutes ago. Where are the bodies? I’m     ready to get to work.

HUGH

     They’re just outside, before we proceed, we need you to sign a      confidentiality form.

VIMAL

(signs the form)

     Not a problem.

Three body bags are lead into the hospital upon Hugh’s cue. They are escorted by Officer Radcliffe, who follows Vimal as he directs them to the morgue.

NR2.1.1.2

INT. MORGUE               DAY

Vimal escorts the body to the basement level of the hospital, where the morgue is located. Officer Radcliffe from the local police has been chosen to supervise the autopsy. They arrive in the cold and icy morgue and the bodies are placed on the dissection tables, as Vimal starts to work.

OFFICER RADCLIFFE

     Dr. Singh, I’ll just right by the other body, while you work    on the Reynolds body.

VIMAL

     Thank you, Officer Radcliffe. But you really don’t need to      supervise. I’ll be sure to write everything in the report.

OFFICER RADCLIFFE

     I have complete trust in your honesty and integrity, but this is     part of procedure. I hope you understand.

VIMAL

(analyzing the gunshot wound)

     I definitely do, I’ve spent the past 10 years of my life   following procedures and policies, and now look at me, and I’m the  chief of staff.

OFFICER RADCLIFFE

     Ah yes, congratulations. I heard that you’ve recently been      promoted.

VIMAL

(making notes in the report)

     It happened unexpectedly, but I’m really happy. Officer    Radcliffe, I’m done with the Reynolds body, I’m ready to move on    to the next body.

Vimal continues to inspect the other bodies while completing the reports. Officer Radcliffe continues to keep him company throughout the autopsies.

NR2.1.2.1 – JENNIFER IS THE NEW MATH TEACHER

INT. HIGH SCHOOL                DAY

Patricia is in her office, she has set up a series of interview for a new interim math teacher at the high school. She’s under several medications and is highly depressed over the death of her son.  Patricia and the school secretary are discussing the upcoming interview appointments.

PATRICIA

     Jeanette, how many do we have scheduled today?

JEANETTE

     We have around 6 interviews scheduled today, 3 in the morning and    3 in the afternoon.

PATRICIA

(moaning)

     I’ve honestly had enough of this, I hate these stupid mandated protocols we need follow to hire new teachers, why can I just     pick one at random.

JEANETTE

     I know, you’ve had a tough few days Patricia. Just don’t worry you can get through this.

PATRICIA

     Oh shut up, you stupid bitch. You don’t know what I’m going     through.

JEANTTE

     I’m sorry. I didn’t mean to overstep.

PATRICIA

     You should just be grateful that I gave you this job, after you      left that sleezbag, Mr. Matthews.

JEANETTE

     Yes, Patricia. I’m really appreciative. Thank you.

PATRICIA

     Bring in the first person, let’s get this over with.

Jeanette leaves the room to get the first candidate, while Patricia pops a few pills and takes a sip of water as Jeanette leaves the room.

NR2.1.2.2

INT. HIGH SCHOOL                DAY

Jeanette walks into the room, followed by a blond woman, Jennifer. She takes a seat in front of Patricia’s desk. Patricia does her best to look happy and positive, as she prepares to begin the interview.

PATRICIA

     Thank you Jeanette. (standing up to shake Jennifer’s hand) Hi, I’m Patricia. Please have a seat.

JENNIFER

     Thank you. I’m Jennifer.

PATRICIA

     Let’s get started with the interview, so... tell me a bit about      yourself.

JENNIFER

     I’m a hardworking individual and I have experience dealing with      teenagers, having one of my own. I’ve just finished teachers    college, and I’ve completed several work placements as well. I’m really eager to get into the workforce, and know what I can impact the lives of students at high school in a positive manner.

PATRICIA

     Thank you. I have a good feeling about you. I’m pretty certain that you’re the one. I do have “other” interviews to go through, but I really like you. How soon can you start?

JENNIFER

     I can start as soon as tomorrow, if need be.

PATRICIA

     Perfect. It was great meeting you. Jeanette will be in touch with    you later today. (shakes her hand)

JENNIFER

     Thank you very much. It was a pleasure meeting you. (leaves the      room)

PATRICIA

(on the phone with Jeanette)

     Jeanette, can you pretend to be me and do the rest of the interviews. And call that Jennifer girl and set her up for      tomorrow. I’m super tired, I’m going to take a nap, if anyone asks, tell them that I’m in an important meeting.

Patricia takes a few more pills and rests her head on her desk.

NR2.1.3.1 – VIMAL MEETS THE LARSEN’S

INT. POLICE STATION        DAY

An older couple arrives to the Police Station. They are Fabian Sr. and Ingrid Lawson, the parents of Norma Larsen. They look exhausted and out of place, but they look very determined. They approach the front desk, where Officer Debra is sitting.

FABIAN SR

     Hi, I’m looking for the detective in charge of the Sara Larsen murder.

DEBRA

     Are you with the media? We don’t have any information to reveal      the moment. But we will hold a press conference once the autopsies are complete.

INGRID

     No, no, no. We’re not with the press, we’re Sara and Norma’s    parents. (pulls out passports)

DEBRA

     Oh, Detective Reynolds is not currently available. Is there     something I can help you with right away.

FABIAN SR

     Yes, we want to speak to our daughter, and knock some sense into     her.

DEBRA

     Unfortunately, I can’t let you speak with Norma. She’s in a lot      of trouble and can’t get any visitors unless they’re approved by   the judge.

INGRID

     Please. I felt like I’ve lost two daughters, I just want to see      her.

DEBRA

     M’am, I’m really sorry, but I can’t allow it without approval. Are you okay, you look a bit pale.

INGRID

     I’m fine, we just had a long flight. We just want to see our    daughter. (starts to faint)

FABIAN SR

     Ingrid! Oh my god! Someone call an ambulance. See what you did,      she just wants to see her daughter! Help! Help! We need a     medic!!! Help!!!

Officer Debra quickly rushes to her aid, and is assisted by two other officers to bring her to General Hospital in the police cruiser car.

NR2.1.3.2

INT. GENERAL HOSPITAL      DAY

Ingrid and Fabian Sr arrive to the hospital, escorted by Officer Debra. Vimal had just completed the autopsies and is just checking in on his staff at the emergency room.

DEBRA

     Doctor! We have an emergency! This woman suddenly fainted, she looked really pale before she collapsed.

VIMAL

     Ok, bring her into cubicle 1, I’ll see what I can do.

INGRID

     I’m fine, please, I just want to see my daughter.

VIMAL

     Don’t worry, we’ll take good care of you. I’m Doctor Vimal Singh,    I’m the chief of staff at this hospital. May I ask you a few questions?

FABIAN SR

     I’m her husband! We’re from Norway, we just got in.

VIMAL

     Okay sir, I’ll take good care of your wife. Are you currently on     any medications? Have you skipped any meals today?

INGRID

     No, I’m not on anything. I only skipped breakfast today.

VIMAL

(writing on clipboard)

     How long was your flight?

INGRID

     We’ve been on the plane for hours, I’m not too sure.

VIMAL

     Okay, I think you’ll be fine. It’s possible that you’re just a bit exhausted from the flight today. Try to have to rest, and if   anything worsens, don’t hesitate to come back. Do you have your    passport with you?

