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Ciani navigates the clunky music hardware with ease and little-to-no constraint. So much so that it’s entertaining in itself to visibly watch the musician manipulate the synthesised noises, and anticipating whatever wacky noise is about to blurt out of the machine. In her slot on the David Letterman Show in 1980 she probably isn’t the best answerer, giggling at times when the host queries, though who can blame her when she’s preoccupied with the equipment beheld to her that can generate a more compelling response, rather than a simple human response.