This is a pre-Way Back story about Blake and his family, in his early activist days. The Federation is not overtly totalitarian to start with, but gradually becomes more oppressive. During this period, Blake also forms an uneasy bond with Travis.
A Fool's Errand (1,536)
Gen
Vila, Blake, Avon
When a mission goes wrong, Vila is certain he knows how to save the day.
No Strings on Me (6,745)
Gen, Teen and Up
Blake & Avon
Blake and Avon are both prisoners of the Federation. Space Command wants something from each of them. Blake has the information on Avalon and her rebel alliance, and Avon may be capable of re-creating teleport for the Federation vessels. A psychostrategist is appointed to deal with both men. He believes that, in order to succeed, he first needs to understand their complex relationship.
One Reliable Flaw (14,030)
F/F, Teen and Up
Cally/OFC, Cally & Blake
The story begins immediately after the episode "Seek-Locate-Destroy". Cally is troubled by the memories of her imprisonment on Centero. Blake offers help, but Cally believes she can only heal if she gets in touch with another telepath.
A Triptych in Blue (930)
Gen, Humour
Blake, Avon and Cally teleport to Adhara VII, where the settlers are celebrating the first anniversary of liberating their home planet from the Federation. Blake is asked to deliver a speech. What happens next is told from their three different points of view.
The Use of Memory (4,853)
Teen and Up
Blake & Avon
Blake needs to recover an important memory; it may not be possible without Avon's help.
Circle 9 (10,175)
Teen and Up
Blake & Avon
At some point during the quest for Star One, Avon makes a discovery that could change the course of events.
Wintering (4,174)
Teen and Up
Avon, Cally, Avalon
Avon is exploring an abandoned rebel hideout on the planet Yar, hoping to find evidence that Blake was there.
Evidence (1,113)
Teen and Up
Blake, Ushton
A pre-Way Back story, in which Blake is a teenager, and we find out why Ushton was sent to Exbar.
Of Butterflies (4,189)
Teen and Up
Kasabi, Bran Foster, Veron, Blake
A Pre-Way Back story. In a makeshift hospital outside the domes, Kasabi is taking care of a group of wounded rebel soldiers. In fact, all of their lives depend on Blake.
A Dream Deferred (6,106)
Teen and Up
Gan, Blake
The beginning of friendship between Blake and Gan.
That I Live (4,357)
Teen and Up
Blake, Jenna, OC
Blake tells Jenna about the massacre of his first rebel group and the events that followed.
The Quality of Mercy (12,657)
Gen
Blake, Avon, Jenna, OC
Blake and a Federation officer who's captured him are stranded together on an icy planet where they must cooperate to survive.
Endgame (4,437)
Gen
Avon
Avon plays chess with the Devil.
What Dreams May Come (8,097)
Major Character Death
Blake, Avon
A PGP story in which Blake is captured by the Federation. He talks with Avon in his drug-induced dreams, and relives some crucial events from the past.
A Dead King (6,480)
Gen, Blake & Vila
Several years before 'The Way Back', both Blake and Vila happen to be hiding in the dome's sub-levels, although for different reasons.
Needs of the Few (5,071)
Graphic Violence
Blake, Cally, Avon, OC
The Liberator crew hold an important hostage, one of the top-ranking Federation officers, whom they plan to exchange for a group of political prisoners. While en route to the rendezvous point, Blake starts having nightmares and a suppressed memory comes to the surface.
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Aged P's remark on Sinofar's first appearance is 'when can we start singing Jesus Christ Superstar' (lol) and then wonders just how the Liberator can't tell ships are approaching (could a planet actually shield a ship from scanners? I've often wondered because that's used in a shorthand for so many things) but it's an excellent set-up, the eerieness of the dead planet is suddenly interrupted by our first ever space battle and it's brilliant, it's dramatic, they're running out of power, they're taking hits, there's alarms blaring, the lights are going and even though this is the third time I've seen this one I'm still on the edge of my seat, everyone's in various levels of panic but they pull together, Blake's plan (drawn on a space ipad, love it) is deeply risky but he's right in that there are no good options here...and it does freak Travis the fuck out as he and the Mutoids try to avoid it-
One iffy special effect later - Aged P's remark, they're grateful that effects have improved since then - and we're finally given an explanation for what's going on, which has always stuck with me even years later, hearing about the destructive civil war, how it led to the nuke of all nukes to be used...and it doomed them all. 'Our children were monsters, or died, or were never born'. like it's haunting, it's why they intervened, though the Aged P wonders who gave them the right to do so, and then takes issue with the fact that despite this being a supposed barren planet there's forests and wildlife - they've only just picked up on this and it's a point I've never considered but...yeah, it is a point, if the entire planet was rendered sterile, how is this possible?