INGRID

     Here it is. My name is Ingrid Larsen. I also have my hotel      information and travel insurance.

VIMAL

     Larsen...

EPISODE 10 – ACT 1

Scene 1

EXT. – HARBOUR – NIGHT

Hugh and Debra arrive at the warehouse. The entire area has been taped off and there are dozens of police officers everywhere.

HUGH

Hey, can I get to the team together? (The team comes together) What’s the current situation? Do we have any leads on the kidnapping victims?

OFFICER RADCLIFFE

Detective Hugh, we’ve surveyed the area and we were able to locate the vehicles in the question. They are located around Warehouse #4. We’ve surrounded the perimeter and are attempting to reach out to them.

HUGH

Thank you very much for the update. Take me to Warehouse #4, I want to lead the negotiations.

Hugh and Debra are led by Officer Radcliffe to the Warehouse #4. Warehouse #4 is the only warehouse with the lights on.

Scene 2

EXT. – WAREHOUSE – NIGHT

Hugh and Debra are leading the negotiations with Fabian regarding the release of the kidnapping victims. Suddenly, John, Miles, and Patricia arrive on scene.

PATRICIA

Hugh! Please let me through! I’m his wife! Where are the girls? Are they safe!

HUGH

Patricia! What are you doing here? It’s not safe here! You shouldn’t be here. I’ll have Miles take you back home.

MILES

I’m sorry dad, I told her not to come, but she insisted.

HUGH

Don’t worry Miles. Patricia, if you stay out of the way, I’ll let you listen in.

PATRICIA

Fine, I will. I just want to be close to the girls.

DEBRA

Mr. Humphries! I told you to stay at the police station. What are you doing here?

JOHN

I just want to make sure that my girls are safe. I promise that I’ll stay out of the way as well. I just want to be here when they’re set free. Please Officer Debra, I promise not to be a distraction.

DEBRA

Hugh, the calls yours.

HUGH

Fine, Mr. Humphries, you may stay as well, just sit over there.

John and Patricia sit down quietly. They’re both very nervous as they wait for any new information. Miles consoles his mother as she waits anxiously. Hugh and Debra get back to the negotiations with Fabian.

EPISODE 10 – ACT 2

Scene 1

INT. – WAREHOUSE – NIGHT

Helga is waiting nervously as she watches over the hostages. Fabian and Norma are discussing their next steps.

HELGA

What are we going to do, the cops have this place surrounded. It’s just a matter of time, before they charge in.

FABIAN

No, we’ll be fine. They’ll need to get us our helicopter if they want these hostages to live. The plan’s fine, everything will work out for us. Don’t worry.

NORMA

I have complete faith in you, Fabian. Helga, can you go check on the hostages again, I think that Cheryl is waking up.

HELGA

Sure, I’ll go right away. But Norma, I have a really bad feeling about this. It doesn’t look good.

NORMA

Helga, why don’t you just shut up and do what you’re told! NOW GO!

Helga walks off to ensure that all the hostages are tied securely. She’s very nervous and is starting to get second thoughts about this plan.

Scene 2

EXT. – HARBOUR – NIGHT

Hugh and Debra are getting frustrated with the negotiations going nowhere. They’re contemplating their next step of action.

HUGH

Damn it! These negotiations are going nowhere! He’s not budging and he doesn’t seem like he’s actually going to kill any of the hostages. I say that we charge in and get these people to safety.

DEBRA

Are you sure Hugh? It’s very risky, you’ll be putting everyone’s lives at risk.

HUGH

I think it’s the best move right now. We have the place surrounded, and there’s no place to run. There are more of us, so we definitely have the advantage.

DEBRA

I trust you. Let’s get this done right away. I’ll gather the troops.

Hugh leads a team of police officers through the front of the warehouse, while, Debra leads a team of police officers through the back the warehouse. They breakdown the doors are the same time, and start charging into the warehouse. Gunfire is heard.

EPISODE 10 – ACT 3

  Scene 1

INT. – WAREHOUSE – NIGHT

The police storm into the warehouse pointing their guns in Fabian, Norma, and Helga’s direction. They are directed to drop their weapons, as the police approach them to secure the safety of the hostages. Helga is nervously shaking as she puts her hands in the air, while still holding the gun. She places the gun to her head and pulls the trigger. Everyone is shocked as they look for the source of the gun fire. In the confusion, Fabian starts to shoot at the police officers. He’s able to hit a few officers, including Miles Reynolds. Miles is shot in the neck, and starts to bleed profusely. Hugh is in shock as he sees his son lying on the floor, struggling for his life. He drops his weapon and goes to his aid. Fabian turns around and looks down and sees that he’s been hit. Officer Debra is staring directly at him, with her smoking gun. Fabian, refusing to give up, starts to make a run for it, and jumps out the window of the warehouse, landing directly in the dark water of harbour docks. Norma screams as she sees her son fighting for his freedom, she is taken down by two police officers, who disarm her and pin her down to the ground. She screams in agony, calling for Fabian.

Scene 2

EXT. – HARBOUR – DAWN

The harbour area is cleared as the forensic agents enter the warehouse to collect evidence from the incident. Norma is taken away in handcuffs, and the hostages are reunited with their families.

KAYLEE

Mom! I was so scared! I’m so happy to see you!

PATRICIA

Kaylee! Amy! Oh my god! I’m so happy that you’re both safe. Are you okay! Are you hurt?

AMY

We’re fine. But…

PATRICIA

But what? What’s wrong? Where’s your father and your brother.

KAYLEE

Dad’s coming right now. It’s going to be okay mom.

PATRICIA

Hugh… what’s the matter? What has happened?

HUGH

Patricia… It’s Miles. He’s been shot.

PATRICIA

No… no… where is he! Let me talk to him.

HUGH

You can’t, he’s gone. He didn’t make it.

PATRICIA

Oh no! Not Miles! Not my Miles!

Miles’ body is brought out in a body bag. Patricia throws her body onto his corpse, and mourns the loss of her son, while her family surrounds her.

Cheryl, Betty, and Agnes walk out of the warehouse, and are greeted by John.

JOHN

Cheryl! Betty! Agnes! I’m so sorry that I didn’t believe you. I should have believe you. You’ve been with me since the beginning.

CHERYL

Don’t worry about it. This is the past now. Norma and Helga are out of our lives forever. We can just move on now.

JOHN

There’s nothing else I want in the world than to spend the rest of my life with you ladies.

BETTY

There’s no way you could have known that Norma and Helga were criminals. I think we need a fresh start, away from all these bad memories.

AGNES

I completely agree.

JOHN

You’re right. We need a fresh start.

EPISODE 9 – ACT 1

Scene 1

INT. – WAREHOUSE – EVENING

Norma anxiously waits for Helga at the warehouse. She’s pacing and constantly checking her watch. The door opens and Helga arrives with Agnes and Betty at gun point. Norma is shocked and angry.

NORMA

HELGA! WHY ARE THESE TWO HERE! AND WHERE’S CHERYL!

HELGA

Sorry about that, Cheryl overheard our conversation and then these two came barging in. I had to take them with me, I couldn’t leave them on their own.

NORMA

Fine! Let’s just tie them up to these chairs and gag them.

