eyezooms @mxskedman
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@mxskedman
eyezooms @mxskedman
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we're about to see deadpool I can't handLE THIS
(strikes match in my heart)
@mxskedman is over and weâre watching Stardust and Lunaâs never seen it before so sheâs making the most adorable little squee noises at bby Charlie Cox
THESE EMOTIONS ARENT MINE TO CONTROL
I CANNOT BELIEVE I AM SITTING IN @ourladyclaire's HOUSE WATCHING STARDUST AND GIGGLING AT CHARLIE COX'S STUPID FACE WITH NIKA AND HER ROOMMATES

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a few upkeep things;Â
new theme >> new iconsÂ
lots of drafts. lots. theyâll be done, slowly, Iâm thinking around 1-2 a day now that Iâm kinda back into the swing of school.Â
speaking of college things, I started a writing blog for a poetry workshop Iâm taking this semester. itâll basically function as a ânotebookâ where Iâll have inspo, art, music, my poems, etc. for safekeeping. link here ( also noticed my birth name is on there, you can call me that or luna idc too much )Â
also auditioning for my schoolâs poetry performance collective in A WEEK oh god Iâm not freaking out youâre freaking out. so most of my time rn is going towards coursework  ( âsyllabus week is a jokeâ lmao say that to my professors... rip ), preparing for auditions ( memorizing two 3-minute pieces and preparing two written pieces ), and planning future projects/a spring break trip to canada? who the hell knowsÂ
I do miss break, aka being on here for a good part of each day, but life is really exciting rn. hope my fellow northern hemisphere-ers are staying warm and in good health!!
      thereâs a kind of sorrow that hangs from her bones, and she keeps it tucked safely within her ribs, a cage inside her chest â- for the most part. in his presence, the weight of it seems to pull her down, and her heart aches with everything thatâs happened between them â- and all the words sheâll never know how to say. sheâd swear the sound of it beating is loud as a drum as she waits the mere seconds between his words, and once upon a time that thrumming would have been all heâd need in order to know exactly what she couldnât say.Â
     things have changed. the space between them molded into something new â something neither of them knows how to maneuver around, it seems, and she hadnât been ready for the tension that swirls around them like smoke, threatening to choke the very air from her lungs. why then, does she keep coming back?
     â i didnât think iâd be back, either. â
     she sees the strain in his face and for just a moment reaches her hand as though intending to touch his cheek. halting the movement before making any contact with his skin, natasha busies herself with rolling the leftover gauze and storing it away before finally giving an explanation to a question he hadnât needed to pose out loud â- though only a half-truth.
     ' you needed my help. â
heâs not sure he believes that either -- his lie detecting talents go wasted on natashaâs steady heart. not a backtracking flutter in sight, even as  â help â reads too shallow an excuse to come all this way. heâs put his body through WORSE; didnât bother her then.Â
perhaps a measure of guilt, or something close to it, does weigh on her conscience. it permeates the air as her hand sweeps the air above his split cheek, another flash of indecision. deathâs tart perfume. matt allows a muted sigh to escape his lips  ( a ghost of contact, flush with her allowance )  &  for eyes to blink shut, if only to display vulnerability as DUE.Â
he doesnât MEAN to appear so desecrated. must be a talent, sustaining overlapping wounds for so long. fingers extend of their own accord. pausing her flurry of precise movement -- he needs to keep himself busy, too. they hook in natâs forearm as question marks, pulling her close once more.Â
â Â Â Â Â Â Â that simple?Â
There is enough treachery, hatred violence absurdity in the average human being to supply any given army on any given day and the best at murder are those who preach against it and the best at hate are those who preach love and the best at war finally are those who preach peace those who preach god, need god those who preach peace do not have peace those who preach peace do not have love beware the preachers beware the knowers beware those who are always reading books beware those who either detest poverty or are proud of it beware those quick to praise for they need praise in return beware those who are quick to censor they are afraid of what they do not know beware those who seek constant crowds for they are nothing alone beware the average man the average woman beware their love, their love is average seeks average but there is genius in their hatred there is enough genius in their hatred to kill you to kill anybody not wanting solitude not understanding solitude they will attempt to destroy anything that differs from their own not being able to create art they will not understand art they will consider their failure as creators only as a failure of the world not being able to love fully they will believe your love incomplete and then they will hate you and their hatred will be perfect like a shining diamond like a knife like a mountain like a tiger like hemlock their finest art
Charles Bukowski, âThe Genius in the Crowdâ (via ebriosity)
new theme courtesy of @aranearum !!Â
At least Iâm good in an emergency, I said, and you said: Sweetheart, you are an emergency.
Nicola Goldberg, from The Prettiest Girl in the Psych Ward

