Tuesday Night Specials

both acrylic on MDF board

Large-scale abstractions created by pouring paint into a 200 gallon tank of water.

Jennifer McCandless, With the In Girls, c. 2017

Sinner, c. 2025, oil on wood and antique washboard Tempted, c. 2025, oil on wood in handmade hinged frame

stoneware porcelain, glaze, gold luster

In this room, c. 2023, acrylic on canvas

Ceramic with wood frame

Casein, color pencil, and graphite on paper

Michalina Janoszanka, Wiosna (Spring), c. 1920s see more here

 a.p.gath, Slay and The Monitor c. 2025

'Ghostly Wood' plate from the 'Fairyland Lustre' series, 1916-1932 Porcelain, lustre glaze.

fabric, thread, batting, spray paint, acrylic paint

Oil on built wood panel with drawer, human hair

both acrylic on canvas

Melanie Gillman, Other Ever Afters

"In “Masked” I use masks as a form of expressed emotion rather than concealed disguise. I fabricate oversized masks out of clay and ceramics bringing them to life using glass eyes, paint, and human models; I then photograph them in both abstract and commonplace settings. Sculpted stylistically, the masks appear to breathe and live, whether a person is posing behind them or not. With each mask I work to capture the private emotions that are expressed when one is alone. ... In this series I am using masks as a form of revelation. Through the masks I am able to explore one’s true sense of self - not one that is formed by culture, gender, race, age or experience."