BETTY

Norma, Helga, please let us go. We won’t say a word. I won’t tell John anything, I won’t even call the police.

NORMA

JUST SHUT YOUR MOUTH! AND STAY QUIET! YOU’RE STAYING HERE AND THAT’S THE END OF IT!

HELGA

Cheryl’s in the back of the car. She’s unconscious, we got into a fight. We should probably bring her in here too.

NORMA

Fine, go bring her in. I’ll watch these two idiots while you go get her.

Helga goes to get Cheryl, while Norma watches Betty and Agnes. She’s frustrated with Helga.

Scene 2

INT. – WAREHOUSE – EVENING

Fabian enters the warehouse with two young girls with sacs on their heads. He scans the area and sees that Norma and Helga was there with 3 older women gaged and tied up.

FABIAN

What’s going on! This is not part of the plan! Who are these women! Why are they even here!

NORMA

I’m sorry Fabian. Helga ran into issues, these are John Humphries’ wives. Don’t worry, I’ve gagged them and they’re tied up, they won’t be an issue.

FABIAN

They will be an issue! This will just draw more attention to us! I can’t believe that you’ve screwed things up this bad! I need you to tie up these two girls.

Helga grabs the two girls and nervously ties them up. She removes the sacs off their heads and they’re revealed to be Kaylee and Amy Reynolds.

FABIAN

We need to rethink this plan. We’re all going to go to jail for life with these charges, we just need to cut our losses and get out of here. This will be our new plan. We kill one hostage once every half hour until we get a helicopter to get out of here.

NORMA

Sounds good sweetheart. I’m all for it.

FABIAN

Don’t call me that. And just stay out of my way. I want this to be over with, so I can move on with my life.

Fabian removes his phone from his pocket, dials, and places the phone by his ear.  

EPISODE 9 – ACT 2

Scene 1

INT. – REYNOLDS HOUSEHOLD – MORNING

Miles is in the kitchen eating a bowl of cereal. Hugh comes down and sits at the breakfast table to read his paper. Patricia joins them in the kitchen, frantic and scared.

PATRICIA

(from upstairs)

Hugh! HUGH!

HUGH

Patricia! I’m in the kitchen honey. What’s the matter?

PATRICIA

Have you seen the girls? They’re not in their rooms.

HUGH

No I haven’t, do you think they went out for a jog?

PATRICIA

They’re girls, Hugh! They didn’t come home last night!

MILES

What! They didn’t come home! Then where could they be!

PATRICIA

Oh my God! Where are my girls! Hugh, you need to find them!

HUGH

I’m calling the department right now! We’ll find them Patricia, don’t worry.

Hugh gets on the phone, while Patricia starts to sob. Miles consoles his mother, as he waits anxiously.

Scene 2

INT. – POLICE DEPARTMENT – MORNING

Debra is sitting at her desk, speaking on the phone with Hugh. John comes rushing into the police station.

JOHN

I have  missing persons report to fill out!

DEBRA

What do you know about a missing persons report…

JOHN

My… umm… roommates are missing. They’re 5 older women, their names are Cheryl, Betty, Agnes, Helga, and Norma Larsen.

DEBRA

Norma Larsen is missing!

JOHN

Yes, do you have any information about them?

DEBRA

Not at the moment sir. I’ll have Officer Gardner take down your information and we’ll contact you if we get any news.

JOHN

Thank you, officer.

Officer Gardner sits with John to fill out the information. Debra walks into the backroom and ponders the connection between these kidnappings.

EPISODE 9 – ACT 3

Scene 1

INT. – POLICE DEPARTMENT – DAY

Hugh and Miles arrive urgently at the Police Station. They run into the station and join the team as they debrief regarding the missing people case. Debra is leading the investigation as Hugh and Miles take a seat.

DEBRA

Within hours, we’ve had a report of 7 missing people cases. We’re not sure if they’re related, but we need to find all of these people and reunite them with their families. Since the initial reports, I’ve had the forensic IT team review all camera footage around the city to find any leads. Do you guys have any leads, Office Gardner?

OFFICER GARDNER

We’ve actually stumbled upon something quite intriguing. It seems like these are two kidnapping cases. Helga is clearly the driver in vehicle #1, leading us to believe that she is our prime suspect. The vehicle is south, which means that she must be going to the harbour area.

DEBRA

Thank you Officer Gardner, we’ll get a team down there right away.

HUGH

Has there been anything information regarding Kaylee and Amy?

DEBRA

Not yet Hugh, but we’re trying our best to find any connections or clue.

OFFICER GARDNER

Officer Debra! I think you should see this! While sifting through the footage, we were also able to find the prime suspect in the Larsen murder, he was also headed in the same direction as Helga. We might be able to kill two birds with one stone.

MILES

Let’s head down right away.

Hugh, Debra, and Miles all head out, followed by a team of police officers. They get into their cruisers in pairs and drive away with sirens on. 

Scene 2

INT. – POLICE CRUISER – DAY

Hugh and Debra are driving rapidly towards the habour area of Crystal Woods. Suddenly the radio calls for Debra.

DEBRA

Officer Debra here.

RADIO

(voice of Officer Gardner)

Officer Debra, this is Officer Gardner. We’ve received a call from Fabian and he has Kaylee and Amy Reynolds hostage along with Cheryl, Agnes, and Betty Humphries.

DEBRA

Do we know where he is? Do we know what he wants?

RADIO

(voice of Officer Gardner)

We don’t know where he is, but he has provided us with a list of demands. He wants a helicopter for his escape, and he’s threatening to kill one hostage every hour, until we have the helicopter ready.

DEBRA

Thank you Office Gardner, were you able to track the call?

RADIO

(voice of Officer Gardner)

We’re working on that right now, I’ll be back in touch when we have his location.

EPISODE 8 – ACT 1

Scene 1

INT. – BASEMENT – DAWN

A tall, dark and handsome man enters the basement, as the sloppy drunk women stubble out of the club through the exit. Pimp Daddy 101 is sitting on the couch with his arm around Sparkles and Monster Tits passed out on his right. The man makes eye contact with Pimp Daddy 101 and they both head towards the back room.

PIMP DADDY 101

YO FABIAN! HOW NICE TO SEE YOU DAWG! HOW YOU DOING?

FABIAN

You know we have a problem, that detective’s son is getting in our way. How will we continue this operation if we get caught?

PIMP DADDY 101

YO BRO! DON’T WORRY ABOUT IT! I’M TAKING CARE OF IT!

FABIAN

It looks more like you’re partying all night long. I need you to… remove him.

Pimp Daddy 101 and Fabian exchange dark looks.

Scene 2

EXT. – BASEMENT – MORNING

Norma is wandering around the entrance of Pimp Daddy 101’s basement. The area smells of puke and dirty whores. The door of the basement opens and Fabian walks out.

NORMA

Fabian!

FABIAN

Yes, what do you want.

NORMA

Is this how you speak to your mother! You treat me with respect!

FABIAN

I don’t have time for this, and I certainly don’t have time for you! Now leave me alone, I have things to do!

NORMA

This is important! They’re on to you!

FABIAN

What? What are you talking about? You crazy old hag.

NORMA

Detective Reynolds knows that you’re related to the murder of Sara Larsen!

FABIAN

WHAT! I’ve really got to go!

