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just saw pictures from mike flanagan carrie
okay serious fucking question, must he de-fang every female character he touches?
mike, it's actually more interesting for audiences that margaret is an abusive religious fundie (and also a victim of marital rape) who tries to literally beat the idea of sin into her daughter, it is actually TIMELY to adapt that correctly at this particular american moment. WHY is he so scared of every piece of source material that has ever been handed to him? i MUST know
you're laughing, mike flanagan wants to do gilmore girls with telekinetic rage and you're laughing
Perhaps that is why he's adapting the religious angle out? For fear of right-wing pressure?
he made a whole religious horror series that was quite popular
this letter jacob wrote to his hair stylist (verne anderson) this season…feeling even more emotional about it now
do you think the inevitable divorce will make Taylor Swift’s music better or worse
Maybe it will make her stop making music and turn into a hermit living on an uncharted island in the Pacific.
me when i engage with something that i know is gonna piss me off: wow that pissed me off

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Hey does anyone know wtf is going on with Taj Jackson
@gothicmj
Hey does anyone know wtf is going on with Taj Jackson
Angela Bassett yay or nay
yay
nay
YAY. ALL DAY. EVERY WHICH WAY. HOORAY.
Girl….what did you think of THAT Claudia scene?
omg i was TRYING to wait until post-finale to vent all my feelings but aaahhhhh twist my arm
Honestly ever since ppl started vaguely teasing "anti-blackness in ep6" ive had a tightness in my chest. I was so nervous for weeks and weeks and really built it up in my head as this big horrible thing, so when I finally sat down and watched it...it kind of underwhelmed me at first? My immediate reaction was one of confusion...because nothing about the character we saw in ep6 resembled Claudia. At all. I was so bewildered it took me sitting with it a while to even feel upset about it.
Which could also be attributed to how ineffective the writing is this season, bc none of it moves me. The jokes don't make me laugh, the 'romantic' parts don't make me feel tender, the tragic parts don't make me feel sad...even the most vile/over the top cruelty barely makes me feel anything. I didn't even feel bad for Louis in this scene!!!! Bc none of it felt real (and also bc he barely seems to feel anything about it himself. they aren't even invested enough in their own flogging of Louis to show him suffering over it...Louis tried to kill himself when he heard Claudia's voice in 205...Louis and Claudia parted on far less hostile terms with a heartfelt goodbye in 106 and Louis wanted to kill himself then. Louis would be ashes rn if this shit was serious!!!) This is a show that used to be a GOTHIC HORROR MELODRAMA ROMANCE all genres that LIVE on heightened emotion!!!!! And this season is a cynical dry passionless husk......they've really bled all these characters of their human essence and rendered each and every one of them a cardboard cutout of themselves. It's the most insane waste of potential I've ever seen.
The thing about this episode, is that it convinced me that isn't an accident.
With all the constant in-text mocking of iwtv ("missing the psychodrama of Dubai?", Lestat laughing at Louis's turning speech, mocking Louis's romanticizing of Dreamstat, the constant calling Louis a liar and ripping apart the book full of his words without meaningfully calling out any specific part of his account...Lestat is not pissed off at Louis bc he made up a ticket pocket, like to this day we do not know what exactly in this book is the big lie he's mad about. and he's spent the whole season being mad.....meaning the point here is not to dispute or provide a contrasting POV, but only to ridicule and illegitimize) and the marketing push to court a new audience, it seems like their final push to distinguish tvl from the thorny, nuanced, deeply emotional, queer niche critical darling that it once was is to make this season of television a hit piece on its first two seasons. Every single choice seems like it was purposefully made in order to spite the original series and everyone who ever loved it for what it was (with a special personal vendetta against the person who was heart and soul of that series, Louis/Jacob).
Its only natural that this season's climax is to attempt to retroactively destroy the emotional core of s1-2, which is Louclaudia.
Louis's story is a story of grief. The common jabs people like to throw at Louis about him being whiny or passive or brooding or a sad sack or whatever - that's because his whole character is built around the concept of grief. Louis is the embodiment of a mother's grief over losing her child, the grief Anne Rice was consumed with when writing IWTV. He is grief personified.
(From The Vampire Companion)
The IWTV novel does not exist without Anne Rice's incredible love for and grief over losing her daughter, and Louis's story does not exist without his incredible love and grief over Claudia.