Giroc's meddling would probably come with an epilepsy warning these days, wouldn't it? Though her calling Travis primitive, pompous, and stupid earlier in the episode is a highlight.
We both agree we'd not be able to sleep knowing there's Creatures out there, though, how Blake or Jenna even managed to attempt it we don't know. Meanwhile the Travis-Mutoid moment is always interesting given there was apparently a history between him and Keira, and also opens questions about how someone comes to be modified like is this yet another horrible fate for anyone who dissents? And yet it's referred to as modification with people opposing it so it's obviously well known and yet who would willingly do this to themselves??? All these questions and yet I don't think we ever get answers.
Then we get this hilarious scene up on the Liberator:
Avon: I'm going to get some sleep.
Vila: How can you sleep with all this happening?
Avon: With all what happening? Blake is sitting up in a tree. Travis is sitting up in another tree. Unless they're planning to throw nuts at one another, I don't see much of a fight developing before it gets light.
Which made us both laugh but then, then, we get the best line of the entire episode and maybe even the entire series - his response to the assumption that he doesn't care about anyone.
Avon: I have never understood why it should be necessary to become irrational in order to prove that you care, or, indeed, why it should be necessary to prove it at all.
Like this line also lives rent-free in my mind, back when I first watched it years back I not only posted it on tumblr but also added it to my list of quotes on my FFN account like it's just so good because he's right, for one thing, he's completely right and the Aged P agrees but also, also it's yet another line that speaks volumes about him and that's what makes it great, I always think of it because it is an important part of his characterisation...and I love it very much. It's one to remember.
Then Aged P and I both despair at a) Blake's decision to go look up a tree without Jenna despite knowing enemies are actively hunting them and b) Jenna's decision to not only go and investigate a noise but not even let Blake know there was a noise like why???? Aged P compares it to Classic Who companions who never stayed by the TARDIS when they were told and lo and behold, Jenna's captured by the Mutoid...though Travis also proves his stupidity because despite having been told by the Mutoid she needs blood (and despite having just said she could feed off Blake's companion) then bars her from doing so, which proves his undoing.
Both fight scenes are excellent but Blake makes the right decision in not killing him because he understands (Avon's shake of the head and his little smile is another good moment because he knows Blake won't do it). He learns the lesson, whereas Travis does not - Aged P thinks it's kind of a shame that he didn't learn anything from it but then compares him to Captain Ahab so isn't surprised, and they're right, he's never going to swerve from his goal, he is completely irredeemable and it only gets worse from here.
And this is certainly one of the strongest episodes in the whole series.
It was getting much warmer, the summer sun quickly climbing up the sky and shortening morning shadows. Roj opened his eyes drowsily and saw his lover gently toying with his curls. Cral was looking at him thoughtfully. He seemed to have been awake for much longer. Roj hugged his naked shoulder, drew him closer and kissed him.
"Cral," he said when they finally separated. "There's so much I want to tell you. About my father and how he died. About what they did to my friend Ida in the Rehab Centre. When you learn it, I know – I'm sure you'll think differently about the administration, about everything."
Roj noticed with some unease that Cral avoided eye contact. Instead, he was looking at Roj's hands; he took one of them and interlaced their fingers.
"And I'll hear you out," he said. "I want to know everything about you, Roj. But don't expect me to become a political criminal for your sake. On the contrary, it's you who must change. You must promise me you'll leave all this nonsense behind. The Outsiders, the riots, the dissidents. Trust me, you can't win. You won't be able to make any difference. If you don't get out of this, it will only get you killed."
Roj didn't say anything. Even based on the few brief encounters and conversations that they'd had, he sensed, intuitively, that Cral was entrenched in his views. Converting him would not be easy, nor could it happen overnight. But Roj loved a good challenge, and he believed Cral was worth the trouble.