NORMA

Please let me help you!

FABIAN

No! this doesn’t concern you!

NORMA

Please Fabian! Let  me make this up to you! I can help you! I’ll explain everything.

FABIAN

Fine, but don’t get in the way! I have a car, let’s go.

Fabian runs into his black SUV with Norma and drives away. Norma smiles in glee as she finally gets to spend some time with her son. The black SUV drives away.

EPISODE 8 – ACT 2

Scene 1

INT. – BASEMENT – DAY

Hugh and Debra break into Pimp Daddy 101’s basement with a police team. The police team rushes in searching the club and brings out Pimp Daddy 101 in handcuffs.

PIMP DADDY 101

YO! GUYS! WHAT’S GOING ON! I AIN’T DOING ANYTHING ILLEGAL! I’M TRYING TO SLEEP YO!

HUGH

Pimp Daddy 101, we have a search warrant for the premises and we have an arrest warrant for Fabian. According to our sources, he’s been spotted here in the early hours of the morning. What do you have to say about that?

PIMP DADDY 101

YOU CAN SPEAK TO MY LAWYER ASSHOLE!

DEBRA

Things will go much more smoothly for you if you just cooperate.

PIMP DADDY 101

GET THE HELL OUT OF MY FACE AND TALK TO MY LAWYER BITCH!

HUGH

Fine. He doesn’t want to cooperate, just bring him into lock up. You can contact your lawyer there.

The police team takes Pimp Daddy 101 away in handcuffs. Hugh and Debra ponder their next step.

Scene 2

INT. – POLICE STATION – DAY

Pimp Daddy 101 enters the police station in handcuffs. He’s seated next to a phone. The police attendant walks away to complete the paperwork. Pimp Daddy 101 picks up the phone and dials.

PIMP DADDY 101

Yo! They’re on to you, dawg! They just busted up my club and arrested me! I can’t go through with the plan. It’s up to you now! I’m in lock up for obstruction, yo!

Pimp Daddy 101 hangs up the phone as the police attendant returns.

EPISODE 8 – ACT 3

Scene 1

INT. – BLACK SUV – DAY

Fabian gets off the phone in shock. He pulls over the side of the road. Norma is concerned as her son starts to panic.

NORMA

Fabian… what’s wrong? Who was on the phone?

FABIAN

I don’t have time to explain anything to you!

NORMA

Please Fabian, I can help you. Just tell me what’s wrong.

FABIAN

It was my contact, they’re on to me, it’s over.

NORMA

Don’t say that! You can still get off scotch free.

FABIAN

No! I can’t! He was supposed to kidnap the two Reynold girls to distract the police from the murder! BUT HE CAN’T! HE’S IN JAIL!

NORMA

We can still do this! You go get those two bitches, and I’ll call Helga! I can help you! It’s just a minor set back.

FABIAN

Fine! Let’s do it!

Norma dials the phone to get to Helga.

NORMA (on the phone with Helga)

Helga! We have a problem! Fabian needs our help! I need to come meet with me right away! The police are getting closer to linking him to the crime, and he’s off to kidnap to the two Reynold girls. I need you to bring my gun. Do whatever it takes, I need you here in less than an hour!

Norma gets off the phone, as Fabian drives off in his black SUV.

Scene 2

INT. – HUMPHRIES HOUSEHOLD – DAY

Helga is in the office with the phone on speakerphone. Cheryl is standing near the door listening in. Helga hangs up.

HELGA (to herself)

How will I get to the bedroom without waking up Cheryl, Agnes, and Betty.

Cheryl barges in with a smile on her face.

CHERYL

Looks like the cats out of the bag! You’ve been caught red handed bitch! I’m going to call the police right away.

HELGA

No you’re not! You stupid little bitch.

Helga lunges at Cheryl, knocking her to the ground. Cheryl bumps her head, knocking her unconscious. Agnes and Betty come storming in, with a look of shock.

AGNES

Helga… what’s going on here?

HELGA

Nothing Agnes, I just need you and Betty to be quiet and do what I say.

EPISODE 7 – ACT 1

Scene 1

INT. – REYNOLDS HOUSEHOLD – EVENING

HUGH, PATRICIA, MILES, AMY, and KAYLEE are having dinner.

HUGH

I’m really happy to have my girls here, it’s been a while since we’ve had dinner together.

MILES

That’s for sure, we’ve been so busy at the police station.

HUGH

We’re very close to getting a legitimate lead for the Larsen death.

PATRICIA

That’s good, I think the residents really want this to be resolved. It’s been the main source of gossip throughout town.

KAYLEE

I’m done eating! Got to go!

  AMY

Me too!

KAYLEE and AMY rush out of the dining room. PATRICIA rolls her eyes. FADE OUT.

Scene 2

INT. – HUMPHRIES HOUSEHOLD – MORNING

NORMA and HELGA are having breakfast at home.

NORMA

Is that ugly bitch gone?

HELGA

Cheryl? Yes, she went out with the others this morning, probably to go spread rumours about you.

NORMA

I don’t care about that stupid bitch, I’m just glad that we can talk in private here.

HELGA

Definitely, she’s been a pain in the back since I joined this family.

NORMA

I wanted to know, where is Fabian now? What is he doing? When can I see him?

HELGA

He’s in Crystal Woods right now, he’s on a dark path. He’s associated with Pimp Daddy 101. I don’t really get to see him during the day, but he’s definitely more active at night.

NORMA

I can’t wait to reunite with him.

NORMA has an evil smile. FADE OUT.

EPISODE 7 – ACT 2

Scene 1

INT. – POLICE DEPARTMENT – AFTERNOON

DEBRA is working on the case, HUGH and MILES come walking in.

HUGH

Debra, have you found anything?

DEBRA

Yes I think so. There seems to be a connection. Sara’s murder has key resemblances to the other crimes in Crystal Woods. It’s not much to go on, but I think I’m on to something.

MILES

That could be very helpful!

DEBRA

After looking at the autopsy report, there are many drugs used on Sara before her death. We’ve only been focusing on the poison that killed her from the Norwegian flower.

MILES

But what do they have to do with her murder, they’re all recreational drugs.

DEBRA

Yes, but they are all dealt here in Crystal Woods. This murder is related to the crime organization in Crystal Woods, that go beyond Pimp Daddy 101’s sleazy club.

HUGH

I’ll make some calls to try to get some more questions answered. Maybe we’ll be able to find him soon.

HUGH goes into his office and starts making calls. FADE OUT.

Scene 2

INT. – POLICE DEPARTMENT – AFTERNOON

NORMA comes into the Police Department, looking for HUGH.

NORMA

Hi, I’m looking for Detective Reynolds.

MILES

Ok, let me get him for you. Who should I say is asking for his presence?

NORMA

My name is Norma, Norma Larsen.

MILES knocks on HUGH’s office door.

MILES

Dad, a woman named Norma Larsen is here to see you.

HUGH

Not her again, she’s the victim’s sister, I’ll go speak to her. Can you do me a favour? (Hands him a faxed sheet) Can you give this to Debra, we have a lead.

MILES

No problem.

MILES goes towards DEBRA’s desk, while HUGH goes to meet with NORMA.

MILES

Officer Debra, are you leaving?

DEBRA

No, I’m just going for a coffee.