At first I thought they were honoring Louis's characterization by having his storyline continue to focus on his grief. I had my doubts about the Regina plotline (bc what else do they have to say now about Louis other than 'he grieves'? what does this plot add? isn't it just a retread of his journey in s1-2? if he immediately regresses, what was the significance of "I own the night"?), but the core of it is still Louis's love for Claudia, and Louis's grief wouldn't fade away overnight just because he grew as a person. I was actually pleased that in The Lestat Season, Louis was allowed to spend his time, not thinking about Lestat, but still focused on Claudia, even as Lestat spends all his time bitching Louis out (which is also kind of a 105 retread now that I think about it).
But what episode 6 revealed to me, was that the new addition they had for Louis's story was to undermine his grief. Louis was wrong to grieve, he was selfish to grieve. The person Louis exists to grieve not only hates him, but hates him for grieving her. In the hands of the writers of s3, Louis's love for Claudia is forged as a weapon against him, and his pain at her loss is an indictment of his character.
S3's Claudia is angry with him for grieving her. The first thing out of her mouth is "couldn't keep me on the wall". Claudia, who knew all too well (and according to s3, actively weaponized) Louis's incredible depth of love for her, is upset that the person who loved her so intensely mourns her....why? It doesn't make any sense for her to feel this way...of course Louis mourns her, and always will. Would she rather have vanished from the world without a trace, having left no one behind who loved her enough to care she existed? Would she rather have burned in a house fire when she was 14, died alone and unwanted as an unnamed casualty, the way Lestat said was her destiny?
It's not only nonsensical, it doesn't feel like the character. Claudia, who was so desperate to be loved and seen, to belong, to be "put first" by someone.....begrudges Louis for doing just that? Miss "picked another one over me/never about me" would rather Louis never say her name again??
I really can't even see this being as representative of Claudia in any way. So much of what they have her say in this scene goes directly against her character, and, despite all its overwrought viciousness, she doesn't even take Louis or Lestat to task for some of what we know she saw as their greatest offenses!!!!!!!!
Things Ghost Claudia Mentions:
-Louis grieving her. She, in essence, tells him NOT to grieve her, implies it insults her to grieve her, "burn her diaries, burn this dress". Like I said, this is not something Claudia would fucking say lmao even if she was speaking from a place of deep anger, she would not want to be erased, even if the dress on the wall is just a symbol to remind Louis that he fucked up, and that she suffered as a result, she would want to keep a record of the damage.
-Louis being 'back with Lestat' (which he isn't, really, romantically speaking. like they are at most back in a talking stage. so its pretty unclear what the scope of her knowledge is bc she knows about stuff like Lestat's "song on the radio" but not their most recent interactions? idk)
-She says she only didn't kill Louis so she could keep him around to do her bidding until she found someone better. I believe there is a book quote where Claudia says something along these lines and thats what they're pulling from (I couldn't find it though..), but in the books Claudia actually needs a companion to survive. She is in the body of a five year old and is emphasized as being very physically vulnerable; regardless of whether bookClaudia loved/hated Louis, there is a practical element to her choice to keep him around.
But in the show, Claudia is not physically 5 but 14 and a prodigious hunter who goes on killing sprees alone. She has no physical need for Louis that would justify this idea of her keeping him around despite "hating" him. Her need for companionship in the show is solely reduced to her emotional needs (and if she hated Louis, he would not fulfill that). You just can't take any of this shit seriously if you watched the first two seasons...Claudia was always returning to Louis, she was ensnared by the coven because she returned to Louis. Louis was dead weight in Eastern Europe, an active hindrance, hallucinating, depressed, why not leave him? He isn't any help to her in that period, which was years of them not getting along; she was the one that spoke the languages, she was the one keeping him fed, she pulls the revenant off of him. She doesn't need Louis to survive there, she wants him. She returns to him time again because she wants him. Meaning disintegrates without him...