The long conversation he anticipated could not happen on that same day, though. They both needed to return to the dome urgently, before their absence raised suspicion. Roj parted with Cral and retraced his steps through the same old tunnels and service corridors which he had passed on the way out.
For the next few days, he was busy searching for a way to neutralize the suppressants in food and water. He consulted with Aran and relied on her expertise to find the solution. Meanwhile he made reserves of water from the spring he had found outside, and bought food from the free traders who smuggled their goods from the non-Federated worlds.
He waited eagerly for a message from Cral. Even after their love-making, Cral had remained closed and secretive. He would not give Roj any contact details, nor tell him anything about his unit, about where it was stationed or what his daily duties were; so there was no way Roj could reach him first or initiate their next meeting. All he could do was wait, wait for Cral to get in touch, and meanwhile plan what he was going to say, work out the best way to explain his struggle to Cral and win him over.
When the message finally came, Roj realized that he had been planning in vain.
Roj,
I won't be able to meet you this week, or the next. Not for the next two years, in fact. The conflicts in the Outer Worlds have escalated and there is an urgent need for reinforcements. I'm leaving Earth this very day.
They are sending me to Zircaster. It's bad there. The uprising is violent and the troops are getting killed every day. Yes, the rebels too. I know you care more about that lot. Me, I just want to survive. And if possible, protect the lives of men under my command. It won't be easy. But if I make it, and if I do well, I will be promoted. Then I can come back to Earth, and we can be together.
Roj, I wish I could see you one more time before I leave, if only for a short while. Then I could make you look me in the eye and promise me, swear, that you would keep out of trouble until I return. But since I can't get that promise from you, I can only hope that you will do as I ask. Finish your studies, take the job the administration has assigned to you. Live quietly and wait for me. For while I'm freezing in some muddy trench with one meal a day, under laser fire, I will think of you and hold on to the hope that you are safe.
Yours always,
Cral
"Cral," Roj wrote back,
What you ask is impossible. Much as wish I could see you one more time before you leave, meeting you face to face would not change my mind. I cannot make the promise that you want me to. I cannot ignore the terrible injustice in this society and focus only on personal happiness.
I wish you could stay. I wish I had time to explain to you that serving the Federation is wrong, and that you should quit, side with me and join the rebellion. But you haven't given me a chance.
I will be here when you return. But I expect that by then we will be two different men.
Love always,
Roj
*
Two years later, Roj Blake and the members of his rebel cell found themselves surrounded by the black-clad troopers who appeared seemingly out of nowhere, having waited in an ambush long before the rebels' meeting started.
Blake raised his arms, looking into the eyes of his former lover.
"Cral, we are unarmed. We surrender."
Space Commander Cral Travis returned his gaze coldly, without saying a word. Then he ordered his men to open fire.
When beggars die, there are no comets seen.
(Shakespeare)
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not to be all Blake/Avon on main but the scene in Duel when they're having this conversation:
Blake: Have you got any better ideas?
Avon: As a matter of fact, no I haven't.
Blake: Does that mean you agree?
Avon: Do I have a choice?
Blake: Yes.
Avon: Then I agree.
while Avon is literally holding Blake in his arms and with Paul Darrow delivering every line with this odd smile like the madman he is
Can you actually blame me for going a little bit insane
Day 1: Favourite Series
Day 2: Favourite Episode
Day 3: Favourite Female Character
Day 4: Least Favourite Female Character
Day 5: Favourite Male Character
Day 6: Least Favourite Male Character
Day 7: Favourite Friendship
Day 8: Favourite Romance
Day 9: Least Favourite Series
Day 10: Least Favourite Episode
Day 11: Best SFX / Most Woeful Use of SFX
Day 12: Favourite Villain
Day 13: Favourite Guest Character
Day 14: Character You Relate to the Most
Day 15: Character Who Didn’t Get Enough Screen Time
Day 16: Best Use of a Hoary Old Trope
Day 17: Two Characters You Wanted To Get Together That Never Did
Day 18: Favourite Liberator Moment
Day 19: Favourite Scorpio Moment
Day 20: Favourite Outfits
Day 21: Favourite Fanon/Headcanon (Cracky Opinion You Hold)
Day 22: Favourite Audioplay
Day 23: Favourite Cliffhanger
Day 24: Funniest Moment
Day 25: Moment When You Knew You Were Caught
Day 26: Favourite Fanfiction
Day 27: Favourite Scene
Day 28: Favourite Quote
Day 29: Your Song/Fan Mix For The Show
Day 30: Would You Like to See Modern B7 Remake?