MILES

I have something for you, it’s from my dad.

DEBRA

Okay, leave it on my desk, I’m just running out for a coffee. Would you like one?

MILES

Yes I would, let me join you actually.

MILES and DEBRA leave the Police Station to go get some coffee. HUGH waves goodbye to MILES and DEBRA.

HUGH

Ms. Larsen, how can I help you today?

NORMA

Oh! Detective Reynolds, thank you so much for meeting with me on such short notice. I wanted to know how the investigation is coming along?

HUGH

It’s moving along well, we actually have a legitimate lead.

NORMA

Oh. That’s fantastic. When do you think the body will be released? (Pretends to cry hysterically) My parents are still distraught over the incident.

HUGH

Ms. Larsen, would you like to come into my office, for some more privacy.

NORMA

Yes please.

HUGH and NORMA walk towards his office, when the phone rings.

HUGH

Can you actually wait a minute, I have to take this call.

NORMA nods in agreement. She goes to Officer Debra’s desk and sees the fax. A photo of a man is visible, his date of birth and first name. NORMA is shocked, knowing that it’s her son. FADE OUT.

EPISODE 7 – ACT 3

Scene 1

INT. – HUMPHRIES HOUSEHOLD – AFTERNOON

HELGA is at home, drinking her afternoon tea, when NORMA calls her on the phone.

HELGA

Hello? … What’s do mean they know it’s him? How is that possible? … You have the wanted poster in front of you? … I’m sorry… I have been keeping an eye on him… I don’t know how this happened… Norma, I’m sorry, let me try to fix this… I know they’re getting closer to connecting us to the murder… What do you want me to do Norma… Ok, I’ll get it done… I’ll meet you in at the checkpoint in 1 hour. Okay, bye.

HELGA hangs up the phone.

Scene 2

INT. – CRYSTAL WOODS DINER – AFTERNOON

CHERYL, BETTY, and AGNES enter the Diner and see JOHN eating an BLT. They grab a seat at this table.

CHERYL

Hi John, do you mind if we grab a seat?

JOHN

Not at all ladies, please join me. What would you like to order?

BETTY

I wouldn’t mind one of those BLTs, how about you Agnes?

AGNES

I’m not that hungry, but an iced tea will be fantastic. Cheryl, do you want anything?

CHERYL

No, I don’t want anything Agnes! We’re not here to eat! (To John) We have something to talk to you about.

JOHN

What is it Cheryl? I hope it’s not about Helga and Norma.

CHERYL

Those two little whores are hiding something! I know it! They’re being sneaky and always running off.

JOHN

Cheryl, please. Just let this go. They’re allowed to do things on their own. We’re not attached to the hips. Let them do their own thing, and you can do your own thing.

CHERYL

But John! They’re hiding something!!!

JOHN

Cheryl! That’s enough! You’re making a scene. We’re leaving right now, we’ll finish this conversation in our home.

ACT 1

Scene 1

INT. – DARK ROOM – UNKNOWN

In the room, there is a mysterious figure sitting at a desk, a man lets PIMP DADDY 101 enter the room.

BODYGUARD: Sir, there’s someone here to see you.

PIMP DADDY 101: THEY’RE ON TO YOU!

Camera focuses on the man’s fist, which clenches in anger. FADE OUT.

Scene 2

INT. – CRYSTAL WOODS DINER – MORNING

JOHN is sitting at a table anxiously waiting. NORMA walks into the diner and sits with JOHN.

NORMA: Good morning John.

JOHN: Good morning Norma, thank you so much for meeting me today. Are you hungry?

NORMA: Definitely.

JOHN flags the waitress.

JOHN: We’re ready to order. Can I have two supersized breakfast meals, please.

WAITRESS: Ok, it’ll be right up.

The waitress walks away.

JOHN: How have you been adapting in Crystal Woods?

NORMA: I’ve been doing well. I’m still looking for my own place, it looks like my sister’s murder will take longer to solve.

JOHN: Well if you ever need a place, I’ll be able to help you out.

NORMA: That’s very sweet of you John. So tell me about your life?

JOHN: (Pauses) It’s a long story (laughs).

The camera zooms out, as JOHN and NORMA chat. FADE OUT.

ACT 2

Scene 1

INT. – NORMA’S ROOM AT THE INN – DAY

NORMA is sitting in her room with a cup of tea. There’s a knock at the door, NORMA opens the door, HELGA is at the threshold.

HELGA: I’m here.

NORMA: Come in.

HELGA: It’s really nice to see you so often, I’ve missed our time together.

NORMA: I know exactly what you mean...

Camera zooms to NORMA’s eye, FADE TO FLASHBACK.

EXT. – MOUNT CRYSTAL WOODS – DAY

YOUNG NORMA and YOUNG HELGA are hiking along Mount Crystal Woods.

HELGA: This is a long trek. But it’s worth it, just to get away from Norway for a few months.

NORMA: I know exactly what you mean, it’s great to feel so free and to get some fresh air. (Exhausted) Can we take a break?

HELGA: Ya sure, are you still feeling sick from this morning?

NORMA: A little bit. But I also just want to appreciate this view.

HELGA: What do you think your sisters are doing back at home? Probably jealous?

NORMA: I don’t even want to think about them, especially Sara. I hope they’re jealous. We’re out here living life, and they’re stuck in little old Norway.

HELGA: It really sucks that this trip will end soon… So tell me what happened with the guy from the bar!

NORMA: It was nothing, just a good time hahahaha.

HELGA: (Giggling) Did anything happen?

NORMA: I don’t kiss and tell… but yes.

Both ladies burst out laughing.

BACK TO PRESENT DAY.

NORMA: We sure have been through a lot together.

HELGA: Yes we have, huge milestones.

Scene 2

BACK TO FLASHBACK.

INT. – RESTAURANT – DAY

YOUNG NORMA is crying with YOUNG HELGA holding her hand.

HELGA: Norma! What’s wrong! This is our year off backpacking in America, you should be happy. Are you hurt?

NORMA: No I’m not hurt. But I’m pregnant!

HELGA: What! How is this possible! What are we going to do, we can’t continue on our trip if you’re pregnant.

NORMA: I know, this is horrible. What am I going to tell my parents back in Norway. This is a mess.

HELGA: What are you going to do?

NORMA: I can’t have this baby, but I can’t have an abortion.

HELGA: Luckily we’re still early in our trip, we can pretend his baby never existed.

NORMA: I’m going to have this baby, but I’m not going to keep it. I need someone I trust to look after it. Helga, I want it to be you.

YOUNG NORMA and YOUNG HELGA are in eye contact. CUT TO BLACK.

ACT 3

Scene 1

INT. – HUMPHRIES HOUSEHOLD – EVENING

The women are preparing dinner when JOHN walks in.

JOHN: Good evening ladies. I have an announcement to make.

AGNES: Oooh! An announcement!

JOHN: I’ve invited someone to join us for dinner.

CHERYL: Really? Who?

JOHN: Just a friend. I hope you’ll all be nice to her.

The doorbell rings. JOHN goes to answer it. NORMA is standing at the doorway with a bottle of wine.

JOHN: Norma! Come on in. Dinner is almost ready. I want you to meet my… umm… roommates.

NORMA: Thank you. I brought a bottle of wine.