(Obvs Lestat is included in her statement about missing them, but we only see her follow Louis...I really thought we would get at least one flashback of Claudia bonding with Lestat or even just missing him like this esp if they're gonna try to sell us on him being "her favorite" but no.....there wasn't even an attempt so i have no choice but to call bs)
-Louis "read the diary pages seven decades too late". I already discussed how Claudia was averse to anyone reading her diaries in this other post so i won't go over that again, but it is another inept writing choice that even when they want to vilify Louis here, they can't do it right. Claudia saying something like "it took too long" for Louis to read the pages eliminates the entire moral dilemma of Louis reading and presenting the pages without her consent...shouldn't Claudia be more upset because he violated her privacy in the first place? Nope...apparently he should have done it sooner...? Not to mention that Claudia took years to open up to Louis about Bruce, so this idea that she was waiting around on him to do something about it doesn't add up...if anything s1 Claudia seemed to scoff at the idea of him being able to avenge her with her "knight in vengeful black" comment. also no mention of Louis killing the coven in her name....which he did do immediately lol....like...
(also the fact they have Claudia chastise LOUIS for crying like the sa happened to him when they literally overlaid her words with Lestat's trauma crashout and textually made her sa about Lestat.................LMAO!! unserious)
-She says she fabricated the train scene (or at least exaggerated it) to get Louis to cooperate with killing Lestat. Obvs there is a whole heinous layer where the train scene was evoking the imagery of runaway slave captures and these white writers decided to have a black character lie about this specific kind of racialised trauma which is fucked beyond compare. BUT ALSO!!!!!!!!! IT JUST DOESNT MAKE SENSE WITH THE PLOT!!!!!!!!!!! Claudia DECIDES TO KILL LESTAT AT THE END OF 106 BECAUSE HE DOESN'T LET HER LEAVE.......why would she return with Lestat if she didn't feel sufficiently threatened? and why would she decide to kill Lestat if he did not force her to stay against her will??
I've seen it floated that this was all Claudia's master plan to get Louis to go with her (even though she hated him sooooo much.........right....) as though she had her whole tearful goodbye and then magically changed her mind moments later and decided to do her big one and concoct a scheme to eliminate Lestat and ensure Louis would be 'on her side' and leave with her. Maybe that's even what the 306 scene is supposed to lead us to believe...only there is no scene of Claudia telling Louis what happened on the train, or ever using that event to convince Louis to turn on Lestat. All their telepathic conversations we hear about Louis trying to dissuade her from killing Lestat, and its never once a point Claudia uses to her favor. Ever. We get "we have no more use for him. He causes us misery with no horizon. I can kill him. You will enjoy it" etc. This idea of "oh daddy Lou he was ever so mean to me do you know what he said he'd do!" is a brand new invention for this scene alone.
Also.................
Uhhhhhh........no Claudia.....it pretty famously did not???????????
"Worked good, didn't it?" 😏 LMAO! They made her stupid??
Also they still can't decide what Claudia was threatened with. We get "I won't defile your pocket, I'll turn your bones to dust" in 106, "Did I threaten Claudia with rape on a train?" in 301 and "He'd do worse than rape me" in 306.....so.......which is it..........
-The blood thing feels too obvious to even be worth pointing out?? But they've invented this weird blood supremacy thing for Claudia to devalue Louis and value her maker more (even though they do have the same blood bc they both have Lestat's blood....that's why they're like....siblings....). When Claudia hated the idea of Lestat's blood THROUGH LOUIS being used to create Madeleine (supposedly the only character Claudia gaf about...but she forgot the whole lead up to her turning which was her begging Armand to do it for this very reason....mkay)
-And then ok the whole slave thing. Yes Claudia used the word "slave" in s1. But the context is everything when it comes to black characters using this kind of loaded language. Claudia uses "slave" in s1 specifically to refer to their lack of agency as long as Lestat is around. Claudia uses that very loaded language privately to Louis telepathically in order to emphasize the dire nature of their (shared!) situation! And obvs that phrase has a special resonance for them as black ppl living under the thumb of a white tyrant, and references the racialized nature of Lestat's control and abuse of them! She's saying "he treats us like his slaves! this way of life is not acceptable! we have to act!" Claudia was never using that word as an insult against Louis!!!! She used slave ONLY EVER TO DESCRIBE THEM BOTH!!!
Funny how the context of that word from its first use in a season that had black writers has been completely warped into blatant white supremacist ideology in a season without black writers...a phrase exchanged privately to discuss the oppression shared by black characters in order to encourage rebellion in s1, has become an excuse for a racist tirade from one black character to another in front of a white character in s3...