Typical for 70s arc-television-doesn't-exist-yet, last episode saw Travis trying to follow Blake wherever he was going, and now we see Travis on an ice planet trying to get ahead of him. Presumably time has passed, but the continuity jump seems jarring from my perspective.
"Does it support intelligent life?" "Does the Liberator?" So unnecessarily catty, Avon. No wonder everyone just rolls their eyes and lets him get on with it.
I like how we're being introduced to Avalon here, smatterings of reasonably naturalistic conversation that clues in the viewer as to who she is and why she's important.
Travis is so good at his job. He doesn't apparently know what Avalon looks like, given that he has to ask who Avalon is.
One of the key lessons of Blake's 7 - if you narc to the Federation, they're just gonna fucking kill you, idiot.
The space anoraks have magical technological heating properties! And yet they still need to add fuzzy hoods, apparently?
Travis ordering an expendable prisoner, and barking for the mutoid to detain one if there isn't one, is fucking abhorrent. Damn, the Federation is awful.
Does...Avlon need to be mostly naked in the CT scan machine?
God, Travis is so smug. I do love this incarnation of him - he's less shouty, still brutal and ruthless but a lot more snide with it.
It's not a Plot Hole or anything, but does the Federation have an actual reason to know what the Liberator is called?
It's weird that Vila actually seems more reluctant to be here doing space hero things than Avon.
SERVALAN SERVALAN'S BACK YAY SERVALAN
See, this is what I mean, Travis and Servalan's conversation is very diplomatic, very careful. Travis hardly gets angry outwardly even though we know he's boiling over.
If you didn't think the Federation was evil already, here they are planning to Definitely Do Horrific War Crimes The Likes Of Which We Couldn't Imagine to Blake and co!
(My mum just came in to ask me something and ended up standing there soundlessly (I am using earphones) watching the episode for a couple of minutes with the biggest :D grin on her face)
(She used to pretend her parents wanted her home early on B7 nights so she could watch instead of playing out)
Gan watch: essentially just a background spaceship guy whose role is to give Spaceship Updates
You know how I said it was interesting how everyone defers to Blake? It's really interesting how, when a crisis happens in his absence, Avon naturally ends up taking the lead despite little trust towards him from the others. Foreshadows S3...
Interested by the disparity between the Liberator guns (more obviously sci-fi and plasticky) and the Federation trooper gun (looks more realistic)
Sparky pew-pew gun corridor fights. Has Star Wars come out by now, I wonder? Google says yes. I mean, this corridor fight is not without tension, but it's clear that action sequences are not where the BBC's talent (or budget) lies.
It occurs to me that having just one (1) teleport button is poor design.
Some good background business from Avon and Gan while Blake's figuring out the gun's weird. And it's cool that Blake is working this out himself! I mean, narratively. We get to see his smarts too. Even if they reach the wrong conclusion because the real one is, frankly, outlandish.
(Don't get me wrong, it's horrifying, it's just not where my mind would immediately go.)
You know, it's occurring to me that the innocent seeming woman being a secret Trojan Horse/traitor is used a couple of times on this show...
Okay this stage fighting is. Kinda silly looking,
Avalon just dropping the virus ball, however, is...well, writers dripping the ball. She could have just crushed it before Gan and Jenna jumped in, she had time.
Also, the robot's effectiveness is very show-don't-tell - Avalon doesn't have any more than a handful of lines.
Blake being fully ruthless here - Servalan's self-preservation is always a higher priority to her, otherwise I think Travis would have called his bluff and Blake very much would have done it.
Contrariwise, him not killing Travis here makes more sense - he still wants to get Avalon out!
Damn, is the end of this episode where we start to shift from Travis being the Major Threat to Servalan? Hmm...
Roj got up, turned and saw Cral pointing a paragun at him. Suddenly he realized that this must have been the single trooper he had seen patrolling in the valley.
"Why are you outside? What are you doing here?" Cral asked.
"I was looking for fresh water," Roj replied angrily. "The water in the domes is drugged. You know that, don't you?"
Cral shrugged. "Better this way."
"Better?"
"Yes, better. Peace and quiet everywhere, people going about their business. I don't have to quell riots, to hurt or to shoot anyone. I prefer it this way."