JOHN and NORMA walk through the house to the dining room. CHERYL, AGNES, and BETTY are standoffish, while HELGA has a smile on her face.

JOHN: Everybody, this is Norma! (Pointing to the others) That’s Cheryl, Agnes, Betty, and Helga.

NORMA: Hi everybody.

HELGA: Well dinner’s ready! Shall we go eat.

JOHN: Certainly!

Everybody moves to the dining room and starts eating dinner.

JOHN: Are you enjoying the meal, Norma?

NORMA: Yes, very much so. It’s delicious

CHERYL: (Annoyingly) I made it! I’m glad that you like it.

JOHN: (Ignoring Cheryl and turning to Norma) There’s something I would like to ask you.

NORMA: Yes John, what is it.

JOHN: I would like you to move in. I love spending time with you, and I think you’d be a great addition to the family.

CHERYL: What!

NORMA: Oh my goodness! John… I would love to!

HELGA: Fantastic! Welcome to the family!

Camera zooms to CHERYL. She’s furious and green with jealousy. FADE OUT.

Scene 2

INT. – HUMPRHIES HOUSE – EVENING

JOHN, CHERYL, AGNES, and BETTY are arguing in the kitchen. NORMA and HELGA are talking in the living room.

NORMA: Have you been keeping an eye on him?

HELGA: Yes I have, he’s doing well.

NORMA: I’m very happy that you agreed to stay in Crystal Woods to keep an eye on him, while I got back to normal life in Norway.

HELGA: It was an honour to serve you. Fabian has grown up so fast, I remember when he was just born.

NORMA: I’m glad that you were able to keep an eye on him, everything has been going according to the plan.

CHERYL charges in the room.

CHERYL: You little bitch! What do you think you’re doing trying to bud in this family. You’re nothing but a worthless WHORE! First Helga and now you! I’ve had enough of this! There’s no room for another wife in this family.

NORMA: I don’t know what your problem is. You’re probably just jealous, with your dry brown mousy hair and your small tits. This is John’s decision, NOT YOURS! Leave Helga out of this, if you have a problem, you can take it up with me.

ACT 1

Scene 1

INT. – REYNOLDS’ HOUSEHOLD – EVENING

MILES arrives home, while the family is having dinner. He sits down at the table and eats with his family.

MILES: Delicious meal, mom.

PATRICIA: Thank you Miles.

MILES: Dad, I found something while reviewing the evidence on the Larsen murder today.

HUGH: Really, that’s fantastic. Hopefully this will give us new avenues to explore so we can solve this murder.

MILES: I really hope that we can solve this murder. I don’t know how this clue was overlooked. It was a type of powder on a piece of torn cloth.

HUGH: Did you have the evidence logged?

MILES: Yes, Debra helped me log in the evidence, so we can review it tomorrow morning.

Camera zooms to HUGH’s face as he ponders this new piece of information. FADE OUT.

Scene 2

INT. – HUMPHRIES’ HOUSEHOLD – EVENING

JOHN is having dinner with CHERYL, AGNES, BETTY, and HELGA. He is very distracted, while CHERYL notices his behaviour in silence.

CHERYL: John, is something the matter?

JOHN: I’m fine Cheryl, thank you.

CHERYL: Are you sure, it just looks like something is on your mind. Is it the food?

AGNES: We can cook something else for you if you want.

JOHN: No, I told you that I’m fine. The food is fine and I am fine.

There’s an awkward pause, everyone eats in silence.

JOHN: How would you ladies feel if we added another woman to our family?

The women all look very shocked. BETTY drops her fork on her plate. AGNES and HELGA look at each other confusingly.

CHERYL: WHAT!

JOHN: It was just hypothetical. Just… nevermind.

Camera zooms to CHERYL looking worried and angry at the same time. FADE TO BLACK.

  ACT 2

Scene 1

INT. – CRYSTAL WOODS DINER – DAY

JOHN enters the diner to see NORMA sitting at the counter, having a coffee.

JOHN: (To Norma) Can I join you?

NORMA: Of course, the seat is free. Oh! It’s you! It’s John, right?

JOHN: Yes it’s John. It’s very nice bumping into you here at the diner. I don’t know about you, but I’ve been thinking about you a lot since our bump in.

NORMA: It’s funny that you say that, I’ve been feeling the same way.

JOHN: Would you like to have lunch with me?

NORMA: I would love to.

JOHN and NORMA have order from the head waitress at the diner and enjoy a fun and flirty lunch. FADE TO BLACK.

Scene 2

INT. – CRYSTAL WOODS INN – AFTERNOON

NORMA is sitting quietly in the lobby. HELGA walks in and sits beside NORMA.

NORMA: I need to know everything about the Sara Larsen murder.

HELGA: There’s not much that I know. Apparently word around town is that the police department has found a new lead. They found something when reviewing the evidence.

NORMA: How reliable is the information?

HELGA: Well I heard it from Agnes, and she does some filing at the Police Department once a week. So I think it’s pretty reliable.

NORMA: I’ll contact you again if I need anything else. You can go now.

HELGA leaves the lobby of the inn. Camera zooms to NORMA, as she thinks about the new information she was received.

ACT 3

Scene 1

INT. – CRYSTAL WOODS HOSPITAL – DAY

HUGH, DEBRA, and MILES walk into Crystal Woods Hospital to seek help from a medical professional.

HUGH: (Carrying an evidence briefcase) Do you know what floor we’re meeting Dr. Hall.

DEBRA: When I called earlier, they told me that she would be on the 8th floor.

HUGH, DEBRA, and MILES enter the elevators and arrive at the 8th floor. DR. HALL is sitting quietly working.

HUGH: Dr. Hall? I’m Detective Hugh Reynolds of the Crystal Woods Police Department. This is my team, Officer Debra and Officer Miles.

DR. HALL: It’s nice to meet you, how can I help you today?

MILES: We’re currently working on a murder case, and there’s a piece of evidence we could use your expertise with.

DR. HALL: Of course, can I take a look?

HUGH: (Opens the briefcase and gives her the cloth)When reviewing the evidence, this powder was discovered, the forensic team was unable to identify it, but they said it was a type of pollen. And that’s your field of expertise.

DR. HALL: (Looking at a sample of the pollen under a microscope) Hmmm… This is a very rare specimen of flora. It originates from a Nordic Rose, usually this pollen is used for drug purposes but in high doses this can be poisonous.

DEBRA: That’s very helpful, this information will help us move forward with the case.

HUGH: Thank you for your help Dr. Hall. If we need anything else, we’ll contact you.

DR. HALL: No problem, Detective Reynolds.

HUGH, DEBRA, and MILES leave the office and wait at the elevator doors.

HUGH: I think that we should give Pimp Daddy 101 a visit, this evidence is piling up against him.

DEBRA: I completely agree.

The elevator doors open, HUGH, DEBRA, and MILES enter the elevator, and the doors close. FADE OUT.

Scene 2

EXT. – THE CLUB – AFTERNOON

HUGH, DEBRA, and MILES come to the club before opening to speak to PIMP DADDY 101. MILES knocks at the door. SPARKLES answers the door.

SPARKLES: Ya, can I help you.

MILES: We’re here to see Pimp Daddy 101.