Also making Claudia spout this anti-black nonsense shows they never paid attention to her character bc she was the one most explicitly calling out Lestat's tyrannical whiteness; besides "he's made us slaves" she makes a lot of comments in 107 that align Lestat with violent white supremacy (calling Bach, which Lestat likes, the music of the master race, "Massa's had so much pain in his life" explicitly calling out that she and Louis should not give a fuck about the pain of their oppressor, "well-dressed tyrants, where have I heard that before" when Lestat compliments Nazi tailoring basically calling Lestat one of them). Like as much as Louis would go back and forth with Lestat about racism, Louis doesn't rly ever call Lestat out as espousing white supremacist thinking as harshly as Claudia does.
(Tbh they kinda fucked up this aspect of her character in s2 with her...y'know...dating a Nazi sympathizer and never giving Madeleine anything more than a raised eyebrow about it, but she was never fucking antiblack...and she at least has that "Armand's skin is darker than yours" comment to show race (and the race of Louis's partners) is a thought in her mind...the more i reflect, the more i acknowledge issues with s2 Claudia but my word i never would have foreseen this....)
This slave stuff combined with Claudia misusing nappy (bc that among black ppl means unkempt hair, and Louis's hair was extremely kempt in the scene - but ofc if ur nonblack and racist nappy just means any black hair so), "bleak black life" sounding like some bullshit from The Help, Claudia speaking to Lestat and referring to Louis as "your black queen" which is not a phrase any one of the three of them would ever use LOL, and even just Claudia's repeated use of "bitch" which is also not a word we have heard Claudia use - it's one of the most aggressively straightforward black stereotypes ive seen in modern media. They took a complex, beautiful black character who was treated with so much love and care for 2 seasons and made her an Angry Black Woman.jpeg. I know they wanted to work in a "MHMMMMM" or "OH HELLLLL NAW" sooo bad. Like Claudia's whole vernacular is different!!! She did not talk like that!! It's like every racist fanfic in this fandom ever!!
Things Ghost Claudia DOES NOT MENTION:
-ANY of the abuse suffered by her or Louis!!!!! In Claudia's last moments on Earth she was fighting through the pain of her slit ankles to cuss out Lestat for dropping Louis like an egg. She offered herself to be punished in Louis's place in 105, and then spent painstaking months nursing him back to health after he was dropped. One of the biggest rifts in her relationship with Louis was when Louis would not leave Lestat despite his abuse of them. Not a single mention of this from the ghost. Even if they wanted to focus on battering Louis in this scene, they didn't even have her bring up Louis choking her in 107, physically stopping her from burning Lestat's body! None of the physical violence that tore apart that household even gets a passing reference.
-Louis ruining Claudia's plan to kill Lestat. Louis's big misstep with Claudia was, in her mind, "choosing Lestat over her". Louis felt unable to leave Lestat in 106. Louis slit his throat, but wouldn't burn him, so they couldn't move on post-NOLA, and lived in fear of his return. She was calling him "dead weight" in Eastern Europe. He carried Lestat, "slowed them down". This was the principle grudge against Louis Claudia carried with her after s1, and it also is not mentioned.
