Mary Oliver, from “August”, Devotions
"I'm Dorothy Gale from Kansas"
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he wasn't even looking at me and he found me
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Origami Around
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2025 on Tumblr: Trends That Defined the Year
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Mary Oliver, from “August”, Devotions

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All Our Bruised Bodies And The Whole Heart Shrinks | La Dispute
Photograph of the main floor of The Limelight NYC, a popular 1990s nightclub that was opened in a Gothic Revival style church that was built in 1844.
oliver baez bendorf “bone dust” // “you up?” rachelle toarmino // “vocabulary” bao phi // svetlana alexievich “secondhand time”(trans. bela shayevich) // har alluri “ancestral memory” // céline sciamma on portrait of a lady on fire // “the glass essay” anne carson
LOVE, DESIRE, HURT, KNIVES, BLOOD.
Richard Siken / 红月 Red Moon (Detail) - Huang Guangjian / x / can’t we just leave the monster alive - TXT / ’Ariel’ by Aneleh, published in the tide rises, the tide falls journal / Yves Olade, from When Rome Falls; Bloodsport, 2017 / Jane Hirshfield, Assay Only Glimpsable for an Instant

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Bessel van der Kolk, The Body Keeps the Score
it felt like they walked and drove on me
Audre Lorde, from “A Litany for Survival”, The Collected Poems of Audre Lorde
love song (1984) dir. sion sono
Postcolonial Love Poem, ‘Wolf OR-7′ by Natalie Diaz
[ID: I confuse instinct for desire - isn’t bite also touch?]

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Perfect Blue (1997)
red post on escher street (sion sono, 2020)
Carol Rifka Brunt, Tell the Wolves I’m Home
0cm4 (2001)
dir. Sion Sono
vivienne westwood fw12

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Spokane Chronicle, Washington, October 31, 1918