SPARKLES: Ya, he’s not here.

HUGH: We’re with the Crystal Woods Police Department. And we have a warrant. (Debra forces her way into the club)

SPARKLES: HEY BITCH! YOU CAN’T DO THAT!

DEBRA: ONE MORE WORD FROM YOU AND I’LL PUT YOU UNDER ARREST!

PIMP DADDY 101 walks into the room to see what all the screaming is about.

PIMP DADDY 101: WHAT THE HELL IS GOING ON HERE! DON’T TOUCH MY BITCH! AND GET OUT! THE CLUB IS CLOSED!

HUGH: Dwight Reid, I’m Detective Reynolds and I have a few questions for you.

PIMP DADDY 101: WHAT! I GO BY PIMP DADDY 101 NOW. IF I ANSWER YOUR DAMN QUESTIONS, WILL YOU LEAVE MY BITCH ALONE AND GET THE HELL OUT!

HUGH: Yes I will. Do you know anything about the Nordic Rose?

PIMP DADDY 101: WHAT! I DON’T KNOW CRAP ABOUT FLOWERS!

HUGH: Are you sure?

PIMP DADDY 101: I ALREADY SAID THAT I DON’T KNOW ANYTHING ABOUT THEM FLOWERS!

HUGH: Okay, that’s fine, thank you for your time.

PIMP DADDY 101: GOOD! NOW CAN YOU LEAVE!

HUGH: Gladly, if I have any questions I’ll be back. Don’t think about leaving the country.

ACT 1

Scene 1 EXT. - INSIDE THE CAR - DAY HELGA  and NORMA are sitting in the car discussing the current situation. HELGA: So how have you been? Why the urgent visit? NORMA: I’ve been doing well. My sister was the murder victim in Crystal Woods. I’m here to overlook things. HELGA: Ah... I see. What’s the plan right now. NORMA: I need to get in touch with Detective Reynolds. HELGA: I’ll drop you off here, and call you another taxi, so no one knows that we know each other. NORMA gets out of the car while HELGA calls a taxi. HELGA: See you in Crystal Woods. Helga drives away. FADE OUT. Scene 2 INT. - CRYSTAL WOODS POLICE DEPARTMENT - DAY DEBRA is showing MILES around the Police Department. DEBRA: This is the evidence room, whenever you need to review something, you need to sign it in and out. MILES: Got it. They walk towards an empty desk. DEBRA: (To Miles) And this is where you will be sitting. The first thing we need to do is review all of Sara’s personal belongings to see if there are any clues. MILES: I’ll get straight to it. HUGH walks in. HUGH: I still haven’t been able to get in touch with Sara’s sister. I really hope that she’s not on her way here. There really isn’t anything that she can do here. NORMA walks in. FADE OUT.  

ACT 2

Scene 1 INT. - CRYSTAL WOODS POLICE DEPARTMENT - DAY HUGH walks towards the front desk to introduce himself to NORMA. HUGH: Hi, I’m detective Reynolds. How can I help you today. NORMA: Detective Reynolds, I’m Norma Larsen. You called me a few days ago, I’m Sara Larsen’s sister. HUGH: My condolences go to you and your family. I wish you hadn’t come, there’s nothing much that you can do right now. NORMA: (Tearing up) I know, I just needed to see her body. Could you take me to her? HUGH: Unfortunately I cannot, the body is currently evidence in an ongoing investigation. NORMA: I understand, I would like you stay in Crystal Woods until the I can take Sara back to Norway for her funeral. HUGH: So there’s not much I can do for you today, but if you provide me with your contact information while you’re here in Crystal Woods, I’ll be able to give you a call if I have any new information. NORMA: Thank you very much detective Reynolds. I’ll bring that to you as soon as I get settled. NORMA leaves the police station and accidently bumps into JOHN. Her suitcase falls down the stairs and bursts open with her belongings scattered everywhere. JOHN: I’m so sorry... (He stares deep into her eyes) NORMA smiles softly. FADE OUT. Scene 2 INT. - CRYSTAL WOODS DINER - DAY CHERYL and BETTY  are seated at the counter drinking tea. BETTY: I haven’t seen Helga all morning, do you know where she went? CHERYL: I have no idea, it was really odd of her to just leave like that. BETTY: I know what you mean, John seemed pretty angry at her too. CHERYL: All I know is that she better not ruin things for us here. I like our lives here, and we can’t afford to move again.  CHERYL AND BETTY look out the window anxiously. FADE OUT.

ACT 3

ACT 1

Scene 1 INT. - REYNOLDS HOUSEHOLD - NIGHT A woman is cooking in the kitchen, as Hugh removes his coat and takes a seat. PATRICIA: Hugh, is everything okay? I saw the news... HUGH: Ya, just a tough day. I hate having to give bad news. I had to call the victim’s family, before I could even say anything else, she hung up and is headed to Crystal Woods. PATRICIA: Their poor family... HUGH: How are the kids doing? PATRICIA: Kaylee and Amy are upstairs, and Miles isn’t home yet. He’s still at the police academy. (Puts dinner on the table) HUGH: This is delicious, it’s great to come home to a freshly cooked meal. PATRICIA: Thanks Hugh, John always delivers the freshest produce in Crystal Woods. Scene 2 INT. - HUMPHRIES HOUSEHOLD - NIGHT John walks in as the women finish setting up the table. JOHN: Hello? I’m home! CHERYL: We’re in the kitchen, John! Come join us, dinner’s almost ready.  JOHN: Great, it smells delicious! John enters the kitchen. JOHN: Fantastic, I love tukey. Let’s eat. How was everyone’s day today? BETTY: Haven’t you heard! There was a murder in Crystal Woods last night. It was all over the news. JOHN: I had no idea! I was too busy completing my deliveries. Do we know who the victim was? HELGA: They didn’t mention, it must be because of the investigation. AGNES: I feel really bad for the family.

ACT 2

Scene 1 INT. - BASEMENT - NIGHT Pimp Daddy 101 rushes into the basement to go speak to Sparkles. PIMP DADDY 101: YO SPARKZ! SARA’S DEAD! I COULDN’T GET TO HER PLACE, YELLOW TAPE EVERYWHERE! DAMN POLICE! SPARKLES: Oh... how sad. How are we going to get the money, she had a pretty rich customer that night. PIMP DADDY 101: THAT BITCH JUST DIED YO! WHO CARES ABOUT THE DOUGH, WE’RE DOWN ONE BITCH. SPARKLES: Don’t worry, I can take on more customers. We’ll be fine. Sparkles smiles gleefully. FADE OUT. Scene 2 INT. - HUMPHRIES HOUSEHOLD - MORNING All four women are in bed with John. The sunrises and cellphone vibrates on the night stand. Helga picks it up. HELGA: (Reading to herself) I’m on my way, get ready... John wakes up. JOHN: Helga, what is it? Is something wrong? DID THEY FIND US! HELGA: Everything’s fine John, it’s just a wrong number, go back to sleep. JOHN: HELGA! DON’T LIE TO ME, I CAN SEE THAT SOMETHING’S WRONG! Cheryl, Betty, and Agnes wake up. AGNES: What’s the matter? JOHN: Helga’s got a text, I just want to know what it is. Did the government find us! HELGA: I said no, it was a wrong number. CHERYL: I don’t want to move again, just moving to Minnesota was such a hassle. John, Cheryl, Betty, and Agnes suspiciously look at Helga. FADE OUT.