-HER MAKING!!!!!!!!!!!!!! The biggest fucking thing about this character in the books and show is that she forced into a child body for eternity without her consent!!!!!!!!!! It's the original sin of the unholy family, the first wedge to ever be driven between them, a point of contention between Louis and Lestat, Louis and Armand, Claudia and Louis, Claudia and Lestat, THE COVEN who kills her; it's the choice Lestat is haunted by in Body Thief! "Should she have been made or was she a mistake?" "Can she endure, or is she doomed by the circumstances of her birth?" "I WAS STILL BREATHING, WHY DIDNT YOU TAKE ME TO A HOSPITAL! I COULD HAVE LIVED A NORMAL LIFE SWEEPING FLOORS NURSING BABIES!!! WHO AM I GONNA LOVE, WHO WOULD WANT ME!!!!!" Even as late as the trial, Claudia is upset hearing about the extent of Louis's involvement in her turning. SHES IN ETERNAL VAMPIRE HELL BECAUSE SHE WAS MADE!!!!! BY THESE TWO MEN!!!!!!!!!!!! if there was ANYTHING the real Claudia would have screamed at them about it would be this!!!!!! AND HER GHOST DOESNT BREATHE A WORD ABOUT IT!!!!!!! It's so fucking egregious, you have to wonder if any of these writers watched the show
-The Regina stuff????????? If Claudia knows about Lestat's music career, surely she would have witnessed what Louis's been doing too, right? That's not something she would have some shit to say about?? If its the roast of Louis like how is that not her opener. "Yes its really me and not that broke bitch you paid to be my stand in". The Regina plotline truly had no bearing on anything ig
-Charlie???? This show hates black ppl now so I guess they couldn't have Claudia mourn a black boy (only her white gf they fetishized in the previous ep). but they literally showed a flashback to Lestat forcing Claudia to watch Charlie burn THIS SEASON (reshot with Delainey) and drew a parallel to Lestat watching Nicki burn. so....why make that parallel and not have that incident be important to Claudia? its almost like they dgaf
Literally everything about this scene does both Claudia and Louis a disservice. Make no mistake, it may seem like Louis is the target here, but BOTH their characters are being mutilated by this season. This person that we see in this scene is in no way Claudia. s1-2 are contingent upon having empathy for these black characters and being invested in the incredible, complicated, heart-wrenching, deeply loving bond they share. The story is built around Louis's grief over Claudia and therefore Louclaudia is the emotional backbone of the original iwtv series. Tvl has shown itself to be deeply committed to undermining, ridiculing, and eviscerating the notion of the Louclaudia bond and their respective integrity as characters.
It sincerely feels like this writers room has a vendetta against the original series and Louis as its protag by extension, and their hate for Louis so great they can't fathom anyone loving him. and Claudia loved Louis deeply despite all the pain and turmoil of their relationship, and they don't know how to write that, so they're dismantling that bond any way they can. It's disgusting and horrific but also kinda fucking boring.....this show was SO revolutionary bc it was a gothic genre show that took black ppl's experiences and pain seriously and centered them instead of sidelining them and handled them with an empathy that is so rarely afforded to us....and its been mangled into this ghoulish hateful conservative slop.
and they want to do a story with a black female villain next season????? fucking lol........like you just have to laugh.......
(even if they do the Merrick thing of it actually wasn't her ghost all along like. we still had to sit through that. it wouldn't actually change anything. the show gave airtime to these ideas. it might even be worse bc then its just using Claudia as a hammer to wack Louis over the head with while diminishing her place in the narrative even more. its a lose-lose)
Hey does anyone remember when a transgender adult man with cerebral palsy got top surgery of his own accord and then posted about it in celebration, and then transphobes:
Lied and said he was non-verbal
Lied and said he was incapable of communication
Lied and said he had not gotten the surgery of his own accord
Lied and said his "guardians decided [he] was trans"
Got MGT to call a procedure done on a consenting adult "criminal" just because he had cerebral palsy
Mass reported his video and his account, which he ran, until facebook terminated his account for "child exploitation" despite it being his account, him being an adult, and him not being exploited
Ableism and transphobia are inseperable. Just like ableism was used to prop up bigotry throughout history, now it is being used to deny transgender people bodily autonomy the same way it is used to deny disabled people bodily autonomy. It's not a coincidence that so much of the rights transphobic rhetoric is focused on labelling us as "mentally ill". They don't think any disabled people, let alone mentally ill people should have independence or liberation.
<p>Micah Leroy, who ran the account known as “Disabled Trans Boy” on Instagram, became the subject of a right-wing hate campaign after he po

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PBS and NPR were never beholden to the US government.
The Corporation for Public Broadcasting was created so that the US government could fund public media without public media being influenced by the government. It was a private non-profit funded by the government, not a part of the government itself. This is by design. This was a good thing. It meant that even small local TV and radio stations, could afford to create media for the public good, without government influence.
This meant TV and radio stations for poor communities. For non-english speaking communities. For rural communities. For minorities. It meant that free and accessible media could be created for everyone, even if the government didn't like it.
That's why conservatives defunded it.
Because if they couldn't control it, and if it helped the people they hated, then they would have to destroy it. Do you really think that a fascist government would defund their own propaganda machine?
Not only is the idea that PBS before being defunded was propaganda wrong, but ignores the fact that defunding it is going to have long-term negative effects on vulnerable communities.