Roj shook his head in disbelief. "You can't really believe that."
"Never mind what I believe." Cral pressed his gun against Roj's chest. "Tell me about the Outsiders. Where are they hiding?"
"I've no idea what you're talking about."
"Don't try that with me," Cral warned. "I saw the girl. I saw her leading you up the pass. But I was too far away to follow, and by the time I caught up, the two of you disappeared somewhere among those hills." He pointed with his head. "Now you're alone. So clearly, she must have been an Outsider, and she took you to their hideout. I have orders to locate them. You'll tell me where they are."
"Not a chance."
"We'll see about that," Cral said, and fired.
*
When Roj opened his eyes, he realized he was tied to a tree. His hands were cuffed to a branch above his head and almost all of his weight rested on them, as his feet were hardly touching the ground. The position was distressing, the metal cuffs already starting to cut into his wrists. The blast from Cral's gun must have been a stun blast, Roj realized: painful muscle cramps throughout his body confirmed it.
Cral saw him coming to, and walked up to him.
"Where are the Outsiders?"
"Go to hell, Cral," Roj said angrily. "I won't tell you anything. I thought you were different."
Cral grabbed the collar of his shirt with both hands and leaned into his face.
"You're still an idiot, aren't you? You haven't got any smarter. You don't realize how bad it is. If you don't talk to me, I'll have to hand you over to Central Security, to their Interrogation Division. They'll torture you. I've seen what they do to prisoners. I – I don't want to see it happening to you."
Again, there was a strange note of warmth and concern in Cral's voice that Roj found so difficult to understand.
"So I'll make you talk."
Cral drew his truncheon. Roj clenched his fists, steeling himself. The severity of the first blow still caught him by surprise. Cral struck him hard across the face. More blows continued to rain down on him, as Cral repeatedly hit his stomach and ribs, and kicked his shins. Those were not the precise, calculated strikes of an interrogator; they felt angry, intense, personal. Roj gasped in pain. Cral stepped back, catching breath.
"Talk, damn you!"
"I can't!" Roj cried, his mouth filling with blood. "If I talk, those people are done for! There are families there, women and children and old folk. They'll all be butchered, or taken to slave pits. How can this be all right with you? You say you care about me. Why can't you care about them, too?"
Cral swung his truncheon again. Helplessly, Roj shut his eyes and turned his head away, expecting another blow.
It didn't come. Instead, Cral took out the magno-key and uncuffed him.
Roj almost collapsed, his body shaking with strain. He dropped on one knee and supported himself with his aching arms. Slowly, he regained balance and stood up, nursing his injured wrists.
Cral sat on the ground nearby, hiding his face in his hands.
"Go," he said. "You're free. Go wherever the hell you like."
Roj tilted his head, confused, wary. Was it a trick? Did Cral want him to go so that he could secretly follow, hoping that Roj would inadvertently take him to the Outsiders' hideout? But Cral couldn't possibly expect him to be so naive. Besides, the man's behaviour suggested something entirely different. Cral seemed genuinely shaken. Carefully, Roj approached him.
"Just leave me alone, Alpha. Go."
"Is this what you really want?"
Cral uncovered his face and lifted his eyes, looking hurt and bewildered. "I don't know," he said. "I don't know what I want."
"I think I do," Roj said. He knelt next to Cral and kissed him.
Duel! It's Duel time! Time for Duel! Aw yeah, homoerotic Blake/Travis fights. (Everything those do is at least kinda homoerotic.)
More mystical stuff! It is fascinating to me how much sci-fi leans into what is more of a fantasy trope. I also really like how these mystical ladies are having conflicts and being human right out the bat.
God, the lighting effects and music make this so eerie, it's a genuinely gorgeous sequence.
That Guardian lady is, however, distractingly nipply.
Travis! And Mutoids! God, Mutoids look so silly.
My favourite Jenna outfit! I love her starry top.
Once again, Zen getting huffy with Blake for ordering him around - really not that different to some of the other crew. Zen is just a person!
Everyone's so mean to Avon. Avon should complain to HR.
Gan watch - today, Gan is bewildered and is seeing sexy women. Who are definitely there, the others just didn't notice them.
More evidence that Blake is somewhat making this up as he goes: I feel like someone with their head screwed on a bit more would be, you know, constantly ensuring they had decent power reserves.