ACT 3

ACT 1

Scene 1 EXT. - INSIDE THE CRUISER - DAY Hugh and Debra are in the car, heading towards the Coroner’s office.  DEBRA: Did they mention why we had to be there so urgently? HUGH: They just said it was urgent, so we need to get there right away. I’ll put on the siren. (Siren starts to sound) Hugh and Debra exit the car and rush into the building. FADE OUT. Scene 2 INT. - CRYSTAL WOODS HOSPITAL - DAY Doctor Vimal Singh directs them towards the Coroner’s Office. Hugh and Debra head to the Coroner’s Office and enter.  INT. - CORONER’S OFFICE - DAY Sara Larsen’s name is clearly visible on one of the drawers. The doctor is reviewing files, and looks up as Hugh and Debra enter.  DOCTOR: Detective Reynolds? Thank you for arriving so quickly, there’s been a development. The autopsy revealed that she was poisoned.  DEBRA: Do we know what kind of poison? DOCTOR: Unfortunately, we are unable to identify the poison. It hasn’t been recorded in any of our databases. But what we do know is that her death was not an accident, it was done intentionally.  HUGH: When you’re able to identify the poison, give us a call. For now, I need to inform Sara’s family of her death.  Hugh and Debra leave the Coroner’s Office. 

ACT 2

Scene 1 INT. - HUMPHRIES HOUSEHOLD - DAY Helga and Betty are watching the news as they are informed of a suspicious death in Crystal Woods. Agnes and Cheryl walk in with bags of groceries.  AGNES: What are you watching? Could you help with the groceries. BETTY: There’s been a suspicious death in Crystal Woods! AGNES: Lord have mercy! Do we know who’s the victim? HELGA: Not yet. (Helps carry the groceries to the kitchen) CHERYL: Ladies! Let’s get started with dinner. We’re making turkey, it’s John’s favorite. BETTY: There’s been a murder in Crystal Woods, Cheryl.  Zoom to Cheryl’s surprised face. FADE OUT.  Scene 2 INT. - UNKNOWN OFFICE - DAY 2 men walk into an office. The office is occupied by an unknown character, the back of his chair is turned to the camera.  MAN 1: They found her body.  MAN 2: The police have no leads.  The chair turns around, we see the bottom half of his face, he smiles. FADE OUT. 

ACT 3

ACT 1

Scene 1 It’s a cold night in Crystal Woods. The camera pans through the streets, getting a glimpse of the alleyways, the Crystal Woods diner, the Crystal Woods Police Department, various corporate buildings, and an apartment complex. The camera zooms up to the moon and then through an apartment window. Inside the apartment is the corpse of Sara Larsen, she’s wearing nothing but a silk bathrobe. The phone rings numerous times.    The ringing dissipates, and the sounds of camera flashes are being heard. It’s daylight and the apartment is filled with a forensic team taking photos of the scene. Hugh Reynolds and his partner Officer Debra are leading the investigation. HUGH: Phone ringing non-stop for 6 hours, complaining neighbours, and what do we find… a murder. (Speaking to the forensics team) Did you guys find anything? DEBRA: Nothing out of the ordinary, there’s no signs of a struggle, but we’ll have to wait until we get the autopsy report.. HUGH: Sara Larsen… 26 years old… Let’s go through her phone, maybe we can find a lead. Hugh goes through Sara’s voicemail and call history. HUGH: We might as well start with her work. Let’s go speak to Mr. Matthews of the Crystal Woods Weather Company. Scene 2 Camera focuses on the doors of the corporate building. Hugh and Debra go through the doors. The room is hectic and everyone is very busy. The secretary is managing phone calls and attempting to debrief an older gentleman. JEANETTE: (On the phone) Crystal Woods Weather Company, please hold…. Crystal Woods Weather Company please hold… Ms. Larsen no longer works for us… Crystal Woods Weather Company please hold… MR. MATTHEWS: JEANETTE! I NEED YOU PLEASE... (whisper) you fat bitch. JEANETTE: Yes, Mr. Matthews, if you’re wondering about your 9 a.m. meeting, that has been cancelled. And the new financial analyst will be in tonight at 10 a.m. MR. MATTHEWS: ATTAGIRL!  (Slaps Jeanette’s ass, while Jeanette rolls her eyes) Camera zooms to Hugh and Debra. HUGH: Hi, I’m Detective Reynolds and this is my partner Officer Debra’s last name. We’re with the Crystal Woods Police Department and we were wondering if we could ask you a few questions about Sara Larsen. JEANETTE: Sara? She no longer works here, detective. But I will gladly give you her number. DEBRA: Ms. Larsen is dead. JEANETTE: Oh my goodness! MR. MATTHEWS! SARA IS DEAD! The room goes silent. Everyone stares at Hugh and Debra. HUGH: Can we speak to Ms. Larsen’s former employer. Hugh and Debra follow Jeanette to Mr. Matthew’s office. 

ACT 2

Scene 1 INT. - BASEMENT - MORNING Pimp Daddy 101 and his mate Sparkles are taking shots. The basement is very dirty and dark, there’s a dirty mattress in the middle and bottles of alcohol lying around.  PIMP DADDY 101: YO MA BITCH! WHEREZ THAT MONEY AT? YOUZ BEEN A GOOD HOE LAST NIGHT? SPARKLES: Last night was a great night! We made lots of a dough. One of your bitches didn’t come home though. Sara’s not back  yet, so we don’t have a total yet. It’s already 10 a.m. so that bitch better come back soon.  PIMP DADDY 101: DON’T WORRY SPARKZ, IMMA GO OVER TO HER PLACE AND GET OUR DOUGH. IMMA KILL HER IF SHE RAN OFF, THAT DUMBASS FOREIGN SKANK! Pimp Daddy 101 leaves the room.  SPARKLES: (To herself) I hope that Sara ran off, that Norwegian slut, she’s been stealing all my regulars for over a week now. What I wouldn’t give to knock that bitch the face with my fist, and ship her back to Ikea. Dumb. Bitch.  Scenes 2 EXT. - CRYSTAL WOODS DINNER - MORNING Pimp Daddy 101 is seen walking outside past the Crystal Woods diner. The camera zooms to the entrance of the diner, where a man walks in.  INT. - CRYSTAL WOODS DINNER - MORNING The man walks to a table where 4 women are already sitting.  JOHN: Good morning ladies. How’s was your morning? CHERYL: Good morning John. It’s been a good morning. Agnes and I are about to go get the groceries. We’ll be back home around 2 p.m.  Cheryl and Agnes leave the table and exit the diner. The waitress takes John’s order. HELGA: How was your morning? Did you complete all your deliveries all ready? JOHN: Oh no, not yet. I’m just grabbing a bite to eat before I finish up the rest. What do you and Betty have planned today? BETTY: Nothing really, we might just head home after this. We just thought it would be nice to have brunch at the diner today.  Waitress arrives and brings John’s order in a take out bag.  JOHN: Well I’m heading off. I need to finish my deliveries. I’ll see you at home tonight, then.  Helga and Betty nod in agreement, John leaves the diner. 

ACT 3