Construct A + A by Barbara Kasten, 1984.
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Construct A + A by Barbara Kasten, 1984.

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Ir-Razzett ta’ Sandrina by Richard England, in Mgarr, Malta, 1988-1993.
Si Dios está en cada uno de ustedes, están asesinando a Dios todos los dĂas “If God is inside each one of you, you are killing God every single day”Â
René Magritte’s painting Les Amants (1928) featured in Eliseo Subiela’s film Hombre mirando al sudeste (1986)
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Rapture Series by Shirin Neshat, 1999. Â
Rapture consists of two projections shown on opposing gallery walls. One projection shows a group of men dressed alike in Western-style white shirts and black pants. The other shows a group of women wearing traditional Iranian dress, including the chador,which covers their heads and most of their bodies, and in some cases, the niquab, a face covering. Despite these garments, the viewer is able to decipher individual features and expressions.  The installation, which is 13 minutes long and shown in continuous loops, shows elegiac and meditative scenes of the two groups. As the women traverse landscapes of sand and stone, the men navigate the stone architecture of an ancient city. As the women cry out—whether in celebration or anger, it’s unclear—the men unroll Persian prayer rugs and quarrel. In the final scene, the women gather on a beach, where they maneuver a small boat into the crashing waves. As their bare feet break the sand surface, the hems of their chadors become wet with salt water. Ultimately, six women remain in the boat as it drifts out to the sea.  Although art historians reference Neshat’s upbringing in Iran and her experiences in the United States as a way to shed light on her body of work, Neshat herself is neither dogmatic nor clear about her intentions. “From the beginning,” she said in a 1999 interview with art critic Arthur Danto, “I made a decision that this work was not going to be about me or my opinions on the subject, and that my position was going to be no position. I then put myself in a place of only asking questions but never answering them.” [x]
Casa de Vidro (Glass House) by Lina Bo Bardi, Brazil, SĂŁo Paulo, 1951. Â Â

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Orphée mort (Dead Orpheus) by Jean Delville, 1893.
La Mort d'Abel (The Death of Abel) by Camille-Félix Bellanger, 1874-1875. musée d’Orsay
Tree Mountain — A Living Time Capsule — 11,000 Trees, 11,000 People, 400 Years by Agnes Denes, located in Ylöjärvi, Finland, 1992-96.
[...] Ms. Denes is no stranger to projects that, on paper, would appear unrealizable. In the mid-1990s, she built a mountain in Finland,  Tree Mountain — A Living Time Capsule creating a virgin forest sponsored by the United Nations Environment Program and the Finnish Ministry of the Environment that will be protected for 400 years. (“Other people move mountains, I build them,” she quipped, taking a shot at artist Francis Alÿs’s famous 2002 performance piece When Faith Moves Mountains, in which 500 Peruvian volunteers used shovels to shift a sand dune over a few inches.) [...]
“I do very large projects because there’s no sense doing little things in the corner to teach the world what needs to be done,” [...]She listens intently, training her large dark eyes on you like a hawk deciding whether you’d make a good meal. But she doesn’t mind doing all the talking, especially when it concerns her long list of achievements.
“That doesn’t really interest you,” she said with a coy smile after indulging questions about the dunes. “You want to know other things about me. You want to know why I get comparisons to Lenny.” Lenny? “Leonardo da Vinci.” She gets such comparisons largely because of her passion for science.The 11,000 trees on her Finnish mountain, for instance, were not planted haphazardly. Seen from above, they create a dizzying mathematical pattern that Ms. Denes devised using the golden ratio and the spiraling seeds at the centers of sunflowers. [...]
Infuse OLED lighting installation by KANEKA corporation (architect Chikara Ohno, lighting designer Izumi Okayasu and textile designer Yoko Ando), ph. Takumi Ota at the SuperStudio in Tortona, Milan, 2013.Â
"In this installation, our goal is not to illuminate an object or display a source of light, but to create an environment defined by an intermediate condition of light. The exhibition area is not so much an interior, but an environment like a landform where the soft light provided by many OLED panels infuses the space, forming a large 'light-scape'. Through the use of a detailed light control program, a space with shifting changes is created. The act of moving through a landscape permeated with light provides a new lighting experience that is richer than a purely visual one." [x]
Watching Television by Andy Vible, 2011.

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Vertigo by Léon Spilliaert, 1908.
Vision of Hell: Orpheus by Kim Wilkie in Boughton Park, Northamptonshire for The Duke of Buccleuch, 2007 - 2009.
Water (水面) by Tokuro Sakamoto, 2013.Â
Sense tĂtol (Untitled) by Antonio Arissa.
Spots by Marilyn Minter, 2001.Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Issey Miyake Store, in Kobe by Shiro Kuramata,1988.
Jeanne D’Arc - Astre Cola by Georges de Feure, 1896.