It is fascinating how everyone, even Avon, defers to Blake automatically in times of crisis. Even when they're fighting, even when they're desperate and think they're going to die, they still follow Blake's lead, no matter how much they doubt him.
Blake's little smartboard notebook is so cute - and, you know, anticipates real technology that'd later emerge!
I love all of this. Even before we get to the more formal Duel, this space battle is still a battle of wits between Travis and Blake, in which neither unequivocally wins.
I'm sure this slow-mo sequence felt a lot trippier in the 70s.
Travis being told off by the mysterious ladies for immediately trying to shoot Blake is sending me.
Travis threatening them is also so funny - fun fact, Travis, your Big Important Status ends when you're faced with someone powerful who doesn't give a fuck!
The philosophy of this episode is really cool. I enjoy Travis and Blake being told they have to specifically Take a life - lot more personal when they're in the Hunger Games woods, huh guys.
Those swords are. Obviously not sharp, huh.
I do love that the old lady decides to have Travis almost murder Blake just for kicks. Woman's a fanficcer
But tbr it's an interesting take on the Wise Old Woman Goddess trope - she's not emotionless or infallible or nice. She might be good, but she's not nice.
You know, Travis probably doesn't think it's sad that he has no friends, and that's sad in itself.
I love the cutaways to the gang watching back on the Liberator. Makes me feel like I'm watching Gogglebox
"The Federation's already beaten us once" is such a good observation. They're all failures in one sense, they're actively being hunted, what makes them think they'll succeed this time?
Vila and Gan's bit is also nice - and gives a neat answer to the question of why they're on the team, without explicitly doing so. Where else are they gonna go? They're all high-profile wanted criminals now.
See, this is the shit I love, quiet conversations!
Though...something about the mutoid is turning me off this. I think it's mostly because there's that hint of, well, almost flirtation on Travis' part. Could our mutoid be not a Hot Young Woman? Apparently part of the modifications is excessive eye makeup...
I KNOW EVERYONE SAYS THIS BUT AVON JUST EXPLICITLY SAYS HE CARES ABOUT BLAKE AND JENNA LIKE IT'S NOTHING
Was Travis' little sticks trap really necessary. Like, at all
Intense homoeroticism, love it
Avon's little smug smile. It seems he's almost proud of Blake, even though that technically goes against all his stated principles
One criticism I do have of this episode is it makes Blake seem a little too saintly. I wanted him to struggle a bit more with the idea of killing Travis.
Gan's contributions to this episode: ogling women, apparently?
This is a good one. Even the kinda-out-of-place hippie women thing doesn't make it too far into being overtly silly. Not that silly is all that bad, but still.
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First he had to abstain from drinking water for several hours, until the effects of the drug at least partially wore off. Then he headed towards the sub-levels, determined to leave the dome and look for fresh water outside.
He walked down the corridors, observing the faces of passers-by and realizing with mounting horror that everyone's serenity and quiet mood were chemically induced. The drug slowed him down, too, but he still managed to descend into the sub-basement and open a security hatch with the circuit integrator he had obtained from Restal. Then he passed through a maze of service tunnels and old underground corridors, some of them dating back to pre-calendar times, wet and musty and covered in slimy vegetation. He waded through shallow streams several times, but the water was muddy and rank and not fit for drinking. When he finally emerged on a clearing outside the dome, it was daytime. The sun was shining brightly, almost vertically, on the parched grass, and the heat was oppressive. Roj knew about the seasonal changes in nature, even though most of the dome-dwellers no longer took any notice of them – and he realized it was summer: a warm, dry season due to which his quest for drinking water was going to be additionally difficult.
He clenched his fists, firmly deciding that he would rather die of thirst than return to the dome to drink drugged water. Half-instinctively, he headed east, towards a hilly terrain and the mountains looming misty in the background.
At one point, in the distance, he spotted a single trooper patrolling the area: luckily, the man was not looking in his direction at first, and by the time he did, Roj had managed to find some cover among dry bushes. He dropped to the ground and kept still until the trooper walked away.
He spent several more hours walking, tormented by increasing thirst. He checked his chrono: it was now twelve hours since his last drink of water. He was beginning to experience severe symptoms of dehydration: headache, dizziness, muscle cramps. His mouth and throat were parched. Several times he tried to chew on the stalks of greyish summer grass, but there was hardly any juice in them.
