Morning fog on the river
Photographer: Mehmet Onelge
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@nanania
Morning fog on the river
Photographer: Mehmet Onelge

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Bottle Brush Trees
Jian Chong Min
110305 210521
Karan Darda - Tejorling Radiance temple, Pune 2018. Photos © the architects.
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Take a hit, Robin F. Williams
The extraordinary «Zgrada Papagajka» (“the Parrot Building”), a pungent, plumage-painted postmodern palace facing the Miljacka river in the heart of Sarajevo. One of those startling discoveries: before I happened across it I had no idea it existed. Designed by architect Mladen Goraždena in 1982 and completed in 1990, the enormous, 7-story, multisectional megablock was destroyed (like the rest of Sarajevo) just a few years after it was completed, but has been completely restored. Starting from a sort of Karl Marx Hof template, Goraždena mixed in a potent portion of Pompidou: not only with the bright colors but with the gigantically gestural multilevel staircases—and, for a socialist housing block, quite a lot of glass. The apartments are arranged around several massive courtyards, private balconies and communal walkways accented with purple metal-grate bannisters. The startling result—not of Social Modernism, but truly Social Postmodernism—is not very harmonious with its historic Hapsburgian surroundings; it seems to attempt to acknowledge its most significant neighbor, the exquisite Ashkenazi Synagogue of 1902, but its use of turrets, but this homage just adds to the PoMo zaniness rather than achieve any accordance with its milieu. But in a city heavy with history, tragedy and memory, this showstopper injects an exuberant shot of surprising, uplifting playfulness into the heart of the mannered riverfront promenade. shout-out to the website PetitFuté.uk.com for the background info. Zgada Papagajka, Mladen Goraždena, architect, 1982-90. Photos July 2019 Bauzeitgeist.
Baku, the eastern bazaar. 1983

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The Underwater screen saver, from Windows 98
This was the last time the world knew peace
Henry Moret Le faucheur circa 1907-1908
“Things don’t have purposes, as if the universe were a machine, where every part has a useful function. What’s the function of a galaxy? I don’t know if our life has a purpose and I don’t see that it matters. What does matter is that we’re a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass. […] We’re in the world, not against it. […] The world is, no matter how we think it ought to be. You have to be with it. You have to let it be.”
— Ursula Le Guin, The Lathe of Heaven
A man holding his baby up to paintings and talking to him at an art gallery
1988 Building in Salvador, Bahia, Brazil (1600x1317)

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“As [the building] weathered without mellowing, it reflected Wurster’s opinion that a school should be a rough place with many cracks in it. Perpetually unfinished, Wurster Hall was an open-ended and provocative environment for teaching and questioning” - Sally Woodbridge about the Wurster Hall.
Vernon De Mars / Donald Olsen / Joseph Esherick: Wurster Hall (UC Berkeley), Berkeley, California, USA, 1958–1964
http://sosbrutalism.org/cms/15892267
Photos: © Hector Abarca / Chris Rooney 2019
Gunhed - Newtype 100% Collection