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He must have been in the Christmas crowd,  or one of them. each Mass running together until theyâre all the same mass the same families, sisters, crying children; the same scrum at the parking lot, faces only resolving into focus when the sanctuary is  empty  enough  to  echo  with oxygen pumps in the early morning. He didnât mind not having that burden.
Does he sink back into his old armchair and worry about Matt Murdock? No. And yes.Â
â Â Â Â Â Â Â Youâll have to jog my memory.
if itâs good news, Matt sure doesnât seem satisfied about it.
â Â Â Â Â Â it was, something about a --Â
the sentence stumbles in haste to find some sort of RESOLUTION. whether in the form of acknowledgement, absolution, abhorrence -- heâs not picky with reactions, fleeting & sentimental as they are. matt trusts lantom to lend them clarity. steep inhale ends with mouth tightened, sucking the words back into mindâs vacuum.Â
matthewâs not used to sounding ludicrous;Â he takes himself too seriously for that. tongue wets his lips to smooth passage, enunciated molasses-slow. deliberate as testimony.Â
â      a mind-controller. kilgrave. it, um.       it made me wonder how a man could be allowed       to have so much power. to the point where making       up your mind & being committed to the good fight       isnât even close to being enough.Â
heâs already berating himself for having revealed just this side of too much. Â âthe good fightâ? matt, youâre a LAWYER.Â
      â yeah yeah, bleedinâ out, buzzkill, no sexy times for old men ââ life or death, donât pretend you ainât echolocating my sweet ASS when i sashay on by. â
and for once in his life, dead ears bless him with silence through the painful scrape of damp cloth from red skin thatâs somehow audible through sight alone, enough to warrant the clutch of his eyes in a wince and the low hiss that his tongue presses to the roof of his mouth. and that sweet empathy between humans is always such a bitch, his casual demeanor â- among other physical assets â- shrinking back up inside him as a web of gauze rings itself around his sterile hand in layers. prepping the patient consists only of the two bits of ibuprofen he slips then into mattâs hand.
       â smell that, tiger shark? that thereâs the salty scent of every bleach stick i own being OBLITERATED by the bloodsponge that was once my entire domicile. iâm talkinâ tail-tucked, face-in-the-dirt, coupons-wasted BULLSHIT. all those years of greasy pizza stains completely overwritten by the siren song of some backalley brawl â- itâs the casualties, matty, itâs the price we pay. literally. tide ainât cheap. â a moment to feed the needle through a flame licked out by his old lighter, and now theyâre playinâ ball.  â turn around and think of happier times, kid. SUTURE CITY ainât pretty. â
press of candy-coated tablets in his cusped palm are PROMISES smattering the ground, clinking high like plastic beads. itâs hardly a matter of trusting the resident nurse  ( whose hands are cold & steady marbled, as sure of themselves as they come. heâll lock the words up under his tongue, but clintâs movements are CUTMAN; the iced pressure between winning & losing a match )  -- if anything heâs a stubborn sonofagun who prefers gnawing pain to tickling numbness. the needleâs slip to surrender.Â
molten copper runs down his nostril as gutted abdomen rolls into the straw couch, rotisserie style. Â yeah, the stench of body fluids & cleaning chemicals whiffs up from the cushions to greet his offices. eyes sting like knives from the blanket of hospital bleach & the needleâs tug into flayed flesh, salt-licks bubbling over. his visage crumples against the fabric, which is a SCRAPE in its own right. a GRUNT batters the glottal stop. matthew wastes no time:Â
â Â Â Â Â Â Â Â okay, but did you ever -- Â Â Â Â Â Â Â Â consider a career in POETRY.Â
maybe the couch has some virtues. his teeth clench until the enamel grinds off & pulp cavities grin vampiric, ripping open his mouthâs delicate insides. clint works; it ainât pretty, but at least itâs a familiar agony. in this world, there are few capital-T Truths. heâs lucky to have found ONE, & endures it with stillness learned from his father.Â
â        I donât know about you, but Iâm having a great         time. least weâre not getting shot at. has to          count for something.Â
I wish to show you the darkness you are so afraid of. Trust me. This darkness is a place you can enter and be as safe in as you are anywhere; you can put one foot in front of the other and believe the sides of your eyes. Memorize it. You will know it again in your own time. When the appearances of things have left you, you will still have this darkness. Something of your own you can carry with you.
Margaret Atwood, from
Selected Poems II: 1976 - 1986Â
imcgo:
*gets shot in the leg* âare you ok?â âiâm fine just tired hahaâ

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      â nice try, evel knievel. i already pulled you all starry-eyed outta the frigginâ sewage once today ââ no way am i lettinâ yer clown-nose ass be the blacked out CHERRY on top of this meat pie. and my couch. â
still, a tinge of empathy rings out in a hollow orchestra of been there, done that, same. the clasps of his first-aid kit snap off in two flicks of his thumb. â now take off your shirt and donât waste time tryna be all sexy about it. youâre getting blood on my pillows. â
â     letâs be honest right now -- your couch has seen      way worse than this. least of all from me.Â
escapes smartly on a wince; a cut on his back has been oozing blood into this couch for at least a couple of hours, transfusion style on now-crusted fabric. sitting up would expose the spot  &  heâs in too much agony to deal with clintâs sudden nurse tendencies. clasping the costumeâs collar, matt slowly peels upwards  ( blood & sweat salt-tacky against his taut abdomen ). the rebuttal is muffled by black spandex as it clings to his face, slowly suffocating --Â
â Â Â Â Â Â why would I? critical injuries donât count as foreplay, Â Â Â Â Â Â despite popular belief.Â
I know we are both struggling with recognizing bad things and letting them go but I need you to know: I am the bad thing.
Trista Mateer, excerpt form âLuna Park,â Honeybee