Finally, reaching the first slopes at the foot of a mountain, he heard a faint rumbling noise. Stumbling, he hurried towards it, and on the other side of a hillock spotted a small pond and a clear stream filling it with water. He almost threw himself into it, plunging his head and torso into the water, drinking greedily. It was the best water he had ever tasted. He drank and drank, and then, exhausted, he rolled onto his back on the soft grass on the shore and fell asleep in the mild heat of the summer twilight.
*
"Roj?"
He opened his eyes lazily, enchanted by the quiet of nature. He didn't sense any threat: the youthful voice calling his name merged with the sounds of his surroundings, the rustling of vegetation, the buzzing of night insects, the soft sighs of nocturnal wind.
"Roj, wake up! It's dangerous to stay here."
He opened his eyes fully, finally recognizing the girl's voice and her face, hardly visible in the moonlit darkness. She was a member of Ida's activist group, a Delta girl he knew from the time of their peaceful protests. "Loree?" he muttered. "How come you're here?"
"Not now," she said, tugging at his arm. "We're in the open. There are patrols. Come on, I'll take you to safety."
He got up, then changed his mind and turned towards the stream to drink some more. He ran to catch up with Loree. They reached a hidden plateau and he saw an entrance into an old tunnel. Loree turned on a torch and took him inside, down a corridor and into a wider area that once could have been an underground train platform. There were people there: dressed in all kinds of torn rags and old-calendar style clothes, sleeping in niches, cooking meals on an open fire, talking in small groups. Some of them lifted their eyes and observed the newcomer inquisitively, but seeing Loree, they felt reassured and resumed their activities.
"They're Outsiders!" Roj exclaimed. He had never seen them before. He was delighted to see so many people living out of reach of the Federation's control. No wonder contact with them was strictly prohibited, he thought: they represented a viable alternative to tyranny.
"Yes – I've been living with them for more than a year now," Loree said. "After Ida was arrested, and after that terrible false confession that they forced her to make, I knew there'd be no point in staying in the domes any longer."
"So this is where you've stayed, ever since?"
"No – we keep changing location, every month or so. The Federation wants to wipe us out completely. The Outsiders are massacred, or sold into slavery on the frontier worlds. Our settlements are razed to the ground. In the domes, no one knows that this is going on. My group has been lucky to avoid it so far."
Roj's face darkened. "It's time we stop avoiding the Federation, Loree, time to stop running and start fighting back."
Loree nodded. "He wants to fight, too... He has changed."
"He?"
"Come," she said, smiling, and took his hand. "I'm taking you to meet Bran Foster."
*
He and Bran Foster talked for hours; discussing politics, strategies of resistance, their ideas of a just society. Roj discovered that he liked the old man much more than he would have guessed. He had always considered Foster a moderate; but exile and persecution had radicalized him, too. When Roj proposed guerrilla tactics, Foster did not oppose.
"Precise strikes," Roj explained. "Carried out by small, well-trained groups. We'll blow up communication relays. Arms depots. Factories producing assault ships. Everything that makes the empire tick. And also," he added, thinking of his father and of Ida, "I want to strike at the Rehabilitation Centre in our dome. Free all the prisoners undergoing treatment there."
"Very well," Foster said. "We'll discuss it in detail the next time we meet. Now it's time for you to return to the dome, before anyone notices you're missing."
"Return? No, I want to stay here with you."
"I know," Bran said and placed a fatherly hand on Roj's shoulder. "But we need people in the domes working for our cause. You will be able to bring us news, learn things we cannot know from here. Stay inside, Roj. Pretend for as long as you can that you're a loyal citizen. Recruit more people. Alert them about the tranquilizers in food and water. Find a way to neutralize them."
They parted and established the time and place for their next meeting. Roj left the Outsiders' shelter, feeling more hopeful and optimistic than ever.
He returned to the valley from which the lights of the dome were visible in the distance. The darkness was thinning; it was close to dawn. Passing through a sparse forest, Roj suddenly felt weary after all the excitement of the previous day. He sat on the dry summer grass, leaning against a tree to rest.
He felt the cold metal of a gun muzzle press against the back of his neck.
"I told you to stay out of this," a familiar voice behind him said. "Idiot Alpha brat."