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I don't have many wips, I have yet to recover from hashimada week, so most of my projects are either in the form of incomprehensible sketches or ideas yet to be put on paper
well, I do have what I'm currently working on
both are absolutely unrelated, but yea.
other than that, I have sketches. they will or will not make it into finished pieces, who knows, but well, that's what I can share :3
regular madara, ghost madara, and lately zetsu? I'm thinking about it and how to make it actually interesting for me. I don't like this character mostly because it is blend and underexplored... but I think I could do something with it
I think I'll do a post abt it
it is linked to Zetsu, Amaterasu and Kaguya. idk, I want to have a try at Kaguya's backstory :P it goes along with Zetsu, so yea
aaand kny sketches. been rewatching it with my brother and I really like the tsugikuni twin. love sibling angst ok
in case anyone is looking through the notes trying to find the original artist it’s will mcphail !! feel free to check out his site but also here are some other things he made too !!
I'm not someone who has a lot of wips usually, I tend to finish stuff before I start the next thing so the only actual wip I have is the one I'm currently working on
Don't look to closely it's still a mess
I do, however, also have a fic wip 🫦 I didn't see any rules soooooo
Heat. A throbbing pain; light so blindingly bright it penetrated through his eyelids, and then—a cool, soothing sensation, spreading from his forehead to the rest of his body.
Was this what death felt like? A bit—odd. The cold was nice, but he was still in pain. Wasn't death supposed to be painless? Had that been a lie? Or maybe he just wasn't dead.
Izuna frowned, and was surprised he even could. He tried to concentrate on his limbs, tried moving them; they were mostly numb, except for the dull ache stretching throughout. The cold sensation from earlier wandered down to his chest and—
Was that chakra? Was someone healing him? Was he—
Alive?
His eyes fluttered open, and there it was. The world of the living. And also—
Senju fucking Tobirama.
A surge of adrenaline rushed through him, and suddenly his limbs listened again; he jolted up, forehead crashing against his enemy's in full force. Izuna was too panicked to really register the pain though—instead a hysterical screech exited his mouth, as he shoved the cursing man away with tiny hands.
With—
With tiny hands?
His eyes darted from his tiny fucking hands to the huge fucking man in front of him, brain completely and entirely unable to parse the situation—
What the hell was going on? Why was he alive? Why was he with Tobirama and why was he so small?
“Calm down,” Tobirama finally hissed and grabbed Izuna by the shoulders with his almost comically large hands. Right. Maybe it wasn't that Izuna was small, maybe Tobirama was just big.
And maybe Izuna had a concussion or was on drugs. Both very possible. Both very likely, now that he thought about it. Not that thinking was currently working very well.
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I think one of the top 5 funniest panels in the manga is when the fourth war resurrected gang comes across madara's severed legs. And Hashirama puts his hand gently on the crotch. And tobirama says something along the lines of "There is no time to be sentimental". What can one even say at that point . The jokes write themselves.
Me when people tags things as b×a: but... But do you mean that? Do you actually mean b×a? Do you use b×a and a×b interchangeably??? Or do you use the old rules?????? Which is it??????????
This used to be so easy 😭 bring back old shipping conventions for clarity......
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Last night I dreamt that there was this new thing called a "make ticket". Make tickets were keepsake/collectible items about the size of a library card, and each one was handmade by an artist with the materials they used while making a fully realized piece.
Artists would repurpose what got discarded naturally during the creative process, or finish off any excess left over after they were done—sections of notes and first drafts, clay off-cuts fashioned into small rectangular slabs, oddly shaped fabric scraps seamed together, extra paint on a little piece of canvas.
Many were turned into miniature collages in order to reach the dimensions that people had come to expect from make tickets, or to showcase component materials that might not be visible in the completed work. It was all very zero-waste and behind-the-scenes-y and so incredibly fun.
I was given one from a painting, which looked like this:
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