OP of the post in the screenshot called me an idiot and blocked me for pointing this out. So I'm setting the record straight. The CPB was never our enemy.
So, I think there are some important things I should address.
First: The show in question, PBS Origins, has been running since 2017. They have been focusing on these sorts of topics the entire time. This is not the first time the channel has discussed the US government's role in genocide and slavery. It's not the first time it has criticized the US government. It is also not the only shown on PBS to have ever done so.
Second: People have considered PBS and NPR to have a left-wing bias for a long time, even before it was defunded. That's why conservatives wanted it defunded, and why they had been trying to defund it for decades.
Third: PBS and NPR did a lot more than history and politics. Weather reports, local news, children's programming, cooking shows... Something like PBS Origins, even an episode as provocative as the one in the OP, would pass under the radar of most people, especially because it doesn't usually play on TV. (It's made primarily for YouTube)
Third: Defunding the Corporation for Public Broadcasting was not an easy task. It took decades to finally pass a bill doing so. It was not something the government could just do at the drop of a hat if PBS did something the current government didn't like.
And, finally, and most importantly I think: The Corporation for Public Broadcasting funded the creation of radio and TV programming in underrepresented communities, such as Native American communities, rural communities, poor communities, non-English speaking communities, etc. Not only does that mean these communities were able to create programming relevant to them, but those programs were also sent to other stations which could be broadcast. And thus the political opinions and discussions of issues that affected them could be shared. So, even if the big productions were being influenced by the funding from the government, the small independent yet still funded by the CPB broadcasters made up for it (IMO) by making the opinions of underrepresented communities more visible.
I feel like maybe, in the year 2026, society should be above writing a scene where a woman says she lied about rape threats from her parent and abuser in order to manipulate her other parent, but the writers of AMC’s The Vampire Lestat have proven otherwise.
It seems like people are automatically assuming that ghost Claudia is 100% telling the truth in regards to her feelings towards Lestat and Louis rather than saying things she knows will hurt Louis out of rage at being stuck in purgatory while he reads her diary entries to her rapist and gets back together with his ex who abused her. Ghost Claudia is clearly in so much pain over her death and separation from Madeleine and is lashing out in the only way she can.
I really don’t think the seance is retconning the Louclaudia relationship into her always having preferred Lestat. I think it makes it clear that Claudia was more easily able to manipulate Louis than he was aware of, or wanted to be aware of. But I also think the ambiguity and the fine line between love and hate remains.
we're gonna see a lot of this over the next month or so i think
music video for the bridge, directed by Yasser Abubeker, photography direction by Diara Sow, July 2026

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to those who keep claiming that armand’s diabolically low screen time is justifiable, since he is not in any way the main protagonist: have you read the vampire lestat? armand plays an immensely important role in flashbacks to paris, where he is at his most desperate and unhinged self. it is a crime that they did not adapt the complexity of armand and lestat’s relationship, how armand begged for the other to love him (“what can i do to make you love me? what can i give? the knowledge of all i have witnessed, the secrets of our powers, the mystery of what i am?”), how lestat hovered between desire (finding him unspeakably beautiful) and fear (seeing how mad he was), how he saw that scared little boy in him (“in this broken child were centuries of evil and centuries of knowledge, and out of him there came no ignominious entreaty but merely the soft and bruised sense of what he was”) and how in depth he understood armand despite being utterly afraid of him. they did not show us the tower scene. no depth to armand. “love me. you have destroyed everything! but if you love me, it all can be restored in a few form”. armand shared with him his own story and the story of marius. later, as lestat met marius in person, they had a long conversation about armand and how marius perceived him as a bitter regret. where is the depth? where is that context? this is not about us getting all angry about not seeing assad’s pretty face, but he is one of the most important characters in the chronicles, a crucial part to tvl itself, and he has been completely erased from it. not even just erased, but also reduced: reduced to something laughed at and humiliated at every possibility, while being called, respectively: “a rag doll for sale”, “cruising the streets”, “tart”, “rotten”, “piece of mold”, “pussy”, “bottom twink sociopath”, and “boring to death”. hey so. uh. what the fuck?
Book that was good: I liked it 👍
Book that was bad: this sucked 👎
Book that I wanted to like but which failed to live up to my hopes: I am going to write 10,000+ words explaining exactly why this book wronged me