Hail Mary.
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Today's Document

Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON


ellievsbear
The Bowery Presents
noise dept.

Game Changer & Make Some Noise
almost home

PR's Tumblrdome
Cosmic Funnies
ojovivo
RMH

Jar Jar Binks Fan Club
untitled
NASA

Origami Around
todays bird
official daine visual archive

seen from Malaysia

seen from Jordan

seen from Germany
seen from United States
seen from Chile
seen from Guernsey

seen from Iraq
seen from T1
seen from Germany
seen from T1

seen from T1
seen from Kenya

seen from Indonesia
seen from Philippines
seen from Oman
seen from Pakistan
seen from Iraq

seen from Albania
seen from Thailand

seen from Bangladesh
@nocturnal-mind-eater
Hail Mary.
Twitter / Instagram / Gumroad / Patreon
KnownOrigin / SuperRare / OBJKT / Zedge

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california mountain ranges by wilson davis ellis, american c. 1940s-50s.
Bolivia: Laguna Colorada
Solange for Harper’s Bazaar Italia.

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「陽炎座」(1981)
I /really/ love Evangelion’s user interfaces. The problem I have with most modern science fiction UIs is that they’re way too polished for no reason. Stuff like mining rigs, or military vehicles- they all have this over-nice reactive UI that bounces and squiggles whenever characters touch them. Who would program any of this shit? Not only that, but there’s a lot of bullshit shapes that show no meaningful information to the user. This is why I love the computer/set design of Evangelion (and also stuff like Alien). They look and feel beat up. Used. Real. When I look at Evangelion’s UI, I’m reminded of oscilloscopes and other things real engineers use. Sure there’s a lot of noise on the screen, but all of it feels like it could MEAN something to someone in-universe.
christian Dior by John Galliano fall 99
The Pause, Jing Weng, pigment print by Txema Yeste, 𝟤𝟢𝟣𝟩

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Heather Marks photographed by Dusan Reljin. "Flair Italia", February 2004
Mayor Dutie by Brendan Wixted for Imagine Magazine June 2025
Xiuli Jiang by Als Sunxiaoran for Vogue Philippines July 2025
Zaha Hadid Heydar Aliyev Center
ALEKS USTYA

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Richard Anuszkiewicz
Plus Reversed, 1960
Jennifer Matias by Indigo Lewin for Financial Times Magazine January 2025